Inventing Falsehood, Making Truth : : Vico and Neapolitan Painting / / Malcolm Bull.

Can painting transform philosophy? In Inventing Falsehood, Making Truth, Malcolm Bull looks at Neapolitan art around 1700 through the eyes of the philosopher Giambattista Vico. Surrounded by extravagant examples of late Baroque painting by artists like Luca Giordano and Francesco Solimena, Vico conc...

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Superior document:Title is part of eBook package: De Gruyter Princeton University Press Complete eBook-Package 2014-2015
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Place / Publishing House:Princeton, NJ : : Princeton University Press, , [2013]
©2014
Year of Publication:2013
Edition:Course Book
Language:English
Series:Essays in the Arts
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ctrlnum (DE-B1597)453973
(OCoLC)865565759
collection bib_alma
record_format marc
spelling Bull, Malcolm, author. aut http://id.loc.gov/vocabulary/relators/aut
Inventing Falsehood, Making Truth : Vico and Neapolitan Painting / Malcolm Bull.
Course Book
Princeton, NJ : Princeton University Press, [2013]
©2014
1 online resource (160 p.) : 31 halftones.
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
text file PDF rda
Essays in the Arts
Frontmatter -- Contents -- Acknowledgments -- Prologue -- One. Vico -- Two. Icastic Painting -- Three. Fantastic Painting -- Four. Theological Painting -- Epilogue -- Notes -- Index
restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star
Can painting transform philosophy? In Inventing Falsehood, Making Truth, Malcolm Bull looks at Neapolitan art around 1700 through the eyes of the philosopher Giambattista Vico. Surrounded by extravagant examples of late Baroque painting by artists like Luca Giordano and Francesco Solimena, Vico concluded that human truth was a product of the imagination. Truth was not something that could be observed: instead, it was something made in the way that paintings were made--through the exercise of fantasy. Juxtaposing paintings and texts, Bull presents the masterpieces of late Baroque painting in early eighteenth-century Naples from an entirely new perspective. Revealing the close connections between the arguments of the philosophers and the arguments of the painters, he shows how Vico drew on both in his influential philosophy of history, The New Science. Bull suggests that painting can serve not just as an illustration for philosophical arguments, but also as the model for them--that painting itself has sometimes been a form of epistemological experiment, and that, perhaps surprisingly, the Neapolitan Baroque may have been one of the routes through which modern consciousness was formed.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023)
Art and philosophy Italy History 18th century.
Art and philosophy.
Malerei.
Painting Philosophy.
Painting, Baroque Italy Naples.
Painting, Baroque.
Painting, Italian Italy Naples 18th century.
Painting, Italian.
Truth.
Ästhetik.
ART / European. bisacsh
Aesthetics.
Analogy.
Andrea Vaccaro.
Andrea del Sarto.
Anecdote.
Annibale Carracci.
Anthropomorphism.
Atheism.
Atomism.
Augury.
Bad Painting.
Baroque painting.
Caravaggio.
Caravaggisti.
Carlo Maratta.
Cartesianism.
Catherine of Siena.
Certainty.
Certosa di San Martino.
Chiaroscuro.
Cimabue.
Classical mythology.
Classicism.
Consciousness.
Cubism.
Daniello Bartoli.
Democritus.
Depiction.
Divine Truth.
Divine judgment.
Divine providence.
Domenichino.
Drapery.
Epicurus.
Exorcism.
Fall of Simon Magus (Pompeo Batoni).
Falsity.
Flagellation of Christ.
Francesco Solimena.
Giambattista Vico.
Giotto.
God the Father.
Guido Reni.
Henri Bergson.
Iconoclasm.
Iconography.
Illustration.
Jules Michelet.
Las Meninas.
Libri Carolini.
Lodovico Dolce.
Luca Giordano.
Lucretius.
Ludovico Carracci.
Mannerism.
Metaphor.
Metonymy.
Michelangelo.
Museo del Prado.
Neoplatonism.
Painting.
Paragone.
Parmigianino.
Penitential.
Pentimento.
Petrarch.
Philosopher.
Philosophical skepticism.
Philosophy.
Pietro Aretino.
Pietro da Cortona.
Poetry.
Putto.
Religion.
Rhetoric.
Roman Baroque.
Sacristy.
Saint Dominic.
Saint Francis Receiving the Stigmata (van Eyck).
Salvator Rosa.
San Domenico Maggiore.
San Gregorio Armeno.
Scientific skepticism.
Simon Magus.
Skepticism.
Spanish art.
Still life.
Tenebrism.
The Carracci.
The Expulsion of Heliodorus from the Temple.
The Gay Science.
The New Science.
The Philosopher.
Theology.
Thomas Aquinas.
Tintoretto.
Titian.
Tommaso Campanella.
Zeuxis.
Title is part of eBook package: De Gruyter Princeton University Press Complete eBook-Package 2014-2015 9783110665925
print 9780691138848
https://doi.org/10.1515/9781400849741
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language English
format eBook
author Bull, Malcolm,
Bull, Malcolm,
spellingShingle Bull, Malcolm,
Bull, Malcolm,
Inventing Falsehood, Making Truth : Vico and Neapolitan Painting /
Essays in the Arts
Frontmatter --
Contents --
Acknowledgments --
Prologue --
One. Vico --
Two. Icastic Painting --
Three. Fantastic Painting --
Four. Theological Painting --
Epilogue --
Notes --
Index
author_facet Bull, Malcolm,
Bull, Malcolm,
author_variant m b mb
m b mb
author_role VerfasserIn
VerfasserIn
author_sort Bull, Malcolm,
title Inventing Falsehood, Making Truth : Vico and Neapolitan Painting /
title_sub Vico and Neapolitan Painting /
title_full Inventing Falsehood, Making Truth : Vico and Neapolitan Painting / Malcolm Bull.
title_fullStr Inventing Falsehood, Making Truth : Vico and Neapolitan Painting / Malcolm Bull.
title_full_unstemmed Inventing Falsehood, Making Truth : Vico and Neapolitan Painting / Malcolm Bull.
title_auth Inventing Falsehood, Making Truth : Vico and Neapolitan Painting /
title_alt Frontmatter --
Contents --
Acknowledgments --
Prologue --
One. Vico --
Two. Icastic Painting --
Three. Fantastic Painting --
Four. Theological Painting --
Epilogue --
Notes --
Index
title_new Inventing Falsehood, Making Truth :
title_sort inventing falsehood, making truth : vico and neapolitan painting /
series Essays in the Arts
series2 Essays in the Arts
publisher Princeton University Press,
publishDate 2013
physical 1 online resource (160 p.) : 31 halftones.
edition Course Book
contents Frontmatter --
Contents --
Acknowledgments --
Prologue --
One. Vico --
Two. Icastic Painting --
Three. Fantastic Painting --
Four. Theological Painting --
Epilogue --
Notes --
Index
isbn 9781400849741
9783110665925
9780691138848
callnumber-first N - Fine Arts
callnumber-subject ND - Painting
callnumber-label ND1140
callnumber-sort ND 41140 B78 42013
geographic_facet Italy
Naples.
Naples
era_facet 18th century.
url https://doi.org/10.1515/9781400849741
https://www.degruyter.com/isbn/9781400849741
https://www.degruyter.com/document/cover/isbn/9781400849741/original
illustrated Not Illustrated
dewey-hundreds 700 - Arts & recreation
dewey-tens 750 - Painting
dewey-ones 759 - Historical, geographic & persons treatment
dewey-full 759.5/73
dewey-sort 3759.5 273
dewey-raw 759.5/73
dewey-search 759.5/73
doi_str_mv 10.1515/9781400849741
oclc_num 865565759
work_keys_str_mv AT bullmalcolm inventingfalsehoodmakingtruthvicoandneapolitanpainting
status_str n
ids_txt_mv (DE-B1597)453973
(OCoLC)865565759
carrierType_str_mv cr
hierarchy_parent_title Title is part of eBook package: De Gruyter Princeton University Press Complete eBook-Package 2014-2015
is_hierarchy_title Inventing Falsehood, Making Truth : Vico and Neapolitan Painting /
container_title Title is part of eBook package: De Gruyter Princeton University Press Complete eBook-Package 2014-2015
_version_ 1806143565315702784
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code="u">https://doi.org/10.1515/9781400849741</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9781400849741</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="3">Cover</subfield><subfield code="u">https://www.degruyter.com/document/cover/isbn/9781400849741/original</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-066592-5 Princeton University Press Complete eBook-Package 2014-2015</subfield><subfield code="c">2014</subfield><subfield code="d">2015</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_BACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_CL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBKALL</subfield></datafield><datafield tag="912" ind1=" 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