Streetwalking on a Ruined Map : : Cultural Theory and the City Films of Elvira Notari / / Giuliana Bruno.
Emphasizing the importance of cultural theory for film history, Giuliana Bruno enriches our understanding of early Italian film as she guides us on a series of "inferential walks" through Italian culture in the first decades of this century. This innovative approach---the interweaving of e...
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Place / Publishing House: | Princeton, NJ : : Princeton University Press, , [2021] ©1993 |
Year of Publication: | 2021 |
Language: | English |
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Physical Description: | 1 online resource (436 p.) |
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Bruno, Giuliana, author. aut http://id.loc.gov/vocabulary/relators/aut Streetwalking on a Ruined Map : Cultural Theory and the City Films of Elvira Notari / Giuliana Bruno. Princeton, NJ : Princeton University Press, [2021] ©1993 1 online resource (436 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- Acknowledgments -- Mapping Out Discourse: An Introduction -- PART I. SUPPRESSED KNOWLEDGE OF ELVIRA CODA NOTARI AND NEAPOLITAN FILM: A HISTORICAL PANORAMA -- 1. Questions of History and Film in Italian Culture -- 2. Film Journals and Film Historiography -- PART II. FILM IN THE CITYSCAPE: A TOPOANALYSIS OF SPECTATORSHIP -- 3. Streetwalking around Plato's Cave, or The Unconscious Is Housed -- 4. Spectatorial Embodiments: Anatomies of the Visible and the Female Bodyscape -- PART III. MANUFACTURING FILM CULTURE -- 5. Dora Film: An Urban Production House -- 6. Women at Work: Manufacturing Movies -- 7. Dora Film of America: Women and Immigrants in the American Dream -- 8. Censorship: A Cuton the Wings of Desire -- PART IV. THE METROPOLITAN TEXTURE -- 9. Fragments o f an Analyst's Discourse: Lacunae -- 10. The Architecture of Public Melodrama: A Corporeality of the Street -- 11. Between the Feast and the Law: The Carnivalization of Narration -- 12. City Views: Filmic Cityscape, Artistic Perspective, and Touristic Travel -- PART V. FEMALE GEOGRAPHIES -- 13. Anatomy of an Analysis: The Authorial Noir -- 14. Popular Cinema and Women's Literature: The Transito of Female Discourse -- 15. Medical Figures: Hysteria and the Anatomy Lesson -- 16. Topographies of Dark Female Pleasures -- 17. Written on the Body: Eroticism, Death, and Hagiography -- Notes -- Filmography -- List of Illustrations -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Emphasizing the importance of cultural theory for film history, Giuliana Bruno enriches our understanding of early Italian film as she guides us on a series of "inferential walks" through Italian culture in the first decades of this century. This innovative approach---the interweaving of examples of cinema with architecture, art history, medical discourse, photography, and literature--addresses the challenge posed by feminism to film study while calling attention to marginalized artists. An object of this critical remapping is Elvira Notari (1875-1946), Italy's first and most prolific woman filmmaker, whose documentary-style work on street life in Naples, a forerunner of neorealism, was popularly acclaimed in Italy and the United States until its suppression during the Fascist regime. Since only fragments of Notari's films exist today, Bruno illuminates the filmmaker's contributions to early Italian cinematography by evoking the cultural terrain in which she operated. What emerges is an intertextual montage of urban film culture highlighting a woman's view on love, violence, poverty, desire, and death. This panorama ranges from the city's exteriors to the body's interiors. Reclaiming an alternative history of women's filmmaking and reception, Bruno draws a cultural history that persuasively argues for a spatial, corporal interpretation of film language. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) City and town life in motion pictures. Motion pictures for women Italy. Motion pictures Italy History. Women in motion pictures. PERFORMING ARTS / Film & Video / History & Criticism. bisacsh Accattone (film). Aleramo, Sibilla. Amoroso, Roberto. Antonioni, Michelangelo. Artaud, Antonin. Artemisia (book). Automartirio (film). Bataille, Georges. Bebè vi saluta (film). Bernini, Gianlorenzo. Bovi, Michele. Caesar Productions. Cangiullo, Francesco. Crary, Jonathan. Cuore (book). Daisy Film. Dalbono, Edoardo. De Sica, Vittorio. Doane, Mary Ann. Eakins, Thomas. Eisenstein, Sergei. Esposito, Pasquale. Farassino, Alberto. Ferrigno, Antonio. Flaubert, Gustave. Freud, Sigmund. Gall, Franz Joseph. Gentili, Hester. Gnesella (film). Hansen, Miriam. Hawks and Sparrows (film). I vermi (novel). Illuminati, Ivo. Irigaray, Luce. Joli, Antonio. Karenne Film. Kleine, George. Kuhn, Annette. Lacan, Jacques. Le Brun, Charles. Le ombre (novel). Lombardo, Gustavo. Mancini, Antonio. Napoli nel cinema (book). Nepoti, Alberto. Notari, Maria. Notari, Olga. Open City (film). Paolella, Roberto. Pubblica Sicurezza. Raggio, Elettra. cinematografeide (film epidemics). compilation film. deviant personalities. Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Archive 1927-1999 9783110442496 https://doi.org/10.1515/9781400843985?locatt=mode:legacy https://www.degruyter.com/isbn/9781400843985 Cover https://www.degruyter.com/cover/covers/9781400843985.jpg |
language |
English |
format |
eBook |
author |
Bruno, Giuliana, Bruno, Giuliana, |
spellingShingle |
Bruno, Giuliana, Bruno, Giuliana, Streetwalking on a Ruined Map : Cultural Theory and the City Films of Elvira Notari / Frontmatter -- Contents -- Acknowledgments -- Mapping Out Discourse: An Introduction -- PART I. SUPPRESSED KNOWLEDGE OF ELVIRA CODA NOTARI AND NEAPOLITAN FILM: A HISTORICAL PANORAMA -- 1. Questions of History and Film in Italian Culture -- 2. Film Journals and Film Historiography -- PART II. FILM IN THE CITYSCAPE: A TOPOANALYSIS OF SPECTATORSHIP -- 3. Streetwalking around Plato's Cave, or The Unconscious Is Housed -- 4. Spectatorial Embodiments: Anatomies of the Visible and the Female Bodyscape -- PART III. MANUFACTURING FILM CULTURE -- 5. Dora Film: An Urban Production House -- 6. Women at Work: Manufacturing Movies -- 7. Dora Film of America: Women and Immigrants in the American Dream -- 8. Censorship: A Cuton the Wings of Desire -- PART IV. THE METROPOLITAN TEXTURE -- 9. Fragments o f an Analyst's Discourse: Lacunae -- 10. The Architecture of Public Melodrama: A Corporeality of the Street -- 11. Between the Feast and the Law: The Carnivalization of Narration -- 12. City Views: Filmic Cityscape, Artistic Perspective, and Touristic Travel -- PART V. FEMALE GEOGRAPHIES -- 13. Anatomy of an Analysis: The Authorial Noir -- 14. Popular Cinema and Women's Literature: The Transito of Female Discourse -- 15. Medical Figures: Hysteria and the Anatomy Lesson -- 16. Topographies of Dark Female Pleasures -- 17. Written on the Body: Eroticism, Death, and Hagiography -- Notes -- Filmography -- List of Illustrations -- Index |
author_facet |
Bruno, Giuliana, Bruno, Giuliana, |
author_variant |
g b gb g b gb |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Bruno, Giuliana, |
title |
Streetwalking on a Ruined Map : Cultural Theory and the City Films of Elvira Notari / |
title_sub |
Cultural Theory and the City Films of Elvira Notari / |
title_full |
Streetwalking on a Ruined Map : Cultural Theory and the City Films of Elvira Notari / Giuliana Bruno. |
title_fullStr |
Streetwalking on a Ruined Map : Cultural Theory and the City Films of Elvira Notari / Giuliana Bruno. |
title_full_unstemmed |
Streetwalking on a Ruined Map : Cultural Theory and the City Films of Elvira Notari / Giuliana Bruno. |
title_auth |
Streetwalking on a Ruined Map : Cultural Theory and the City Films of Elvira Notari / |
title_alt |
Frontmatter -- Contents -- Acknowledgments -- Mapping Out Discourse: An Introduction -- PART I. SUPPRESSED KNOWLEDGE OF ELVIRA CODA NOTARI AND NEAPOLITAN FILM: A HISTORICAL PANORAMA -- 1. Questions of History and Film in Italian Culture -- 2. Film Journals and Film Historiography -- PART II. FILM IN THE CITYSCAPE: A TOPOANALYSIS OF SPECTATORSHIP -- 3. Streetwalking around Plato's Cave, or The Unconscious Is Housed -- 4. Spectatorial Embodiments: Anatomies of the Visible and the Female Bodyscape -- PART III. MANUFACTURING FILM CULTURE -- 5. Dora Film: An Urban Production House -- 6. Women at Work: Manufacturing Movies -- 7. Dora Film of America: Women and Immigrants in the American Dream -- 8. Censorship: A Cuton the Wings of Desire -- PART IV. THE METROPOLITAN TEXTURE -- 9. Fragments o f an Analyst's Discourse: Lacunae -- 10. The Architecture of Public Melodrama: A Corporeality of the Street -- 11. Between the Feast and the Law: The Carnivalization of Narration -- 12. City Views: Filmic Cityscape, Artistic Perspective, and Touristic Travel -- PART V. FEMALE GEOGRAPHIES -- 13. Anatomy of an Analysis: The Authorial Noir -- 14. Popular Cinema and Women's Literature: The Transito of Female Discourse -- 15. Medical Figures: Hysteria and the Anatomy Lesson -- 16. Topographies of Dark Female Pleasures -- 17. Written on the Body: Eroticism, Death, and Hagiography -- Notes -- Filmography -- List of Illustrations -- Index |
title_new |
Streetwalking on a Ruined Map : |
title_sort |
streetwalking on a ruined map : cultural theory and the city films of elvira notari / |
publisher |
Princeton University Press, |
publishDate |
2021 |
physical |
1 online resource (436 p.) |
contents |
Frontmatter -- Contents -- Acknowledgments -- Mapping Out Discourse: An Introduction -- PART I. SUPPRESSED KNOWLEDGE OF ELVIRA CODA NOTARI AND NEAPOLITAN FILM: A HISTORICAL PANORAMA -- 1. Questions of History and Film in Italian Culture -- 2. Film Journals and Film Historiography -- PART II. FILM IN THE CITYSCAPE: A TOPOANALYSIS OF SPECTATORSHIP -- 3. Streetwalking around Plato's Cave, or The Unconscious Is Housed -- 4. Spectatorial Embodiments: Anatomies of the Visible and the Female Bodyscape -- PART III. MANUFACTURING FILM CULTURE -- 5. Dora Film: An Urban Production House -- 6. Women at Work: Manufacturing Movies -- 7. Dora Film of America: Women and Immigrants in the American Dream -- 8. Censorship: A Cuton the Wings of Desire -- PART IV. THE METROPOLITAN TEXTURE -- 9. Fragments o f an Analyst's Discourse: Lacunae -- 10. The Architecture of Public Melodrama: A Corporeality of the Street -- 11. Between the Feast and the Law: The Carnivalization of Narration -- 12. City Views: Filmic Cityscape, Artistic Perspective, and Touristic Travel -- PART V. FEMALE GEOGRAPHIES -- 13. Anatomy of an Analysis: The Authorial Noir -- 14. Popular Cinema and Women's Literature: The Transito of Female Discourse -- 15. Medical Figures: Hysteria and the Anatomy Lesson -- 16. Topographies of Dark Female Pleasures -- 17. Written on the Body: Eroticism, Death, and Hagiography -- Notes -- Filmography -- List of Illustrations -- Index |
isbn |
9781400843985 9783110442496 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1998 |
callnumber-sort |
PN 41998.3 N68 |
geographic_facet |
Italy. Italy |
url |
https://doi.org/10.1515/9781400843985?locatt=mode:legacy https://www.degruyter.com/isbn/9781400843985 https://www.degruyter.com/cover/covers/9781400843985.jpg |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.43023092 |
dewey-sort |
3791.43 223 292 |
dewey-raw |
791.43 023 092 |
dewey-search |
791.43 023 092 |
doi_str_mv |
10.1515/9781400843985?locatt=mode:legacy |
oclc_num |
1262307918 |
work_keys_str_mv |
AT brunogiuliana streetwalkingonaruinedmapculturaltheoryandthecityfilmsofelviranotari |
status_str |
n |
ids_txt_mv |
(DE-B1597)589776 (OCoLC)1262307918 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Archive 1927-1999 |
is_hierarchy_title |
Streetwalking on a Ruined Map : Cultural Theory and the City Films of Elvira Notari / |
container_title |
Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Archive 1927-1999 |
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1770176668437053440 |
fullrecord |
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Written on the Body: Eroticism, Death, and Hagiography -- </subfield><subfield code="t">Notes -- </subfield><subfield code="t">Filmography -- </subfield><subfield code="t">List of Illustrations -- </subfield><subfield code="t">Index</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Emphasizing the importance of cultural theory for film history, Giuliana Bruno enriches our understanding of early Italian film as she guides us on a series of "inferential walks" through Italian culture in the first decades of this century. 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