Inventing Falsehood, Making Truth : : Vico and Neapolitan Painting / / Malcolm Bull.
Can painting transform philosophy? In Inventing Falsehood, Making Truth, Malcolm Bull looks at Neapolitan art around 1700 through the eyes of the philosopher Giambattista Vico. Surrounded by extravagant examples of late Baroque painting by artists like Luca Giordano and Francesco Solimena, Vico conc...
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Place / Publishing House: | Princeton, NJ : : Princeton University Press, , [2013] ©2014 |
Year of Publication: | 2013 |
Edition: | Course Book |
Language: | English |
Series: | Essays in the Arts
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Physical Description: | 1 online resource (160 p.) :; 31 halftones. |
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Bull, Malcolm, author. aut http://id.loc.gov/vocabulary/relators/aut Inventing Falsehood, Making Truth : Vico and Neapolitan Painting / Malcolm Bull. Course Book Princeton, NJ : Princeton University Press, [2013] ©2014 1 online resource (160 p.) : 31 halftones. text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Essays in the Arts Frontmatter -- Contents -- Acknowledgments -- Prologue -- One. Vico -- Two. Icastic Painting -- Three. Fantastic Painting -- Four. Theological Painting -- Epilogue -- Notes -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Can painting transform philosophy? In Inventing Falsehood, Making Truth, Malcolm Bull looks at Neapolitan art around 1700 through the eyes of the philosopher Giambattista Vico. Surrounded by extravagant examples of late Baroque painting by artists like Luca Giordano and Francesco Solimena, Vico concluded that human truth was a product of the imagination. Truth was not something that could be observed: instead, it was something made in the way that paintings were made--through the exercise of fantasy. Juxtaposing paintings and texts, Bull presents the masterpieces of late Baroque painting in early eighteenth-century Naples from an entirely new perspective. Revealing the close connections between the arguments of the philosophers and the arguments of the painters, he shows how Vico drew on both in his influential philosophy of history, The New Science. Bull suggests that painting can serve not just as an illustration for philosophical arguments, but also as the model for them--that painting itself has sometimes been a form of epistemological experiment, and that, perhaps surprisingly, the Neapolitan Baroque may have been one of the routes through which modern consciousness was formed. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023) Art and philosophy Italy History 18th century. Art and philosophy. Malerei. Painting Philosophy. Painting, Baroque Italy Naples. Painting, Baroque. Painting, Italian Italy Naples 18th century. Painting, Italian. Truth. Ästhetik. ART / European. bisacsh Aesthetics. Analogy. Andrea Vaccaro. Andrea del Sarto. Anecdote. Annibale Carracci. Anthropomorphism. Atheism. Atomism. Augury. Bad Painting. Baroque painting. Caravaggio. Caravaggisti. Carlo Maratta. Cartesianism. Catherine of Siena. Certainty. Certosa di San Martino. Chiaroscuro. Cimabue. Classical mythology. Classicism. Consciousness. Cubism. Daniello Bartoli. Democritus. Depiction. Divine Truth. Divine judgment. Divine providence. Domenichino. Drapery. Epicurus. Exorcism. Fall of Simon Magus (Pompeo Batoni). Falsity. Flagellation of Christ. Francesco Solimena. Giambattista Vico. Giotto. God the Father. Guido Reni. Henri Bergson. Iconoclasm. Iconography. Illustration. Jules Michelet. Las Meninas. Libri Carolini. Lodovico Dolce. Luca Giordano. Lucretius. Ludovico Carracci. Mannerism. Metaphor. Metonymy. Michelangelo. Museo del Prado. Neoplatonism. Painting. Paragone. Parmigianino. Penitential. Pentimento. Petrarch. Philosopher. Philosophical skepticism. Philosophy. Pietro Aretino. Pietro da Cortona. Poetry. Putto. Religion. Rhetoric. Roman Baroque. Sacristy. Saint Dominic. Saint Francis Receiving the Stigmata (van Eyck). Salvator Rosa. San Domenico Maggiore. San Gregorio Armeno. Scientific skepticism. Simon Magus. Skepticism. Spanish art. Still life. Tenebrism. The Carracci. The Expulsion of Heliodorus from the Temple. The Gay Science. The New Science. The Philosopher. Theology. Thomas Aquinas. Tintoretto. Titian. Tommaso Campanella. Zeuxis. Title is part of eBook package: De Gruyter Princeton University Press Complete eBook-Package 2014-2015 9783110665925 print 9780691138848 https://doi.org/10.1515/9781400849741 https://www.degruyter.com/isbn/9781400849741 Cover https://www.degruyter.com/document/cover/isbn/9781400849741/original |
language |
English |
format |
eBook |
author |
Bull, Malcolm, Bull, Malcolm, |
spellingShingle |
Bull, Malcolm, Bull, Malcolm, Inventing Falsehood, Making Truth : Vico and Neapolitan Painting / Essays in the Arts Frontmatter -- Contents -- Acknowledgments -- Prologue -- One. Vico -- Two. Icastic Painting -- Three. Fantastic Painting -- Four. Theological Painting -- Epilogue -- Notes -- Index |
author_facet |
Bull, Malcolm, Bull, Malcolm, |
author_variant |
m b mb m b mb |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Bull, Malcolm, |
title |
Inventing Falsehood, Making Truth : Vico and Neapolitan Painting / |
title_sub |
Vico and Neapolitan Painting / |
title_full |
Inventing Falsehood, Making Truth : Vico and Neapolitan Painting / Malcolm Bull. |
title_fullStr |
Inventing Falsehood, Making Truth : Vico and Neapolitan Painting / Malcolm Bull. |
title_full_unstemmed |
Inventing Falsehood, Making Truth : Vico and Neapolitan Painting / Malcolm Bull. |
title_auth |
Inventing Falsehood, Making Truth : Vico and Neapolitan Painting / |
title_alt |
Frontmatter -- Contents -- Acknowledgments -- Prologue -- One. Vico -- Two. Icastic Painting -- Three. Fantastic Painting -- Four. Theological Painting -- Epilogue -- Notes -- Index |
title_new |
Inventing Falsehood, Making Truth : |
title_sort |
inventing falsehood, making truth : vico and neapolitan painting / |
series |
Essays in the Arts |
series2 |
Essays in the Arts |
publisher |
Princeton University Press, |
publishDate |
2013 |
physical |
1 online resource (160 p.) : 31 halftones. |
edition |
Course Book |
contents |
Frontmatter -- Contents -- Acknowledgments -- Prologue -- One. Vico -- Two. Icastic Painting -- Three. Fantastic Painting -- Four. Theological Painting -- Epilogue -- Notes -- Index |
isbn |
9781400849741 9783110665925 9780691138848 |
callnumber-first |
N - Fine Arts |
callnumber-subject |
ND - Painting |
callnumber-label |
ND1140 |
callnumber-sort |
ND 41140 B78 42013 |
geographic_facet |
Italy Naples. Naples |
era_facet |
18th century. |
url |
https://doi.org/10.1515/9781400849741 https://www.degruyter.com/isbn/9781400849741 https://www.degruyter.com/document/cover/isbn/9781400849741/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
750 - Painting |
dewey-ones |
759 - Historical, geographic & persons treatment |
dewey-full |
759.5/73 |
dewey-sort |
3759.5 273 |
dewey-raw |
759.5/73 |
dewey-search |
759.5/73 |
doi_str_mv |
10.1515/9781400849741 |
oclc_num |
865565759 |
work_keys_str_mv |
AT bullmalcolm inventingfalsehoodmakingtruthvicoandneapolitanpainting |
status_str |
n |
ids_txt_mv |
(DE-B1597)453973 (OCoLC)865565759 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Princeton University Press Complete eBook-Package 2014-2015 |
is_hierarchy_title |
Inventing Falsehood, Making Truth : Vico and Neapolitan Painting / |
container_title |
Title is part of eBook package: De Gruyter Princeton University Press Complete eBook-Package 2014-2015 |
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fullrecord |
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code="u">https://doi.org/10.1515/9781400849741</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9781400849741</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="3">Cover</subfield><subfield code="u">https://www.degruyter.com/document/cover/isbn/9781400849741/original</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-066592-5 Princeton University Press Complete eBook-Package 2014-2015</subfield><subfield code="c">2014</subfield><subfield code="d">2015</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_BACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_CL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBKALL</subfield></datafield><datafield tag="912" ind1=" 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