New Impressions of Africa / / Raymond Roussel.

• Superior document: Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Backlist 2000-2013
• VerfasserIn: Roussel, Raymond,
• TeilnehmendeR: Ford, Mark.
• Place / Publishing House: Princeton, NJ : : Princeton University Press, , [2012]; ©2011
• Year of Publication: 2012
• Edition: Course Book
• Language: English
• Series: Facing Pages
• Physical Description: 1 online resource (264 p.) :; 59 halftones.

Poet, novelist, playwright, and chess enthusiast, Raymond Roussel (1877-1933) was one of the French belle époque's most compelling literary figures. During his lifetime, Roussel's work was vociferously championed by the surrealists, but never achieved the widespread acclaim for which he yearned. New Impressions of Africa is undoubtedly Roussel's most extraordinary work. Since its publication in 1932, this weird and wonderful poem has slowly gained cult status, and its admirers have included Salvador Dalì--who dubbed it the most "ungraspably poetic" work of the era--André Breton, Jean Cocteau, Marcel Duchamp, Michel Foucault, Kenneth Koch, and John Ashbery. Roussel began writing New Impressions of Africa in 1915 while serving in the French Army during the First World War and it took him seventeen years to complete. "It is hard to believe the immense amount of time composition of this kind of verse requires," he later commented. Mysterious, unnerving, hilarious, haunting, both rigorously logical and dizzyingly sublime, it is truly one of the hidden masterpieces of twentieth-century modernism. This bilingual edition of New Impressions of Africa presents the original French text and the English poet Mark Ford's lucid, idiomatic translation on facing pages. It also includes an introduction outlining the poem's peculiar structure and evolution, notes explaining its literary and historical references, and the fifty-nine illustrations anonymously commissioned by Roussel, via a detective agency, from Henri-A. Zo.

Table of Contents

Frontmatter -- Contents -- Introduction -- Abbreviations -- Canto I. Damiette: La maison où Saint Louis fut prisonnier / Damietta: The house where Saint Louis was held prisoner -- Canto II. Le Champ de bataille des Pyramides / The Battlefield of the Pyramids -- Canto III. La Colonne qui, léchée jusqu'à ce que la langue saigne, guérit la jaunisse / The column that, when licked until the tongue bleeds, cures jaundice -- Canto IV. Les Jardins de Rosette vus d'une dahabieh / The Gardens of Rosetta seen from a dahabieh