Fellow Men : : Fantin-Latour and the Problem of the Group in Nineteenth-Century French Painting / / Bridget Alsdorf.
Focusing on the art of Henri Fantin-Latour (1836-1904) and his colleagues Gustave Courbet, Edgar Degas, Edouard Manet, Frédéric Bazille, and Pierre-Auguste Renoir, Fellow Men argues for the importance of the group as a defining subject of nineteenth-century French painting. Through close readings of...
Saved in:
Superior document: | Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Backlist 2000-2013 |
---|---|
VerfasserIn: | |
Place / Publishing House: | Princeton, NJ : : Princeton University Press, , [2022] ©2013 |
Year of Publication: | 2022 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (352 p.) :; 42 color illus. 122 halftones. |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
9781400845125 |
---|---|
ctrlnum |
(DE-B1597)627112 |
collection |
bib_alma |
record_format |
marc |
spelling |
Alsdorf, Bridget, author. aut http://id.loc.gov/vocabulary/relators/aut Fellow Men : Fantin-Latour and the Problem of the Group in Nineteenth-Century French Painting / Bridget Alsdorf. Princeton, NJ : Princeton University Press, [2022] ©2013 1 online resource (352 p.) : 42 color illus. 122 halftones. text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. The Self in Group Portraiture -- 2. A Crisis of Pride -- 3. Studio of the Self -- 4. Deviance and Disappearance -- 5. The Irregularists -- Conclusion -- Notes -- Selected Bibliography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Focusing on the art of Henri Fantin-Latour (1836-1904) and his colleagues Gustave Courbet, Edgar Degas, Edouard Manet, Frédéric Bazille, and Pierre-Auguste Renoir, Fellow Men argues for the importance of the group as a defining subject of nineteenth-century French painting. Through close readings of some of the most ambitious paintings of the realist and impressionist generation, Bridget Alsdorf offers new insights into how French painters understood the shifting boundaries of their social world, and reveals the fragile masculine bonds that made up the avant-garde.A dedicated realist who veered between extremes of sociability and hermetic isolation, Fantin-Latour painted group dynamics over the course of two decades, from 1864 to 1885. This was a period of dramatic change in French history and art--events like the Paris Commune and the rise and fall of impressionism raised serious doubts about the power of collectivism in art and life. Fantin-Latour's monumental group portraits, and related works by his friends and colleagues from the 1850s through the 1880s, represent varied visions of collective identity and test the limits of association as both a social and an artistic pursuit. By examining the bonds and frictions that animated their social circles, Fantin-Latour and his cohorts developed a new pictorial language for the modern group: one of fragmentation, exclusion, and willful withdrawal into interior space that nonetheless presented individuality as radically relational. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2022) Art and society France History 19th century. Artists France Portraits. Group identity in art. Portrait painting, French 19th century. Portraits, Group France. ART / History / Modern (late 19th Century to 1945). bisacsh Academic art. Alfred Sisley. Allegory. Alois Riegl. Alphonse Legros. Ambroise Vollard. Anomie. Antoine Guillemet. Apotheosis. Art criticism. Arthur Rimbaud. Bad Painting. Banality (sculpture series). Bohemian style. Boredom. Bourgeoisie. Camille Pissarro. Caricature. Carle Vernet. Champfleury. Charles Baudelaire. Cubism. Degenerate art. Easel. Edgar Allan Poe. Edgar Degas. Edmund Gosse. Emmanuel Chabrier. Enfant terrible. Exclusion. Farce. Fine art. Frans Hals. French art. Genre painting. Georg Simmel. Gustave Caillebotte. Gustave Courbet. Gustave Moreau. Hedda Sterne. Henri Fantin-Latour. History painting. Homage (arts). Horace Vernet. Hyperbole. Impressionism. Jacques Derrida. Jacques-Louis David. James Abbott McNeill Whistler. James Tissot. Jan van Eyck. Jean-Auguste-Dominique Ingres. John Ashbery. John Rewald. Joseph de Maistre. Juan Bautista Martínez del Mazo. Jules Dalou. L'Artiste. La Vie (painting). Las Meninas. Le Déjeuner sur l’herbe. Les Nabis. Linda Nochlin. Literature. Louis Blanc. Luncheon of the Boating Party. Marthe. Mary Cassatt. Masculinity. Maurice Denis. Michael Fried. Modernism. Modernity. Music in the Tuileries. Narcissism. Nude (art). Obscenity. Oil sketch. Painting. Paul Delaroche. Paul Gauguin. Paul Verlaine. Photography. Physiognomy. Pierre-Auguste Renoir. Postmodern literature. Public morality. Realism (arts). Rembrandt. Ridicule. Rococo. Romanticism. Sketchbook. Soziologie. Still life. The Artist at Work. The Irascibles. The Painter's Studio. The Philosopher. Édouard Manet. Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Backlist 2000-2013 9783110442502 https://doi.org/10.1515/9781400845125 https://www.degruyter.com/isbn/9781400845125 Cover https://www.degruyter.com/document/cover/isbn/9781400845125/original |
language |
English |
format |
eBook |
author |
Alsdorf, Bridget, Alsdorf, Bridget, |
spellingShingle |
Alsdorf, Bridget, Alsdorf, Bridget, Fellow Men : Fantin-Latour and the Problem of the Group in Nineteenth-Century French Painting / Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. The Self in Group Portraiture -- 2. A Crisis of Pride -- 3. Studio of the Self -- 4. Deviance and Disappearance -- 5. The Irregularists -- Conclusion -- Notes -- Selected Bibliography -- Index |
author_facet |
Alsdorf, Bridget, Alsdorf, Bridget, |
author_variant |
b a ba b a ba |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Alsdorf, Bridget, |
title |
Fellow Men : Fantin-Latour and the Problem of the Group in Nineteenth-Century French Painting / |
title_sub |
Fantin-Latour and the Problem of the Group in Nineteenth-Century French Painting / |
title_full |
Fellow Men : Fantin-Latour and the Problem of the Group in Nineteenth-Century French Painting / Bridget Alsdorf. |
title_fullStr |
Fellow Men : Fantin-Latour and the Problem of the Group in Nineteenth-Century French Painting / Bridget Alsdorf. |
title_full_unstemmed |
Fellow Men : Fantin-Latour and the Problem of the Group in Nineteenth-Century French Painting / Bridget Alsdorf. |
title_auth |
Fellow Men : Fantin-Latour and the Problem of the Group in Nineteenth-Century French Painting / |
title_alt |
Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. The Self in Group Portraiture -- 2. A Crisis of Pride -- 3. Studio of the Self -- 4. Deviance and Disappearance -- 5. The Irregularists -- Conclusion -- Notes -- Selected Bibliography -- Index |
title_new |
Fellow Men : |
title_sort |
fellow men : fantin-latour and the problem of the group in nineteenth-century french painting / |
publisher |
Princeton University Press, |
publishDate |
2022 |
physical |
1 online resource (352 p.) : 42 color illus. 122 halftones. |
contents |
Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. The Self in Group Portraiture -- 2. A Crisis of Pride -- 3. Studio of the Self -- 4. Deviance and Disappearance -- 5. The Irregularists -- Conclusion -- Notes -- Selected Bibliography -- Index |
isbn |
9781400845125 9783110442502 |
callnumber-first |
N - Fine Arts |
callnumber-subject |
ND - Painting |
callnumber-label |
ND553 |
callnumber-sort |
ND 3553 F32 A85 42013EB |
genre_facet |
Portraits. |
geographic_facet |
France France. |
era_facet |
19th century. |
url |
https://doi.org/10.1515/9781400845125 https://www.degruyter.com/isbn/9781400845125 https://www.degruyter.com/document/cover/isbn/9781400845125/original |
illustrated |
Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
750 - Painting |
dewey-ones |
759 - Historical, geographic & persons treatment |
dewey-full |
759.4 |
dewey-sort |
3759.4 |
dewey-raw |
759.4 |
dewey-search |
759.4 |
doi_str_mv |
10.1515/9781400845125 |
work_keys_str_mv |
AT alsdorfbridget fellowmenfantinlatourandtheproblemofthegroupinnineteenthcenturyfrenchpainting |
status_str |
n |
ids_txt_mv |
(DE-B1597)627112 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Backlist 2000-2013 |
is_hierarchy_title |
Fellow Men : Fantin-Latour and the Problem of the Group in Nineteenth-Century French Painting / |
container_title |
Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Backlist 2000-2013 |
_version_ |
1806143564634128384 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>07506nam a22018855i 4500</leader><controlfield tag="001">9781400845125</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20220729113935.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">220729t20222013nju fo d z eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781400845125</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9781400845125</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)627112</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">nju</subfield><subfield code="c">US-NJ</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">ND553.F32</subfield><subfield code="b">A85 2013eb</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">ART015100</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">759.4</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Alsdorf, Bridget, </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Fellow Men :</subfield><subfield code="b">Fantin-Latour and the Problem of the Group in Nineteenth-Century French Painting /</subfield><subfield code="c">Bridget Alsdorf.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Princeton, NJ : </subfield><subfield code="b">Princeton University Press, </subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2013</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (352 p.) :</subfield><subfield code="b">42 color illus. 122 halftones.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">Contents -- </subfield><subfield code="t">Acknowledgments -- </subfield><subfield code="t">Introduction -- </subfield><subfield code="t">1. The Self in Group Portraiture -- </subfield><subfield code="t">2. A Crisis of Pride -- </subfield><subfield code="t">3. Studio of the Self -- </subfield><subfield code="t">4. Deviance and Disappearance -- </subfield><subfield code="t">5. The Irregularists -- </subfield><subfield code="t">Conclusion -- </subfield><subfield code="t">Notes -- </subfield><subfield code="t">Selected Bibliography -- </subfield><subfield code="t">Index</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Focusing on the art of Henri Fantin-Latour (1836-1904) and his colleagues Gustave Courbet, Edgar Degas, Edouard Manet, Frédéric Bazille, and Pierre-Auguste Renoir, Fellow Men argues for the importance of the group as a defining subject of nineteenth-century French painting. Through close readings of some of the most ambitious paintings of the realist and impressionist generation, Bridget Alsdorf offers new insights into how French painters understood the shifting boundaries of their social world, and reveals the fragile masculine bonds that made up the avant-garde.A dedicated realist who veered between extremes of sociability and hermetic isolation, Fantin-Latour painted group dynamics over the course of two decades, from 1864 to 1885. This was a period of dramatic change in French history and art--events like the Paris Commune and the rise and fall of impressionism raised serious doubts about the power of collectivism in art and life. Fantin-Latour's monumental group portraits, and related works by his friends and colleagues from the 1850s through the 1880s, represent varied visions of collective identity and test the limits of association as both a social and an artistic pursuit. By examining the bonds and frictions that animated their social circles, Fantin-Latour and his cohorts developed a new pictorial language for the modern group: one of fragmentation, exclusion, and willful withdrawal into interior space that nonetheless presented individuality as radically relational.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2022)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Art and society</subfield><subfield code="z">France</subfield><subfield code="x">History</subfield><subfield code="y">19th century.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Artists</subfield><subfield code="z">France</subfield><subfield code="v">Portraits.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Group identity in art.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Portrait painting, French</subfield><subfield code="y">19th century.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Portraits, Group</subfield><subfield code="z">France.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">ART / History / Modern (late 19th Century to 1945).</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Academic art.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Alfred Sisley.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Allegory.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Alois Riegl.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Alphonse Legros.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Ambroise Vollard.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Anomie.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Antoine Guillemet.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Apotheosis.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Art criticism.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Arthur Rimbaud.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Bad Painting.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Banality (sculpture series).</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Bohemian style.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Boredom.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Bourgeoisie.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Camille Pissarro.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Caricature.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Carle Vernet.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Champfleury.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Charles Baudelaire.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Cubism.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Degenerate art.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Easel.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Edgar Allan Poe.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Edgar Degas.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Edmund Gosse.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Emmanuel Chabrier.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Enfant terrible.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Exclusion.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Farce.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Fine art.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Frans Hals.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">French art.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Genre painting.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Georg Simmel.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Gustave Caillebotte.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Gustave Courbet.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Gustave Moreau.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Hedda Sterne.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Henri Fantin-Latour.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">History painting.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Homage (arts).</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Horace Vernet.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Hyperbole.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Impressionism.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Jacques Derrida.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Jacques-Louis David.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">James Abbott McNeill Whistler.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">James Tissot.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Jan van Eyck.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Jean-Auguste-Dominique Ingres.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">John Ashbery.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">John Rewald.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Joseph de Maistre.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Juan Bautista Martínez del Mazo.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Jules Dalou.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">L'Artiste.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">La Vie (painting).</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Las Meninas.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Le Déjeuner sur l’herbe.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Les Nabis.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Linda Nochlin.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Literature.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Louis Blanc.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Luncheon of the Boating Party.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Marthe.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Mary Cassatt.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Masculinity.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Maurice Denis.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Michael Fried.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Modernism.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Modernity.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Music in the Tuileries.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Narcissism.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Nude (art).</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Obscenity.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Oil sketch.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Painting.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Paul Delaroche.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Paul Gauguin.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Paul Verlaine.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Photography.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Physiognomy.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Pierre-Auguste Renoir.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Postmodern literature.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Public morality.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Realism (arts).</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Rembrandt.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Ridicule.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Rococo.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Romanticism.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Sketchbook.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Soziologie.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Still life.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">The Artist at Work.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">The Irascibles.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">The Painter's Studio.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">The Philosopher.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Édouard Manet.</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">Princeton University Press eBook-Package Backlist 2000-2013</subfield><subfield code="z">9783110442502</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9781400845125</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9781400845125</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="3">Cover</subfield><subfield code="u">https://www.degruyter.com/document/cover/isbn/9781400845125/original</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-044250-2 Princeton University Press eBook-Package Backlist 2000-2013</subfield><subfield code="c">2000</subfield><subfield code="d">2013</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_BACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_CL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ECL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EEBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_PPALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_SSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-deGruyter-alles</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA11SSHE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA13ENGE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA17SSHEE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA5EBK</subfield></datafield></record></collection> |