The Semantics of Desire : : Changing Models of Identity from Dickens to Joyce / / Philip M. Weinstein.

This work examines the dialectic of desire and value, as it affects the protagonist's identity, in fiction from Dickens and George Eliot through Hardy and Conrad to Lawrence and Joyce. Philip Weinstein describes the growing sexualization of the imagined body--the transformation of the protagoni...

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Superior document:Title is part of eBook package: De Gruyter Princeton Legacy Lib. eBook Package 1980-1999
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Place / Publishing House:Princeton, NJ : : Princeton University Press, , [2014]
©1984
Year of Publication:2014
Edition:Course Book
Language:English
Series:Princeton Legacy Library ; 520
Online Access:
Physical Description:1 online resource (326 p.)
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245 1 4 |a The Semantics of Desire :  |b Changing Models of Identity from Dickens to Joyce /  |c Philip M. Weinstein. 
250 |a Course Book 
264 1 |a Princeton, NJ :   |b Princeton University Press,   |c [2014] 
264 4 |c ©1984 
300 |a 1 online resource (326 p.) 
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505 0 0 |t Frontmatter --   |t Preface --   |t Acknowledgments --   |t A Note on Bibliographical Procedures and Primary Texts --   |t Contents --   |t Introduction --   |t PART ONE. Mid-Victorian: Constraints and Masquerades --   |t Introduction --   |t Chapter One. The Nocturnal Dickens --   |t Chapter Two. George Eliot and the Idolatries of the Superego --   |t PART TWO. Late-Victorian: Tragic Encounters --   |t Introduction --   |t Chapter Three. Hardy: "Full-Hearted Evensong" --   |t Chapter Four. Conrad: Against Nature --   |t PART THREE. Modernist: Beginning the Revaluation --   |t Introduction --   |t Chapter Five. "Become Who You Are": The Optative World of D. H. Lawrence --   |t Chapter Six. New Heaven, New Earth: Joyce and the Art of Reprojection --   |t Afterword --   |t List of Works Cited --   |t Index 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a This work examines the dialectic of desire and value, as it affects the protagonist's identity, in fiction from Dickens and George Eliot through Hardy and Conrad to Lawrence and Joyce. Philip Weinstein describes the growing sexualization of the imagined body--the transformation of the protagonistic self from a figure defined by semantics, signification, and cultural value to one characterized by desire, force, and natural impulse.Originally published in 1984.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. 
530 |a Issued also in print. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) 
650 0 |a Desire in literature. 
650 0 |a English fiction  |x History and criticism  |x 19th century. 
650 0 |a English fiction  |x History and criticism  |x 20th century. 
650 0 |a English fiction  |y 19th century  |x History and criticism. 
650 0 |a English fiction  |y 20th century  |x History and criticism. 
650 0 |a Identity (Psychology) in literature. 
650 0 |a Mind and body in literature. 
650 0 |a Psychological fiction, English  |x History and criticism. 
650 7 |a LITERARY CRITICISM / European / General.  |2 bisacsh 
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776 0 |c print  |z 9780691612515 
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