Transnational Crime Cinema / / ed. by Sarah Delahousse.
Contributes a genealogical approach to debates on critical transnationalismDemonstrates that representations of crime in cinema are part of an ongoing recognition and reordering of relations of power at the levels of individual, collective, and stateOffers new angles on the work of a diverse set of...
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2023 |
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Transnational Crime Cinema / ed. by Sarah Delahousse. Edinburgh : Edinburgh University Press, [2022] ©2023 1 online resource (268 p.) : 48 B/W illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- CONTENTS -- FIGURES -- Notes on Contributors -- Acknowledgements -- Introduction: Transnational Crime Cinema -- SECTION I TRANSCRIPTION -- 1. Illuminating the Black Film: The Weimar Origins of the Argentine Policial, the Curious Case of ‘El Metteur’ James Bauer and Crime as Transnational Signifier -- 2. Retracing Mafia Locality -- 3. Funhouse Noir: Escapist Expressionism in Samuel Khachikian’s Delirium -- SECTION II TRANSGRESSION -- Part I On the Boundaries of Nation and Ideology: Criminal Heroes at the Discursive Limits of Genre, Gender and the Body -- 4. Crime without Borders: Marginality and Transnational Power in Jacques Audiard’s Un prophète -- 5. Three Crime Films by Jia Zhangke: A Transnational Genealogy of Social and Personal Turmoil -- 6. Tit for Tat: Avenging Women and Self-fashioning Femininity in Malayalam Cinema -- Part II Modes of Transgression vis-à-vis State Repression and Violence -- 7. Communist Noir: The Hunt for Hidden Traitors, Saboteurs, Spies, Revisionists and Deviationists in Albania’s Revolutionary Vigilance Films of the 1970s and 1980s -- 8. The Case of the Spanish Gialli: Crime Fiction and the Openness of Spain in the 1970s -- 9. The Short Arm of the Law: The Post-dictatorship Crime Film as a Barometer for Justice in Contemporary Argentina -- SECTION III TRANSVALUATION -- 10. Franchising the Female Hero: Translating the New Woman in Victorin Jasset’s Protéa (1913), France’s First Female Spy Film -- 11. Shirkers (2018) Lost and Found? Tracing Transsensorial Trauma in a True-crime Road Movie -- 12. Gated Crimes: Neoliberal Spaces and the Pleasures of Paranoia in Las viudas de los jueves (2009) and Betibú (2014) -- 13. Ensemble of Experts: Relentless as ‘Nigerian Noir’ -- Postscript Desires for Transit and Mobile Genealogies of Popular Cinema -- INDEX restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Contributes a genealogical approach to debates on critical transnationalismDemonstrates that representations of crime in cinema are part of an ongoing recognition and reordering of relations of power at the levels of individual, collective, and stateOffers new angles on the work of a diverse set of directors and films connected through an attraction to crime narrativeTracks the changing scope and influence of transnational crime through studies of changing patterns of production moving through film, video and digital streaming that reveal cinema’s place within larger transnational structural and economic changeContains original research on social, political, and economic aspects of popular film that connects to topics in cultural studies, area studies (especially Latin America, the Balkans, South and East Asia, and the Middle East), and new media studiesOffers a theory of filmic transnationalism in which cinema has coevolved with a neoliberal order of government actors and criminal organizations, as well as oligarchic and corporate regimesFramed by approaches in critical transnationalism, this volume examines crime as a cinematic mode moving within, between, and across national cinemas to provide rigorous accounts of the political, economic, and historical processes entangled in the production, circulation, and reception of crime films most frequently treated through the lens of genre.Filmic narratives of crime open a porous space of public discourse in which filmmakers and audiences project and reimagine relations of power. Transnational Crime Cinema studies the production and reception of films from Europe, Africa, East and South Asia, and South America present crime as a discursive site where the terms of the nation and cinema gain new definition.Considered transnationally, crime cinema is a self-reflexive modality through which cinema reflects upon cinema’s own discursivity while audiences negotiate ideologies and imaginaries of nation against disruptive transnational economic and political pressures. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mai 2023) Crime in motion pictures. Motion pictures and transnationalism. Film, Media & Cultural Studies. PERFORMING ARTS / Film & Video / Guides & Reviews. bisacsh Alpert, Jennifer, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Berns, Fernando Gabriel Pagnoni, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Delahousse, Sarah, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Delahousse, Sarah, editor. edt http://id.loc.gov/vocabulary/relators/edt Gashi, Jonida, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Khanjani, Ramin Sadegh, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Martínez, David Rodríguez, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Odabasi, Eren, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Raj, Sony Jalarajan, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Risner, Jonathan, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Ryan, Connor, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Sedzielarz, Aleksander, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Sim, Jiaying, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Sreekumar, Rohini, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Watson, Julianna Blair, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2023 9783111318103 ZDB-23-DPK Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts, Architecture and Design 2023 English 9783111319032 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2023 English 9783111319292 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2023 9783111318912 ZDB-23-DGG Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2023 9783110797640 print 9781399505673 https://doi.org/10.1515/9781399505697 https://www.degruyter.com/isbn/9781399505697 Cover https://www.degruyter.com/document/cover/isbn/9781399505697/original |
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Alpert, Jennifer, Alpert, Jennifer, Berns, Fernando Gabriel Pagnoni, Berns, Fernando Gabriel Pagnoni, Delahousse, Sarah, Delahousse, Sarah, Delahousse, Sarah, Delahousse, Sarah, Gashi, Jonida, Gashi, Jonida, Khanjani, Ramin Sadegh, Khanjani, Ramin Sadegh, Martínez, David Rodríguez, Martínez, David Rodríguez, Odabasi, Eren, Odabasi, Eren, Raj, Sony Jalarajan, Raj, Sony Jalarajan, Risner, Jonathan, Risner, Jonathan, Ryan, Connor, Ryan, Connor, Sedzielarz, Aleksander, Sedzielarz, Aleksander, Sim, Jiaying, Sim, Jiaying, Sreekumar, Rohini, Sreekumar, Rohini, Watson, Julianna Blair, Watson, Julianna Blair, |
author_facet |
Alpert, Jennifer, Alpert, Jennifer, Berns, Fernando Gabriel Pagnoni, Berns, Fernando Gabriel Pagnoni, Delahousse, Sarah, Delahousse, Sarah, Delahousse, Sarah, Delahousse, Sarah, Gashi, Jonida, Gashi, Jonida, Khanjani, Ramin Sadegh, Khanjani, Ramin Sadegh, Martínez, David Rodríguez, Martínez, David Rodríguez, Odabasi, Eren, Odabasi, Eren, Raj, Sony Jalarajan, Raj, Sony Jalarajan, Risner, Jonathan, Risner, Jonathan, Ryan, Connor, Ryan, Connor, Sedzielarz, Aleksander, Sedzielarz, Aleksander, Sim, Jiaying, Sim, Jiaying, Sreekumar, Rohini, Sreekumar, Rohini, Watson, Julianna Blair, Watson, Julianna Blair, |
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author_sort |
Alpert, Jennifer, |
title |
Transnational Crime Cinema / |
spellingShingle |
Transnational Crime Cinema / Frontmatter -- CONTENTS -- FIGURES -- Notes on Contributors -- Acknowledgements -- Introduction: Transnational Crime Cinema -- SECTION I TRANSCRIPTION -- 1. Illuminating the Black Film: The Weimar Origins of the Argentine Policial, the Curious Case of ‘El Metteur’ James Bauer and Crime as Transnational Signifier -- 2. Retracing Mafia Locality -- 3. Funhouse Noir: Escapist Expressionism in Samuel Khachikian’s Delirium -- SECTION II TRANSGRESSION -- Part I On the Boundaries of Nation and Ideology: Criminal Heroes at the Discursive Limits of Genre, Gender and the Body -- 4. Crime without Borders: Marginality and Transnational Power in Jacques Audiard’s Un prophète -- 5. Three Crime Films by Jia Zhangke: A Transnational Genealogy of Social and Personal Turmoil -- 6. Tit for Tat: Avenging Women and Self-fashioning Femininity in Malayalam Cinema -- Part II Modes of Transgression vis-à-vis State Repression and Violence -- 7. Communist Noir: The Hunt for Hidden Traitors, Saboteurs, Spies, Revisionists and Deviationists in Albania’s Revolutionary Vigilance Films of the 1970s and 1980s -- 8. The Case of the Spanish Gialli: Crime Fiction and the Openness of Spain in the 1970s -- 9. The Short Arm of the Law: The Post-dictatorship Crime Film as a Barometer for Justice in Contemporary Argentina -- SECTION III TRANSVALUATION -- 10. Franchising the Female Hero: Translating the New Woman in Victorin Jasset’s Protéa (1913), France’s First Female Spy Film -- 11. Shirkers (2018) Lost and Found? Tracing Transsensorial Trauma in a True-crime Road Movie -- 12. Gated Crimes: Neoliberal Spaces and the Pleasures of Paranoia in Las viudas de los jueves (2009) and Betibú (2014) -- 13. Ensemble of Experts: Relentless as ‘Nigerian Noir’ -- Postscript Desires for Transit and Mobile Genealogies of Popular Cinema -- INDEX |
title_full |
Transnational Crime Cinema / ed. by Sarah Delahousse. |
title_fullStr |
Transnational Crime Cinema / ed. by Sarah Delahousse. |
title_full_unstemmed |
Transnational Crime Cinema / ed. by Sarah Delahousse. |
title_auth |
Transnational Crime Cinema / |
title_alt |
Frontmatter -- CONTENTS -- FIGURES -- Notes on Contributors -- Acknowledgements -- Introduction: Transnational Crime Cinema -- SECTION I TRANSCRIPTION -- 1. Illuminating the Black Film: The Weimar Origins of the Argentine Policial, the Curious Case of ‘El Metteur’ James Bauer and Crime as Transnational Signifier -- 2. Retracing Mafia Locality -- 3. Funhouse Noir: Escapist Expressionism in Samuel Khachikian’s Delirium -- SECTION II TRANSGRESSION -- Part I On the Boundaries of Nation and Ideology: Criminal Heroes at the Discursive Limits of Genre, Gender and the Body -- 4. Crime without Borders: Marginality and Transnational Power in Jacques Audiard’s Un prophète -- 5. Three Crime Films by Jia Zhangke: A Transnational Genealogy of Social and Personal Turmoil -- 6. Tit for Tat: Avenging Women and Self-fashioning Femininity in Malayalam Cinema -- Part II Modes of Transgression vis-à-vis State Repression and Violence -- 7. Communist Noir: The Hunt for Hidden Traitors, Saboteurs, Spies, Revisionists and Deviationists in Albania’s Revolutionary Vigilance Films of the 1970s and 1980s -- 8. The Case of the Spanish Gialli: Crime Fiction and the Openness of Spain in the 1970s -- 9. The Short Arm of the Law: The Post-dictatorship Crime Film as a Barometer for Justice in Contemporary Argentina -- SECTION III TRANSVALUATION -- 10. Franchising the Female Hero: Translating the New Woman in Victorin Jasset’s Protéa (1913), France’s First Female Spy Film -- 11. Shirkers (2018) Lost and Found? Tracing Transsensorial Trauma in a True-crime Road Movie -- 12. Gated Crimes: Neoliberal Spaces and the Pleasures of Paranoia in Las viudas de los jueves (2009) and Betibú (2014) -- 13. Ensemble of Experts: Relentless as ‘Nigerian Noir’ -- Postscript Desires for Transit and Mobile Genealogies of Popular Cinema -- INDEX |
title_new |
Transnational Crime Cinema / |
title_sort |
transnational crime cinema / |
publisher |
Edinburgh University Press, |
publishDate |
2022 |
physical |
1 online resource (268 p.) : 48 B/W illustrations |
contents |
Frontmatter -- CONTENTS -- FIGURES -- Notes on Contributors -- Acknowledgements -- Introduction: Transnational Crime Cinema -- SECTION I TRANSCRIPTION -- 1. Illuminating the Black Film: The Weimar Origins of the Argentine Policial, the Curious Case of ‘El Metteur’ James Bauer and Crime as Transnational Signifier -- 2. Retracing Mafia Locality -- 3. Funhouse Noir: Escapist Expressionism in Samuel Khachikian’s Delirium -- SECTION II TRANSGRESSION -- Part I On the Boundaries of Nation and Ideology: Criminal Heroes at the Discursive Limits of Genre, Gender and the Body -- 4. Crime without Borders: Marginality and Transnational Power in Jacques Audiard’s Un prophète -- 5. Three Crime Films by Jia Zhangke: A Transnational Genealogy of Social and Personal Turmoil -- 6. Tit for Tat: Avenging Women and Self-fashioning Femininity in Malayalam Cinema -- Part II Modes of Transgression vis-à-vis State Repression and Violence -- 7. Communist Noir: The Hunt for Hidden Traitors, Saboteurs, Spies, Revisionists and Deviationists in Albania’s Revolutionary Vigilance Films of the 1970s and 1980s -- 8. The Case of the Spanish Gialli: Crime Fiction and the Openness of Spain in the 1970s -- 9. The Short Arm of the Law: The Post-dictatorship Crime Film as a Barometer for Justice in Contemporary Argentina -- SECTION III TRANSVALUATION -- 10. Franchising the Female Hero: Translating the New Woman in Victorin Jasset’s Protéa (1913), France’s First Female Spy Film -- 11. Shirkers (2018) Lost and Found? Tracing Transsensorial Trauma in a True-crime Road Movie -- 12. Gated Crimes: Neoliberal Spaces and the Pleasures of Paranoia in Las viudas de los jueves (2009) and Betibú (2014) -- 13. Ensemble of Experts: Relentless as ‘Nigerian Noir’ -- Postscript Desires for Transit and Mobile Genealogies of Popular Cinema -- INDEX |
isbn |
9781399505697 9783111318103 9783111319032 9783111319292 9783111318912 9783110797640 9781399505673 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1995 |
callnumber-sort |
PN 41995.9 C66 T73 42023 |
url |
https://doi.org/10.1515/9781399505697 https://www.degruyter.com/isbn/9781399505697 https://www.degruyter.com/document/cover/isbn/9781399505697/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.456556 |
dewey-sort |
3791.456556 |
dewey-raw |
791.456556 |
dewey-search |
791.456556 |
doi_str_mv |
10.1515/9781399505697 |
oclc_num |
1371573342 |
work_keys_str_mv |
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Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2023 Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts, Architecture and Design 2023 English Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2023 English Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2023 Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2023 |
is_hierarchy_title |
Transnational Crime Cinema / |
container_title |
Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2023 |
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Transnational Crime Cinema studies the production and reception of films from Europe, Africa, East and South Asia, and South America present crime as a discursive site where the terms of the nation and cinema gain new definition.Considered transnationally, crime cinema is a self-reflexive modality through which cinema reflects upon cinema’s own discursivity while audiences negotiate ideologies and imaginaries of nation against disruptive transnational economic and political pressures.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mai 2023)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Crime in motion pictures.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures and transnationalism.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film, Media & Cultural Studies.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film & Video / Guides & Reviews.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Alpert, Jennifer, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Berns, Fernando Gabriel Pagnoni, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield 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