Thomas Eakins : : The Heroism of Modern Life / / Elizabeth Johns.
Why did Thomas Eakins, now considered the foremost American painter of the nineteenth century, make portraiture his main field in an era when other major artists disdained such a choice? With a rich discussion of the cultural and vocational context of the late nineteenth and early twentieth centurie...
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Superior document: | Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Archive 1927-1999 |
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Place / Publishing House: | Princeton, NJ : : Princeton University Press, , [1991] ©1984 |
Year of Publication: | 1991 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (328 p.) |
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Other title: | Frontmatter -- Contents -- List of Illustration -- Dimensions of Eakins' Works -- Acknowledgments -- Preface -- Thomas Eakins - The Heroism of Modern Life -- Chapter One. Eakins, Modern Life, and the Portrait -- Chapter Two. Max Schmitt in a Single Scull, or The Champion single Sculls -- Chapter Three. The Gross Clinic, or Portrait of Professor Gross -- Chapter Four. William Rush Craving His Allegorical Figure of the Schuylkill River -- Chapter Five. The Concert Singer -- Chapter Six. Walt Whitman -- bibliographic Essay -- Index |
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Summary: | Why did Thomas Eakins, now considered the foremost American painter of the nineteenth century, make portraiture his main field in an era when other major artists disdained such a choice? With a rich discussion of the cultural and vocational context of the late nineteenth and early twentieth centuries, Elizabeth Johns answers this question. |
Format: | Mode of access: Internet via World Wide Web. |
ISBN: | 9781400820252 9783110442496 |
DOI: | 10.1515/9781400820252?locatt=mode:legacy |
Access: | restricted access |
Hierarchical level: | Monograph |
Statement of Responsibility: | Elizabeth Johns. |