The Rise and Fall of Meter : : Poetry and English National Culture, 1860--1930 / / Meredith Martin.

• Superior document: Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Backlist 2000-2013
• VerfasserIn: Martin, Meredith,
• Place / Publishing House: Princeton, NJ : : Princeton University Press, , [2012]; ©2012
• Year of Publication: 2012
• Edition: Course Book
• Language: English
• Physical Description: 1 online resource (288 p.) :; 4 halftones.
• Other title: Frontmatter --; Contents --; Acknowledgments --; Introduction: The Failure of Meter --; Chapter 1: The History of Meter --; Chapter 2: The Stigma of Meter --; Chapter 3: The Institution of Meter --; Chapter 4: The Discipline of Meter --; Chapter 5: The Trauma of Meter --; Chapter 6: The Before- and Afterlife of Meter --; Notes --; Works Cited --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781400842193; 9783110442502
• DOI: 10.1515/9781400842193?locatt=mode:legacy
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Meredith Martin.

Why do we often teach English poetic meter by the Greek terms iamb and trochee? How is our understanding of English meter influenced by the history of England's sense of itself in the nineteenth century? Not an old-fashioned approach to poetry, but a dynamic, contested, and inherently nontraditional field, "English meter" concerned issues of personal and national identity, class, education, patriotism, militarism, and the development of English literature as a discipline. The Rise and Fall of Meter tells the unknown story of English meter from the late eighteenth century until just after World War I. Uncovering a vast and unexplored archive in the history of poetics, Meredith Martin shows that the history of prosody is tied to the ways Victorian England argued about its national identity. Gerard Manley Hopkins, Coventry Patmore, and Robert Bridges used meter to negotiate their relationship to England and the English language; George Saintsbury, Matthew Arnold, and Henry Newbolt worried about the rise of one metrical model among multiple competitors. The pressure to conform to a stable model, however, produced reactionary misunderstandings of English meter and the culture it stood for. This unstable relationship to poetic form influenced the prose and poems of Robert Graves, Siegfried Sassoon, Wilfred Owen, W. B. Yeats, Ezra Pound, and Alice Meynell. A significant intervention in literary history, this book argues that our contemporary understanding of the rise of modernist poetic form was crucially bound to narratives of English national culture.