Modernism, Media, and Propaganda : : British Narrative from 1900 to 1945 / / Mark Wollaeger.
Though often defined as having opposite aims, means, and effects, modernism and modern propaganda developed at the same time and influenced each other in surprising ways. The professional propagandist emerged as one kind of information specialist, the modernist writer as another. Britain was particu...
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| Superior document: | Title is part of eBook package: De Gruyter PUP eBook-Package 2000-2015 |
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| Place / Publishing House: | Princeton, NJ : : Princeton University Press, , [2008] ©2006 |
| Year of Publication: | 2008 |
| Edition: | Course Book |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource :; 27 halftones. |
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Table of Contents:
- Frontmatter
- Contents
- List of Illustrations
- Preface
- Acknowledgments
- INTRODUCTION. Modernism and the Information-Propaganda Matrix
- CHAPTER ONE. From Conrad to Hitchcock: Modernism, Film, and the Art of Propaganda
- CHAPTER TWO. The Woolfs, Picture Postcards, and the Propaganda of Everyday Life
- CHAPTER THREE. Impressionism and Propaganda: Ford's Wellington House Books and The Good Soldier
- CHAPTER FOUR. Joyce and the Limits of Political Propaganda
- CHAPTER FIVE. From the Thirties to World War II: Negotiating Modernism and Propaganda in Hitchcock and Welles
- Coda
- Notes
- Index