Style and Consciousness in Middle English Narrative / / John M. Ganim.

John M. Ganim presents a revised theory of late medieval literary history based on the relationship of the poet to the reader. His work shows how the increasingly compromised exemplary intent of later medieval poets led them to dramatize the reader as a character in the text and to develop complex f...

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Superior document:Title is part of eBook package: De Gruyter Princeton Legacy Lib. eBook Package 1980-1999
VerfasserIn:
Place / Publishing House:Princeton, NJ : : Princeton University Press, , [2014]
©1983
Year of Publication:2014
Edition:Course Book
Language:English
Series:Princeton Legacy Library ; 120
Online Access:
Physical Description:1 online resource (190 p.)
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245 1 0 |a Style and Consciousness in Middle English Narrative /  |c John M. Ganim. 
250 |a Course Book 
264 1 |a Princeton, NJ :   |b Princeton University Press,   |c [2014] 
264 4 |c ©1983 
300 |a 1 online resource (190 p.) 
336 |a text  |b txt  |2 rdacontent 
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490 0 |a Princeton Legacy Library ;  |v 120 
505 0 0 |t Frontmatter --   |t Contents --   |t Acknowledgments --   |t Introduction --   |t Chapter 1. Community and Consciousness in Early Middle English Romance --   |t Chapter 2. Disorientation, Style, and Perception in Sir Gawain and the Green Knight --   |t Chapter 3. Consciousness and Time in Troilus and Criseyde --   |t Chapter 4. Mannerism and Moralism in Lydgate's Siege of Thebes --   |t Chapter 5. The Limits of Vision in Henryson's Testament of Cresseid --   |t Epilogue --   |t Notes --   |t Index --   |t Backmatter 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a John M. Ganim presents a revised theory of late medieval literary history based on the relationship of the poet to the reader. His work shows how the increasingly compromised exemplary intent of later medieval poets led them to dramatize the reader as a character in the text and to develop complex forms of narrative characterized by discontinuity, distortion, and disorientation.Originally published in 1983.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. 
530 |a Issued also in print. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) 
650 0 |a English language  |y Middle English, 1100-1500  |x Style. 
650 0 |a English poetry  |y Middle English, 1100-1500  |x History and criticism. 
650 0 |a Narration (Rhetoric)  |x History  |y To 1500. 
650 0 |a Narrative poetry, English  |x History and criticism. 
650 0 |a Reader-response criticism. 
650 0 |a Rhetoric, Medieval. 
650 0 |a Romances, English  |x History and criticism. 
650 0 |a Space and time in literature. 
650 7 |a POETRY / European / English, Irish, Scottish, Welsh.  |2 bisacsh 
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773 0 8 |i Title is part of eBook package:  |d De Gruyter  |t Princeton University Press eBook-Package Archive 1927-1999  |z 9783110442496 
776 0 |c print  |z 9780691613116 
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