The Undivine Comedy : : Detheologizing Dante / / Teodolinda Barolini.
Accepting Dante's prophetic truth claims on their own terms, Teodolinda Barolini proposes a "detheologized" reading as a global new approach to the Divine Comedy. Not aimed at excising theological concerns from Dante, this approach instead attempts to break out of the hermeneutic guid...
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| Superior document: | Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Archive 1927-1999 |
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| VerfasserIn: | |
| Place / Publishing House: | Princeton, NJ : : Princeton University Press, , [1992] ©1993 |
| Year of Publication: | 1992 |
| Edition: | Core Textbook |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (368 p.) |
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Table of Contents:
- Frontmatter
- CONTENTS
- PREFACE
- EDITIONS AND ACKNOWLEDGMENTS
- Chapter 1. DETHEOLOGIZING DANTE: REALISM, RECEPTION, AND THE RESOURCES OF NARRATIVE
- Chapter 2. INFERNAL INCIPITS: THE POETICS OF THE NEW
- Chapter 3. ULYSSES, GERYON, AND THE AERONAUTICS OF NARRATIVE TRANSITION
- Chapter 4. NARRATIVE AND STYLE IN LOWER HELL
- Chapter 5. PURGATORY AS PARADIGM: TRAVELING THE NEW AND NEVER-BEFORE-TRAVELED PATH OF THIS LIFE/POEM
- Chapter 6. RE-PRESENTING WHAT GOD PRESENTED: THE ARACHNEAN ART OF THE TERRACE OF PRIDE
- Chapter 7. NONFALSE ERRORS AND THE TRUE DREAMS OF THE EVANGELIST
- Chapter 8. PROBLEMS IN PARADISE: THE MIMESIS OF TIME AND THE PARADOX OF PIUÁ E MENO
- Chapter 9. THE HEAVEN OF THE SUN AS A MEDITATION ON NARRATIVE
- Chapter 10. THE SACRED POEM IS FORCED TO JUMP: CLOSURE AND THE POETICS OF ENJAMBMENT
- APPENDIX. TRANSITION: HOW CANTOS BEGIN AND END
- NOTES
- INDEX