Incriminations : : Guilty Women/Telling Stories / / Karen S. McPherson.

Maintaining that women's storytelling is a telling activity, Karen McPherson "reads for guilt" in novels by five twentieth-century writers--Simone de Beauvoir (L'Invitée), Marguerite Duras (Le ravissement de Lol V. Stein), Anne Hébert (Kamouraska), Virginia Woolf (Mrs. Dalloway),...

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Place / Publishing House:Princeton, NJ : : Princeton University Press, , [2021]
©1994
Year of Publication:2021
Language:English
Online Access:
Physical Description:1 online resource (232 p.)
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245 1 0 |a Incriminations :  |b Guilty Women/Telling Stories /  |c Karen S. McPherson. 
264 1 |a Princeton, NJ :   |b Princeton University Press,   |c [2021] 
264 4 |c ©1994 
300 |a 1 online resource (232 p.) 
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505 0 0 |t Frontmatter --   |t Contents --   |t Acknowledgments --   |t Prologue --   |t One The Voice of Reason: L'Invitée --   |t Two Cries and Lies: Le ravissement de Lol V. Stein --   |t Three Bearing Witness: Kamouraska --   |t Four Speaking Madness: Mrs. Dalloway --   |t Post(modern)script D'une langue à l'autre or Speaking in Other Tongues: Le désert mauve --   |t Notes --   |t Index 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a Maintaining that women's storytelling is a telling activity, Karen McPherson "reads for guilt" in novels by five twentieth-century writers--Simone de Beauvoir (L'Invitée), Marguerite Duras (Le ravissement de Lol V. Stein), Anne Hébert (Kamouraska), Virginia Woolf (Mrs. Dalloway), and Nicole Brossard (Le désert mauve). She finds in the vocabulary and atmosphere of these novels a linking of female protagonists to crime and culpability. The guilt, however, is not clearly imputed or assumed; it tends to trouble the conscience of the entire narrative. Through critical close readings and an inquiry into the interrelations among narration, transgression, and gender, McPherson explores how the women in the stories come under suspicion and how they attempt to reverse or rewrite the guilty sentence.The author examines the complex process and language of incrimination, reflecting on its literary, philosophical, social, and political manifestations in the texts and contexts of the five novels. She looks for signs of possible subversion of the incriminating process within the texts: Can female protagonists (and women writers) escape the vicious circling of the story that would incriminate them? In the course of this book, the stories are made to reveal their strikingly modern and postmodern preoccupations with survival. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021) 
650 0 |a Feminism and literature. 
650 0 |a Fiction  |x Women authors  |x History and criticism. 
650 0 |a Fiction  |y 20th century  |x History and criticism. 
650 0 |a Guilt in literature. 
650 0 |a Women in literature. 
650 7 |a LITERARY CRITICISM / Women Authors.  |2 bisacsh 
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