The Visual Arts, Pictorialism, and the Novel : : James, Lawrence, and Woolf / / Marianna Torgovnick.
Marianna Torgovnick maintains that it is worthwhile to think about novels in terms of the visual arts--in part because major novelists like James, Lawrence, and Woolf did so, and did so fruitfully, as they were influenced by their perceptions of artistic movements.Originally published in 1985.The Pr...
Saved in:
| Superior document: | Title is part of eBook package: De Gruyter Princeton Legacy Lib. eBook Package 1980-1999 |
|---|---|
| VerfasserIn: | |
| Place / Publishing House: | Princeton, NJ : : Princeton University Press, , [2014] ©1985 |
| Year of Publication: | 2014 |
| Edition: | Course Book |
| Language: | English |
| Series: | Princeton Legacy Library ;
544 |
| Online Access: | |
| Physical Description: | 1 online resource (298 p.) |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Table of Contents:
- Frontmatter
- Contents
- Plates
- Acknowledgments
- Introduction
- ONE. In the Documentary Mode: James, Lawrence, Woolf, and the Visual Arts
- TWO. Paintbrushes, Chisels, and Red Herrings: Decorative Uses of the Visual Arts and Pictorialism in Selected Novels by James and Earlier Novelists
- THREE. The Sisters' Arts: Virginia Woolf and Vanessa Bell
- FOUR. Art, Ideologies, and Ideals in Fiction: The Contrasting Cases of Virginia Woolf and D. H. Lawrence
- FIVE. Perception, Impression, and Knowledge in The Portrait of a Lady, The Ambassadors, and The Golden Bowl
- SIX. Encoding the Taboo in Women in Love
- Conclusion
- Notes
- Bibliography
- Index