Reading Opera / / ed. by Arthur Groos, Roger Parker.
"Libretto-bashing has a distinguished tradition in the blood sport of opera," writes Arthur Groos in the introduction to this broad survey of critical approaches to that much-maligned genre. To examine, and to challenge, the long-standing prejudice against libretti and the scholarly tradit...
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Superior document: | Title is part of eBook package: De Gruyter Princeton Legacy Lib. eBook Package 1980-1999 |
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MitwirkendeR: | |
HerausgeberIn: | |
Place / Publishing House: | Princeton, NJ : : Princeton University Press, , [2014] ©1988 |
Year of Publication: | 2014 |
Edition: | Course Book |
Language: | English |
Series: | Princeton Studies in Opera ;
23 |
Online Access: | |
Physical Description: | 1 online resource (364 p.) |
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Table of Contents:
- Frontmatter
- CONTENTS
- ACKNOWLEDGMENTS
- INTRODUCTION
- Appropriation in Wagner's Tristan Libretto
- Boito and F.-V. Hugo's "Magnificent Translation": A Study in the Genesis of the Otello Libretto
- An Unseen Player: Destiny in FelUas et Malisande
- The Origins of Italian Literaturoper: Guglielmo Ratcliff, La figlia di Iorio, Parisina, and Francesca da Rimini
- Erik's Dream and Tannhauser's Journey
- The Languages of Love in Carmen
- How to Avoid Believing (While Reading Iago's "Credo")
- The Numinous in Gotterdammerung
- Musorgsky's Libretti on Historical Themes: From the Two Borises to Khovanshchina
- Boito and the 1868 Mefistofele Libretto as a Reform Text
- On Reading Nineteenth-Century Opera: Verdi through the Looking-Glass
- Strauss and the Pervert
- A Deconstructive Postscript: Reading Libretti and Misreading Opera
- INDEX