A Mirror in the Roadway : : Literature and the Real World / / Morris Dickstein.

• VerfasserIn: Dickstein, Morris,
• Place / Publishing House: Princeton, NJ : : Princeton University Press, , [2021]; ©2005
• Year of Publication: 2021
• Language: English
• Physical Description: 1 online resource (320 p.)
• Other title: Frontmatter --; CONTENTS --; Preface --; Acknowledgments --; Introduction A Mirror in the Roadway --; American Realism: The Sense of Time and Place --; The City as Text: New York and the American Writer --; The Second City (Chicago Writers) --; Upton Sinclair and the Urban Jungle --; A Radical Comedian (Sinclair Lewis) --; The Magic of Contradictions: Willa Cather's Lost Lady --; A Different World: From Realism to Modernism --; The Authority of Failure (F. Scott Fitzgerald) --; Edmund Wilson: Three Phases --; A Glint of Malice (Mary McCarthy) --; Silence, Exile, Cunning --; Hope against Hope: Orwell and the Future --; Magical Realism --; Postwar Fiction in Context: Genealogies --; Sea Change: Céline in America --; The Complex Fate of the Jewish American Writer --; The Face in the Mirror: The Eclipse of Distance in Contemporary Fiction --; Ordinary People: Carver, Ford, and Blue-Collar Realism --; Textures of Memory --; READING AND HISTORY --; Damaged Literacy: The Decay of Reading --; Finding the Right Words (Irving Howe) --; The Social Uses of Fiction (Martha Nussbaum) --; The Limits of Historicism: Literary Theory and Historical Understanding --; Sources --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781400826667
• DOI: 10.1515/9781400826667?locatt=mode:legacy
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Morris Dickstein.

In a famous passage in The Red and the Black, the French writer Stendhal described the novel as a mirror being carried along a roadway. In the twentieth century this was derided as a naïve notion of realism. Instead, modern writers experimented with creative forms of invention and dislocation. Deconstructive theorists went even further, questioning whether literature had any real reference to a world outside its own language, while traditional historians challenged whether novels gave a trustworthy representation of history and society. In this book, Morris Dickstein reinterprets Stendhal's metaphor and tracks the different worlds of a wide array of twentieth-century writers, from realists like Theodore Dreiser, Sinclair Lewis, Edith Wharton, and Willa Cather, through modernists like Franz Kafka and Samuel Beckett, to wildly inventive postwar writers like Saul Bellow, Günter Grass, Mary McCarthy, George Orwell, Philip Roth, and Gabriel García Márquez. Dickstein argues that fiction will always yield rich insight into its subject, and that literature can also be a form of historical understanding. Writers refract the world through their forms and sensibilities. He shows how the work of these writers recaptures--yet also transforms--the life around them, the world inside them, and the universe of language and feeling they share with their readers. Through lively and incisive essays directed to general readers as well as students of literature, Dickstein redefines the literary landscape--a landscape in which reading has for decades been devalued by society and distorted by theory. Having begun with a reconsideration of realism, the book concludes with several essays probing the strengths and limitations of a historical approach to literature and criticism.