Comedy and Culture : : England 1820-1900 / / Roger B. Henkle.
Comedy cannot be understood as an abstract critical concept, argues Roger Henkle; it 'must be studied in specific cultural and historical contexts. From this point of view he examines the development of literary comedy in nineteenth-century England, and shows how comic modes and techniques were...
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| Superior document: | Title is part of eBook package: De Gruyter Princeton Legacy Lib. eBook Package 1980-1999 |
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| Place / Publishing House: | Princeton, NJ : : Princeton University Press, , [2014] ©1980 |
| Year of Publication: | 2014 |
| Edition: | Course Book |
| Language: | English |
| Series: | Princeton Legacy Library ;
437 |
| Online Access: | |
| Physical Description: | 1 online resource (386 p.) |
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| LEADER | 07692nam a22019815i 4500 | ||
|---|---|---|---|
| 001 | 9781400857920 | ||
| 003 | DE-B1597 | ||
| 005 | 20230127011820.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 230127t20141980nju fo d z eng d | ||
| 019 | |a (OCoLC)979905410 | ||
| 020 | |a 9781400857920 | ||
| 024 | 7 | |a 10.1515/9781400857920 |2 doi | |
| 035 | |a (DE-B1597)448131 | ||
| 035 | |a (OCoLC)889250672 | ||
| 040 | |a DE-B1597 |b eng |c DE-B1597 |e rda | ||
| 041 | 0 | |a eng | |
| 044 | |a nju |c US-NJ | ||
| 050 | 4 | |a PR468.C65 |b H46 1980eb | |
| 072 | 7 | |a LIT016000 |2 bisacsh | |
| 082 | 0 | 4 | |a 827/.8/09 |2 19 |
| 100 | 1 | |a Henkle, Roger B., |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a Comedy and Culture : |b England 1820-1900 / |c Roger B. Henkle. |
| 250 | |a Course Book | ||
| 264 | 1 | |a Princeton, NJ : |b Princeton University Press, |c [2014] | |
| 264 | 4 | |c ©1980 | |
| 300 | |a 1 online resource (386 p.) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a text file |b PDF |2 rda | ||
| 490 | 0 | |a Princeton Legacy Library ; |v 437 | |
| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Preface -- |t Introduction -- |t 1. 1820-1845: The Anxieties of Sublimation, and Middle-Class Myths -- |t 2. Peacock, Thackeray, and Jerrold: The Comedy of "Radical" Disaffection -- |t 3. Early Dickens: Metamorphosis, Psychic Disorientation, and the Small Fry -- |t 4. Later Dickens: Disenchantment, Transmogrification, and Ambivalence -- |t 5. Hood, Gilbert, Carroll, Jerrold, and the Grossmiths: Comedy from Inside -- |t 6. Meredith and Butler: Comedy as Lyric, High Culture, and the Bourgeois Trap -- |t 7. Wilde and Beerbohm: The Wit of the Avant-Garde, The Charm of Failure -- |t Notes -- |t Index |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a Comedy cannot be understood as an abstract critical concept, argues Roger Henkle; it 'must be studied in specific cultural and historical contexts. From this point of view he examines the development of literary comedy in nineteenth-century England, and shows how comic modes and techniques were used to express and release the tensions of the middle class during periods of both rapid cultural change and relative stability.Originally published in 1980.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023) | |
| 650 | 0 | |a Comic, The. | |
| 650 | 0 | |a English literature |y 19th century |x History and criticism. | |
| 650 | 0 | |a Literature and society |z England. | |
| 650 | 0 | |a Middle class |z England. | |
| 650 | 7 | |a LITERARY CRITICISM / Humor. |2 bisacsh | |
| 653 | |a Aestheticism. | ||
| 653 | |a Aldous Huxley. | ||
| 653 | |a Ambivalence. | ||
| 653 | |a Aphorism. | ||
| 653 | |a Art for art's sake. | ||
| 653 | |a Bab Ballads. | ||
| 653 | |a Becky Sharp (character). | ||
| 653 | |a British humour. | ||
| 653 | |a Comic book. | ||
| 653 | |a Comic novel. | ||
| 653 | |a Criticism. | ||
| 653 | |a Culture and Anarchy. | ||
| 653 | |a De Profundis (letter). | ||
| 653 | |a Disenchantment. | ||
| 653 | |a Dramatic monologue. | ||
| 653 | |a Epigram. | ||
| 653 | |a Falsity. | ||
| 653 | |a Farce. | ||
| 653 | |a Fashionable novel. | ||
| 653 | |a Fiction. | ||
| 653 | |a George Gissing. | ||
| 653 | |a George Meredith. | ||
| 653 | |a Gradgrind. | ||
| 653 | |a Green World. | ||
| 653 | |a Hamlet's Father. | ||
| 653 | |a Harold Pinter. | ||
| 653 | |a Henri Bergson. | ||
| 653 | |a High culture. | ||
| 653 | |a Huckleberry Finn. | ||
| 653 | |a Human behavior. | ||
| 653 | |a Humiliation. | ||
| 653 | |a Humour. | ||
| 653 | |a Hypocrisy. | ||
| 653 | |a Irony. | ||
| 653 | |a Joke. | ||
| 653 | |a Joseph Andrews. | ||
| 653 | |a Kingsley Amis. | ||
| 653 | |a Laurence Sterne. | ||
| 653 | |a Lewis Carroll. | ||
| 653 | |a Libido. | ||
| 653 | |a Literature. | ||
| 653 | |a Little Dorrit. | ||
| 653 | |a Lord Alfred Douglas. | ||
| 653 | |a Lord Byron. | ||
| 653 | |a Madame Bovary. | ||
| 653 | |a Mario Praz. | ||
| 653 | |a Martin Chuzzlewit. | ||
| 653 | |a Max Beerbohm. | ||
| 653 | |a Melodrama. | ||
| 653 | |a Mortal Fear (novel). | ||
| 653 | |a Mr. Dick. | ||
| 653 | |a Narrative. | ||
| 653 | |a Newgate novel. | ||
| 653 | |a Nonsense verse. | ||
| 653 | |a Novel. | ||
| 653 | |a Novelist. | ||
| 653 | |a Oscar Wilde. | ||
| 653 | |a Our Mutual Friend. | ||
| 653 | |a Overreaction. | ||
| 653 | |a Parody. | ||
| 653 | |a Persona. | ||
| 653 | |a Philistinism. | ||
| 653 | |a Picaresque novel. | ||
| 653 | |a Poetry. | ||
| 653 | |a Prose. | ||
| 653 | |a Pun. | ||
| 653 | |a Quibble (plot device). | ||
| 653 | |a Quilp. | ||
| 653 | |a Ridicule. | ||
| 653 | |a Robert Plumer Ward. | ||
| 653 | |a Romanticism. | ||
| 653 | |a Samuel Butler (novelist). | ||
| 653 | |a Satire. | ||
| 653 | |a Self-love. | ||
| 653 | |a Sensibility. | ||
| 653 | |a Sentimental novel. | ||
| 653 | |a Sentimentality. | ||
| 653 | |a Simile. | ||
| 653 | |a Snob. | ||
| 653 | |a Social criticism. | ||
| 653 | |a Superiority (short story). | ||
| 653 | |a The Decay of Lying. | ||
| 653 | |a The Green Carnation. | ||
| 653 | |a The Importance of Being Earnest. | ||
| 653 | |a The Narrator. | ||
| 653 | |a The Newgate Calendar. | ||
| 653 | |a The Old Curiosity Shop. | ||
| 653 | |a The Ordeal of Richard Feverel. | ||
| 653 | |a The Other Hand. | ||
| 653 | |a The Picture of Dorian Gray. | ||
| 653 | |a The Way of All Flesh. | ||
| 653 | |a Thomas Love Peacock. | ||
| 653 | |a Uriah Heep. | ||
| 653 | |a V. | ||
| 653 | |a Victorian era. | ||
| 653 | |a Victorian literature. | ||
| 653 | |a Weedon Grossmith. | ||
| 653 | |a Writer. | ||
| 653 | |a Writing. | ||
| 653 | |a À rebours. | ||
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Princeton Legacy Lib. eBook Package 1980-1999 |z 9783110413441 |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Princeton Legacy Lib. eBook Package Literature |z 9783110413533 |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Princeton University Press eBook-Package Archive 1927-1999 |z 9783110442496 |
| 776 | 0 | |c print |z 9780691616063 | |
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| 912 | |a 978-3-11-041344-1 Princeton Legacy Lib. eBook Package 1980-1999 |c 1980 |d 1999 | ||
| 912 | |a 978-3-11-041353-3 Princeton Legacy Lib. eBook Package Literature | ||
| 912 | |a 978-3-11-044249-6 Princeton University Press eBook-Package Archive 1927-1999 |c 1927 |d 1999 | ||
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