Adrian Brunel and British Cinema of the 1920s : : The Artist versus the Moneybags / / Josephine Botting.
Uncovers the life and work of a key figure in British cinema, Adrian BrunelOffers an account of British film history through the prism of a unique creative voice within itExamines history through the interaction between archival research and textual analysisExplores the issues that beset British cin...
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| Superior document: | Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2023 |
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| Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2023] ©2023 |
| Year of Publication: | 2023 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (228 p.) :; 38 B/W illustrations 38 B&W images |
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Table of Contents:
- Frontmatter
- Contents
- Figures
- Acknowledgements
- Abbreviations
- INTRODUCTION ‘Might repay serious excavation . . .’: Adrian Brunel as a Subject for Study
- CHAPTER 1 Contextualised Biography of Adrian Brunel, Part I
- CHAPTER 2 A Syndicate of Beggars: Minerva Films Ltd and Independent Short Film Production
- CHAPTER 3 Art, the Trade and The Man Without Desire
- CHAPTER 4 Making Dull Films Jolly: Brunel’s Burlesques
- CHAPTER 5 ‘A war film with a difference’: Blighty and Brunel’s Negotiation of the British Studio System
- CHAPTER 6 Adaptation and Screen Censorship: The Vortex
- CHAPTER 7 Adaptation and the Power of the Author: The Constant Nymph
- CHAPTER 8 Contextualised Biography of Adrian Brunel, Part II
- CONCLUSION Brunel’s Legacy
- Bibliography
- Index