Desire and Excess : : The Nineteenth-Century Culture of Art / / Jonah Siegel.
In this fascinating look at the creative power of institutions, Jonah Siegel explores the rise of the modern idea of the artist in the nineteenth century, a period that also witnessed the emergence of the museum and the professional critic. Treating these developments as interrelated, he analyzes bo...
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Place / Publishing House: | Princeton, NJ : : Princeton University Press, , [2022] ©2000 |
Year of Publication: | 2022 |
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Siegel, Jonah, author. aut http://id.loc.gov/vocabulary/relators/aut Desire and Excess : The Nineteenth-Century Culture of Art / Jonah Siegel. Princeton, NJ : Princeton University Press, [2022] ©2000 1 online resource (328 p.) : 54 halftones text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- CONTENTS -- LIST OF FIGURES -- ACKNOWLEDGEMENTS -- PREFACE. The Apparent Permanence of the Museum as Against Its Actual Permanence: The Nineteenth-Century Culture of Art -- Introduction. The Museum as Mortuary -- PART ONE: ART IN THE MUSEUM: ARTIST AND FRAGMENT AT THE TURN OF THE NINETEENTH CENTURY -- PART TWO: THE AUTHOR AS WORK OF ART ACCUMULATION, DISPLAY, AND DEATH IN LITERARY BIOGRAPHY -- PART THREE: ABSENCE AND EXCESS: THE PRESENCE OF THE OBJECT -- PART FOUR: THE DEATHS OF THE CRITICS -- AFTERWORD. LAS MENINAS AS COVER: FOUCAULT, VELAZQUEZ, AND THE REFLECTION OF THE MUSEUM -- NOTES -- ILLUSTRATION CREDITS -- INDEX restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star In this fascinating look at the creative power of institutions, Jonah Siegel explores the rise of the modern idea of the artist in the nineteenth century, a period that also witnessed the emergence of the museum and the professional critic. Treating these developments as interrelated, he analyzes both visual material and literary texts to portray a culture in which art came to be thought of in powerful new ways. Ultimately, Siegel shows that artistic controversies commonly associated with the self-consciously radical movements of modernism and postmodernism have their roots in a dynamic era unfairly characterized as staid, self-satisfied, and stable.The nineteenth century has been called the Age of the Museum, and yet critics, art theorists, and poets during this period grappled with the question of whether the proliferation of museums might lead to the death of Art itself. Did the assembly and display of works of art help the viewer to understand them or did it numb the senses? How was the contemporary artist to respond to the vast storehouses of art from disparate nations and periods that came to proliferate in this era?Siegel presents a lively discussion of the shock experienced by neoclassical artists troubled by remains of antiquity that were trivial or even obscene, as well as the anxious aesthetic reveries of nineteenth-century art lovers overwhelmed by the quantity of objects quickly crowding museums and exhibition halls. In so doing, he illuminates the fruitful crises provoked when the longing for admired art is suddenly satisfied. Drawing upon neoclassical art and theory, biographies of early nineteenth-century writers including Keats and Scott, and the writings of art critics such as Hazlitt, Ruskin, and Wilde, this book reproduces a cultural matrix that brings to life the artistic passions and anxieties of an entire era. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) Art and literature History 19th century. Artists History 19th century. Arts, Modern 19th century Historiography. ART / History / General. bisacsh Adorno, Theodor. Albert Memorial. Altick, Richard. Appreciations (Pater). Audran, Girard. Aurora Leigh (Browning). Ballantyne, John. Beckett, Samuel. Benjamin, Walter. Bloom, Harold. Bourdieu, Pierre. British Institute. Cafarelli, Annette. Cartoons (Raphael). Chartier, Roger. Cockerell, Charles. Constable, Archibald. Crystal Palace. Darwin, Charles. Delaroche, Paul. Dickens, Charles. Dying Gladiator. Ellmann, Maud. Elysium (Barry). Farnese Hercules. Flaubert, Gustave. Fra Angelico. Gadamer, Hans-Georg. Gould, Cecil. Guillory, John. Haydon, Robert. Heidegger, Martin. Hibbert, Christopher. Iliad (Homer). Indicator. Ingres. Isabella (Keats). Johnson, Edgar. Joyce, James. Kendrick, Walter. Lamarque, Peter. Levey, Michael. Lives of the Artists (Vasari). Lowth, Robert. Masson, David. Menzies, William. Nadel, Ira. Newton, Charles. Nibelungenlied. Oldfield, Edmund. Ossian. artworld concept. Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Backlist 2000-2013 9783110442502 Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Gap Years 9783110784237 https://doi.org/10.1515/9781400849826?locatt=mode:legacy https://www.degruyter.com/isbn/9781400849826 Cover https://www.degruyter.com/document/cover/isbn/9781400849826/original |
language |
English |
format |
eBook |
author |
Siegel, Jonah, Siegel, Jonah, |
spellingShingle |
Siegel, Jonah, Siegel, Jonah, Desire and Excess : The Nineteenth-Century Culture of Art / Frontmatter -- CONTENTS -- LIST OF FIGURES -- ACKNOWLEDGEMENTS -- PREFACE. The Apparent Permanence of the Museum as Against Its Actual Permanence: The Nineteenth-Century Culture of Art -- Introduction. The Museum as Mortuary -- PART ONE: ART IN THE MUSEUM: ARTIST AND FRAGMENT AT THE TURN OF THE NINETEENTH CENTURY -- PART TWO: THE AUTHOR AS WORK OF ART ACCUMULATION, DISPLAY, AND DEATH IN LITERARY BIOGRAPHY -- PART THREE: ABSENCE AND EXCESS: THE PRESENCE OF THE OBJECT -- PART FOUR: THE DEATHS OF THE CRITICS -- AFTERWORD. LAS MENINAS AS COVER: FOUCAULT, VELAZQUEZ, AND THE REFLECTION OF THE MUSEUM -- NOTES -- ILLUSTRATION CREDITS -- INDEX |
author_facet |
Siegel, Jonah, Siegel, Jonah, |
author_variant |
j s js j s js |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Siegel, Jonah, |
title |
Desire and Excess : The Nineteenth-Century Culture of Art / |
title_sub |
The Nineteenth-Century Culture of Art / |
title_full |
Desire and Excess : The Nineteenth-Century Culture of Art / Jonah Siegel. |
title_fullStr |
Desire and Excess : The Nineteenth-Century Culture of Art / Jonah Siegel. |
title_full_unstemmed |
Desire and Excess : The Nineteenth-Century Culture of Art / Jonah Siegel. |
title_auth |
Desire and Excess : The Nineteenth-Century Culture of Art / |
title_alt |
Frontmatter -- CONTENTS -- LIST OF FIGURES -- ACKNOWLEDGEMENTS -- PREFACE. The Apparent Permanence of the Museum as Against Its Actual Permanence: The Nineteenth-Century Culture of Art -- Introduction. The Museum as Mortuary -- PART ONE: ART IN THE MUSEUM: ARTIST AND FRAGMENT AT THE TURN OF THE NINETEENTH CENTURY -- PART TWO: THE AUTHOR AS WORK OF ART ACCUMULATION, DISPLAY, AND DEATH IN LITERARY BIOGRAPHY -- PART THREE: ABSENCE AND EXCESS: THE PRESENCE OF THE OBJECT -- PART FOUR: THE DEATHS OF THE CRITICS -- AFTERWORD. LAS MENINAS AS COVER: FOUCAULT, VELAZQUEZ, AND THE REFLECTION OF THE MUSEUM -- NOTES -- ILLUSTRATION CREDITS -- INDEX |
title_new |
Desire and Excess : |
title_sort |
desire and excess : the nineteenth-century culture of art / |
publisher |
Princeton University Press, |
publishDate |
2022 |
physical |
1 online resource (328 p.) : 54 halftones |
contents |
Frontmatter -- CONTENTS -- LIST OF FIGURES -- ACKNOWLEDGEMENTS -- PREFACE. The Apparent Permanence of the Museum as Against Its Actual Permanence: The Nineteenth-Century Culture of Art -- Introduction. The Museum as Mortuary -- PART ONE: ART IN THE MUSEUM: ARTIST AND FRAGMENT AT THE TURN OF THE NINETEENTH CENTURY -- PART TWO: THE AUTHOR AS WORK OF ART ACCUMULATION, DISPLAY, AND DEATH IN LITERARY BIOGRAPHY -- PART THREE: ABSENCE AND EXCESS: THE PRESENCE OF THE OBJECT -- PART FOUR: THE DEATHS OF THE CRITICS -- AFTERWORD. LAS MENINAS AS COVER: FOUCAULT, VELAZQUEZ, AND THE REFLECTION OF THE MUSEUM -- NOTES -- ILLUSTRATION CREDITS -- INDEX |
isbn |
9781400849826 9783110442502 9783110784237 |
callnumber-first |
N - Fine Arts |
callnumber-subject |
NX - Arts in General |
callnumber-label |
NX454 |
callnumber-sort |
NX 3454 |
era_facet |
19th century. 19th century |
url |
https://doi.org/10.1515/9781400849826?locatt=mode:legacy https://www.degruyter.com/isbn/9781400849826 https://www.degruyter.com/document/cover/isbn/9781400849826/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
700 - Arts |
dewey-ones |
709 - Historical, geographic & persons treatment |
dewey-full |
709.034 |
dewey-sort |
3709.034 |
dewey-raw |
709.034 |
dewey-search |
709.034 |
doi_str_mv |
10.1515/9781400849826?locatt=mode:legacy |
oclc_num |
1312727316 |
work_keys_str_mv |
AT siegeljonah desireandexcessthenineteenthcenturycultureofart |
status_str |
n |
ids_txt_mv |
(DE-B1597)581234 (OCoLC)1312727316 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Backlist 2000-2013 Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Gap Years |
is_hierarchy_title |
Desire and Excess : The Nineteenth-Century Culture of Art / |
container_title |
Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Backlist 2000-2013 |
_version_ |
1806143565335625728 |
fullrecord |
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