Thomas Eakins : : The Heroism of Modern Life / / Elizabeth Johns.

Why did Thomas Eakins, now considered the foremost American painter of the nineteenth century, make portraiture his main field in an era when other major artists disdained such a choice? With a rich discussion of the cultural and vocational context of the late nineteenth and early twentieth centurie...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Archive 1927-1999
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Place / Publishing House:Princeton, NJ : : Princeton University Press, , [1991]
©1984
Year of Publication:1991
Language:English
Online Access:
Physical Description:1 online resource (328 p.)
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Other title:Frontmatter --
Contents --
List of Illustration --
Dimensions of Eakins' Works --
Acknowledgments --
Preface --
Thomas Eakins - The Heroism of Modern Life --
Chapter One. Eakins, Modern Life, and the Portrait --
Chapter Two. Max Schmitt in a Single Scull, or The Champion single Sculls --
Chapter Three. The Gross Clinic, or Portrait of Professor Gross --
Chapter Four. William Rush Craving His Allegorical Figure of the Schuylkill River --
Chapter Five. The Concert Singer --
Chapter Six. Walt Whitman --
bibliographic Essay --
Index
Summary:Why did Thomas Eakins, now considered the foremost American painter of the nineteenth century, make portraiture his main field in an era when other major artists disdained such a choice? With a rich discussion of the cultural and vocational context of the late nineteenth and early twentieth centuries, Elizabeth Johns answers this question.
Format:Mode of access: Internet via World Wide Web.
ISBN:9781400820252
9783110442496
DOI:10.1515/9781400820252?locatt=mode:legacy
Access:restricted access
Hierarchical level:Monograph
Statement of Responsibility: Elizabeth Johns.