The Ceremonial City : : Toulouse Observed, 1738-1780 / / Robert A. Schneider.

From public executions to religious processions to political festivities, Toulouse's ceremonial life was remarkably rich in the decades prior to the French Revolution. In an engaging portrait that conveys this provincial city in all its splendor and misery, Robert Schneider explores how Toulous...

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Superior document:Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Archive 1927-1999
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Place / Publishing House:Princeton, NJ : : Princeton University Press, , [1996]
©1995
Year of Publication:1996
Edition:Course Book
Language:English
Online Access:
Physical Description:1 online resource (212 p.) :; 4 tables 1 fig. 2 maps
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245 1 4 |a The Ceremonial City :  |b Toulouse Observed, 1738-1780 /  |c Robert A. Schneider. 
250 |a Course Book 
264 1 |a Princeton, NJ :   |b Princeton University Press,   |c [1996] 
264 4 |c ©1995 
300 |a 1 online resource (212 p.) :  |b 4 tables 1 fig. 2 maps 
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505 0 0 |t Frontmatter --   |t Contents --   |t ACKNOWLEDGMENTS --   |t INTRODUCTION --   |t CHAPTER 1. THE OBSERVER AND HIS DIARY --   |t CHAPTER 2. THE CITY --   |t CHAPTER 3. JUSTICE IN THE STREETS --   |t CHAPTER 4. PUBLIC DEVOTIONS --   |t CHAPTER 5. POLITICAL FESTIVITIES --   |t CONCLUSION. THINKING ABOUT THE CEREMONIAL CITY --   |t INDEX 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a From public executions to religious processions to political festivities, Toulouse's ceremonial life was remarkably rich in the decades prior to the French Revolution. In an engaging portrait that conveys this provincial city in all its splendor and misery, Robert Schneider explores how Toulouse's civic and community life was represented in the stagings of various ceremonies. His inquiry is based on the unpublished diaries of Pierre Barthès, a Latin tutor who was both a devout Catholic and a monarchist, and who recorded forty years of public activity in ways that reflected the mounting social tensions of his times. By analyzing Barthès's accounts, Schneider demonstrates how the variety of ceremonial forms embodied different ritual dynamics and represented contrasting values. The author focuses most intently on the differences between the solemn religious procession, which was highly participatory and represented local concerns, and the more celebratory festival, which vaunted the monarchy and turned the people into passive spectators. He examines the theatrical nature of often hastily orchestrated religious parades winding through neighborhood streets, then considers the monarchy's use of plazas for staged entertainment, particularly for awe-inspiring displays of fireworks. Schneider argues that the festival proved a successful tool in imposing the symbols of the centralized state on Toulouse's public life, but that both the procession and the festival incorporated powerful ceremonial forms that proved politically useful for the Revolution. 
530 |a Issued also in print. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) 
650 0 |a Rites and ceremonies  |z France  |z Toulouse  |x History  |y 18th century. 
650 7 |a HISTORY / Europe / France.  |2 bisacsh 
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776 0 |c print  |z 9780691034645 
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