Russian Experimental Fiction : : Resisting Ideology after Utopia / / Edith W. Clowes.

• Superior document: Title is part of eBook package: De Gruyter Princeton Legacy Lib. eBook Package 1980-1999
• VerfasserIn: Clowes, Edith W.,
• Place / Publishing House: Princeton, NJ : : Princeton University Press, , [2014]; ©1993
• Year of Publication: 2014
• Edition: Course Book
• Language: English
• Series: Princeton Legacy Library ; 273
• Physical Description: 1 online resource (254 p.)

In the three decades following Stalin's death, major underground Russian writers have subverted Soviet ideology by using parody to draw attention to its basis in utopian thought. Referring to utopian writing as diverse as Defoe's Robinson Crusoe, Dostoevsky's Notes from Underground, and Orwell's Animal Farm, they have tested notions of truth, reality, and representation. They have gone beyond their precursors by experimenting with the tensions between ludic and didactic art. Edith Clowes explores these "meta-utopian" narratives, which address a wide range of attitudes toward utopia, to expose the challenge that literary play poses to dogmatism and to elucidate the sense of renewal it can bring to social imagination. Using both structural analysis and reception theory, she introduces readers outside Russia to a fascinating body of literature that includes Aleksandr Zinoviev's The Yawning Heights, Abram Terts's Liubimov, Vladimir Voinovich's Moscow 2042, and Liudmila Petrushevskaia's "The New Robinsons.".Not advocating its own utopian alternative to current social realities, meta-utopian fiction investigates the function of a deep human impulse to imagine, project, and enforce alternative social orders. Clowes examines the technical innovations meta-utopian writers have made in style, image, and narrative structure that inform fresh modes of social imagination. Her analysis leads to an inquiry into the intended and real audiences of this fiction, and into the ways its authors try to move them toward more sophisticated social discourse.Originally published in 1993.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Table of Contents

Frontmatter -- Contents -- Preface and Acknowledgments -- Note on Transliteration and Translation -- List of Abbreviations -- PART ONE: EXPERIMENTAL FICTION AGAINST IDEOLOGICAL FIXATION -- CHAPTER ONE. Meta-utopian Writing: The Problem of Utopia as Ideology -- CHAPTER TWO. Publishing the Dystopian Heritage: The Glasnost Debate about Literary Experiment and Utopian Ideology -- PART TWO: THE META-UTOPIAN EXPERIMENT IN FICTION: ELEMENTS OF LITERARYAND IDEOLOGICAL REANIMATION -- CHAPTER THREE. Charting Meta-utopia: Chronotopes of Disorientation -- CHAPTER FOUR. Science, Ideology, and the Structure of Meta-utopian Narrative -- CHAPTER FIVE. The Meta-utopian Language Problem, or Utopia as a Bump on a -log- -- CHAPTER SIX. Meta-utopian Consciousness -- PART THREE: THE READER IN THE TEXT: POPULARIZING THE META-UTOPIAN MENTALITY -- CHAPTER SEVEN. Making Meta-utopia Accessible: Zinoviev's The Radiant Future -- CHAPTER EIGHT. Utopia, Imagination, and Memory: The Strugatsky Brothers' The Ugly Swans, Tendriakov's A Potshot at Mirages, and Aksenov's The Island of Crimea -- CHAPTER NINE. Parody of Popular Forms in Iskander's Rabbits and Boa Constrictors and Voinovich's Moscow 2042 -- CHAPTER TEN. Play with Closure in Petrushevskaia's "The New Robinsons" and Kabakov's "The Deserter" -- CONCLUSION. The Utopian Impulse after 1968: Russian Meta-utopian Fiction in a European Context -- Bibliography -- Index