New Perspectives on Mary E. Wilkins Freeman : : Reading with and against the Grain / / ed. by Stephanie Palmer.

• Superior document: Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2023 English
• MitwirkendeR: Campbell, Donna M.,; Champion, H. J. E.,; Dawkins, Laura,; Drizou, Myrto,; Elbert, Monika,; Fogels, Audrey,; Kendrick, Brent L.,; Mrozowski, Daniel,; Palmer, Stephanie,; Paulauskienė, Aušra,; Rogers-Cooper, Justin,; Roudeau, Cécile,; Stone, Susan M.,; Tigchelaar, Jana,; Zagarell, Sandra A.,
• HerausgeberIn: Palmer, Stephanie,
• Place / Publishing House: Edinburgh : : Edinburgh University Press, , [2023]; ©2023
• Year of Publication: 2023
• Language: English
• Series: Interventions in Nineteenth-Century American Literature and Culture : I19CALC
• Physical Description: 1 online resource (320 p.) :; 13 B/W illustrations 13 black and white illustrations
• Other title: Frontmatter --; Contents --; Figures --; ACKNOWLEDGMENTS --; CONTRIBUTORS --; READING FREEMAN AGAIN, ANEW --; PART I: KINSHIP OUTSIDE OF NORMATIVE STRUCTURES --; 1 MARY E. WILKINS FREEMAN’S NEIGHBORLY ENCOUNTERS AND THE PROJECT OF NEIGHBORLINESS --; 2 “HER OWN CREED OF BLOOM”: THE TRANSCENDENTAL ECOFEMINISM OF MARY E. WILKINS FREEMAN --; 3 “PREPOSTEROUS FANCIES” OR A “PLAIN, COMMON WORLD”? QUEER WORLD-MAKING IN MARY E. WILKINS FREEMAN’S “THE PRISM” (1901) --; PART II: VIOLENT, CRIMINAL, AND INFANTICIDAL: FREEMAN’S ODD WOMEN --; 4 THE REIGN OF THE DOLLS: VIOLENCE AND THE NONHUMAN IN MARY E. WILKINS FREEMAN --; 5 TRANSATLANTIC LLORONAS: INFANTICIDE AND GENDER IN MARY E. WILKINS FREEMAN AND ALEXANDROS PAPADIAMANTIS --; 6 REDEFINING THE NEW ENGLAND NUN: A REVISIONIST READING IN THE CONTEXT OF PEMBROKE AND IRISH AMERICAN FICTION --; PART III: WOMEN’S WORK: CAPITAL, BUSINESS, LABOR --; 7 HUNGER STRIKES: QUEER NATURALISM AND THE GENDERING OF SOLIDARITY IN MARY E. WILKINS FREEMAN’S THE PORTION OF LABOR --; 8 “IT WON’T BE LONG BEFORE THE GRIND-MILL GETS HOLD OF HIM”: CHILD LABOR IN MARY E. WILKINS FREEMAN’S THE PORTION OF LABOR --; 9 LITERARY BUSINESSWOMAN EXTRAORDINAIRE --; 10 DECONSTRUCTING UPPER-MIDDLECLASS RITES AND RITUALS: READING MARY E. WILKINS FREEMAN’S STORIES ALONGSIDE MARY LOUISE BOOTH’S HARPER’S BAZAR --; PART IV: PERIODIZATION RECONSIDERED --; 11 MOBILIZING THE GREAT WAR IN MARY E. WILKINS FREEMAN’S EDGEWATER PEOPLE --; 12 A CACOPHONY OF VOICES: FREEMAN’S MODERNISM --; 13 UNDERGROUND INFLUENCE: SYLVIA TOWNSEND WARNER’S PASTICHE OF MARY E. WILKINS FREEMAN --; 14 UNTIMELY FREEMAN --; AFTERWORD: WHY MARY E. WILKINS FREEMAN? WHY NOW? WHERE NEXT? --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781399504492; 9783111319292; 9783111318912; 9783111319131; 9783111318189; 9783110797640
• DOI: 10.1515/9781399504492
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: ed. by Stephanie Palmer.

New research on Freeman’s fiction that challenge and expand earlier feminist readings of the female realmContextualizes key developments in Freeman criticism since 1991Moves beyond an analysis of the short stories for which Freeman is best known to examine her novels Pembroke (1894), Madelon (1896), and The Portion of Labor (1901); stories for youths and uncollected stories; and post-1902 fiction from her late careerUpdates approaches to Freeman by considering ecocriticism, race, labor and class, transnationalismReconsiders periodization: Freeman is read as a modernist and a World War One writer whose long, evolving career questions critical readings of her work within the confines of turn-of-the-century realism and regionalismRaises important questions about single-author scholarship and argues for new critical views that go beyond the single authorInvolves a transatlantic array of scholars (based in the US, the UK, Finland, France, Turkey, Lithuania) at different stages of their career—from some long-time specialists of Freeman to some international PhD studentsFreeman is best known today for her short regionalist fiction. Recently, Freeman studies have taken new turns including ecocriticism, trauma studies, the Gothic, and queer theory. The essay collection pushes these developments further. Contributors aim at revisiting and going beyond Freeman’s regionalism. They challenge earlier feminist readings of the female realm by arguing that her short fiction and novels depict women and girls as violent and criminal, suffocating as well as nurturing; they bring to light questions of race and ethnicity that have been conspicuously absent from scholarship on Freeman, as well as issues of class. Because questions of women’s work are central to Freeman’s oeuvre, this collection discusses Freeman’s acumen as a businesswoman herself, a participant as well as a castigator of turn-of-the-century US capitalism. Finally, essays reconsider the periodization of Freeman by exploring her little acknowledged post-1902 and therefore post-marriage fiction—her war stories and her urban stories.