ReFocus: The Films of Kim Ki-young /

ReFocus: The Films of Kim Ki-young / / ed. by Chung-kang Kim.

The first comprehensive scholarly volume on Kim Ki-young and his films in EnglishOffers an innovative critical analysis of Kim Ki-young’s films from a range of fresh and nuanced perspectivesIntroduces a significant South Korean film auteur within the history of global cinema whose work has been prev...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2023
MitwirkendeR:
Bechervaise, Jason,
Choe, Steve,
Edwards, Russell,
Kim, Chung-kang,
Kim, Han Sang,
Kim, Kyu Hyun,
Kim, Molly,
Schudson, Ariel,
Sohyoun, Kim,
HerausgeberIn:
Kim, Chung-kang,
Place / Publishing House:Edinburgh : : Edinburgh University Press, , [2023]
©2023
Year of Publication:2023
Language:English
Series:ReFocus: The International Directors Series : RFIDS
Online Access:
Physical Description:1 online resource (240 p.) :; 16 B/W illustrations 16 B&W images
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245 0 0 |a ReFocus: The Films of Kim Ki-young /  |c ed. by Chung-kang Kim. 
264 1 |a Edinburgh :   |b Edinburgh University Press,   |c [2023] 
264 4 |c ©2023 
300 |a 1 online resource (240 p.) :  |b 16 B/W illustrations 16 B&W images 
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490 0 |a ReFocus: The International Directors Series : RFIDS 
505 0 0 |t Frontmatter --   |t Contents --   |t Figures --   |t Notes on Film Titles, Romanization of Korean Names and Film Festival --   |t Notes on Contributors --   |t Acknowledgements --   |t Introduction: Kim Ki-young, the First Global South Korean Auteur --   |t Part 1 Beyond the Border: Transnational/Hybridity/Border-Crossing --   |t Chapter 1 Kim Ki-young at the Intersection of Cold War Alliance, National Reconstruction and the Artistic Impulse --   |t Chapter 2 “We Shall All Need That Basket/ A-Frame Carrier”: A Comparative Analysis of Goryeojang (1963) and Ballad of Narayama (1958/1983) --   |t Chapter 3 Love Thy Enemy: Kim Ki-young’s Exploration of Korean-Japanese Romance in The Sea Knows (1961) --   |t Part 2 Beyond the Norm: Psychology, Biopolitics and Sexuality --   |t Chapter 4 Refiguring The Housemaid’s Singularity: From Dualism to Triadism Based on the Lacanian Perspective --   |t Chapter 5 Men, Women and the Electric Household: Kim Ki-young’s Housemaid Films --   |t Chapter 6 To Speak and To Be Spoken For: Deafness, Stuttering and the Women in the Films of Kim Ki-young --   |t Part 3 Becoming an (Global) Auteur --   |t Chapter 7 The Intersection of Authorship and Film Regulation During the Period of Military Rule: An Analysis of Kim Ki-young’s National Policy Films, Soil (1978) and Water Lady (1979) --   |t Chapter 8 Rediscovering Kim Ki-young: The Rise of the South Korean Auteur on the Film Festival Circuit --   |t Appendix --   |t Index 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a The first comprehensive scholarly volume on Kim Ki-young and his films in EnglishOffers an innovative critical analysis of Kim Ki-young’s films from a range of fresh and nuanced perspectivesIntroduces a significant South Korean film auteur within the history of global cinema whose work has been previously overlookedIncreases the understanding of modern South Korean history and culture through an analysis of the trajectory of Kim Ki-young’s workWorld-renowned South Korean directors, including Park Chan-wook and Bong Joon Ho, cite Kim Ki-young as being the greatest Korean influence on their work. During his thirty year career, Kim Ki-young produced thirty-three films and became revered by critics within the national and international community as one of the few South Korean ‘auteurs’. As the first comprehensive scholarly volume on Kim Ki-young in English, ReFocus: The Films of Kim Ki-young covers his entire career and history of cinematic work, highlighting the thematic and stylistic singularity of Kim’s oeuvre, which was produced relative to the specific historical and cultural conditions of post-war South Korea. It offers an innovative departure point from which to explore South Korean film relative to the wider history of world cinema, in addition to situating Kim’s work within the broader fields of Korean modern history, transnational cinema and cultural studies. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mai 2023) 
650 0 |a Motion picture producers and directors  |z Korea (South). 
650 4 |a Film, Media & Cultural Studies. 
650 7 |a PERFORMING ARTS / Film & Video / History & Criticism.  |2 bisacsh 
700 1 |a Bechervaise, Jason,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Choe, Steve,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Edwards, Russell,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Kim, Chung-kang,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Kim, Chung-kang,   |e editor.  |4 edt  |4 http://id.loc.gov/vocabulary/relators/edt 
700 1 |a Kim, Han Sang,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Kim, Kyu Hyun,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Kim, Molly,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Schudson, Ariel,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Sohyoun, Kim,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
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