Venom in Verse : : Aristophanes in Modern Greece / / Gonda A.H. Van Steen.

• Superior document: Title is part of eBook package: De Gruyter PUP eBook-Package 2000-2015
• VerfasserIn: Van Steen, Gonda A.H.,
• Place / Publishing House: Princeton, NJ : : Princeton University Press, , [2000]; ©2000
• Year of Publication: 2000
• Edition: Core Textbook
• Language: English
• Series: Princeton Modern Greek Studies ; 16
• Physical Description: 1 online resource :; 2 tables, 6 line illus.
• Other title: Frontmatter --; Contents --; Illustrations --; Preface --; Acknowledgments --; Prologue --; CHAPTER 1. Poisoned Gift from Antiquity: Aristophanes as Paravase of Koraes' Nationalist Ideology --; CHAPTER 2. Aristophanes in Modern Greek: A Demotic, Satirical, and Theatrical Paravase --; CHAPTER 3. The Lysistrata Euphoria of 1900 to 1940: Sexual and Antifeminist Paravase --; CHAPTER 4. Koun's Birds of 1959: Paravase of Right-Wing Politics --; CHAPTER 5. Framing, Clowning, and Cloning Aristophanes --; Epilogue --; Notes --; Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781400823758; 9783110662580; 9783110413434; 9783110442502; 9783110459531
• DOI: 10.1515/9781400823758
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Gonda A.H. Van Steen.

Aristophanes has enjoyed a conspicuous revival in nineteenth- and twentieth-century Greece. Here, Gonda Van Steen provides the first critical analysis of the role of the classical Athenian playwright in modern Greek culture, explaining how the sociopolitical "venom" of Aristophanes' verses remains relevant and appealing to modern Greek audiences. Deriding or challenging well-known figures and conservative values, Aristophanes' comedies transgress authority and continue to speak to many social groups in Greece who have found in him a witty, pointed, and accessible champion from their "native" tradition. The book addresses the broader issues reflected in the poet's revival: political and linguistic nationalism, literary and cultural authenticity versus creativity, censorship, and social strife. Van Steen's discussion ranges from attitudes toward Aristophanes before and during Greece's War of Independence in the 1820s to those during the Cold War, from feminist debates to the significance of the popular music integrated into comic revival productions, from the havoc transvestite adaptations wreaked on gender roles to the political protest symbolized by Karolos Koun's directorial choices. Crossing boundaries of classical philology, critical theory, and performance studies, the book encourages us to reassess Aristophanes' comedies as both play-acts and modern methods of communication. Van Steen uses material never before accessible in English as she proves that Aristophanes remains Greece's immortal comic genius and political voice.