ReFocus: The Films of Jane Campion / / ed. by Alexia Bowler, Adele Jones.
Explores the detail of Jane Campion’s film and television output, considering her vision and practice, legacy, and her contribution to feminist filmmakingIncludes multiple approaches consolidated within a feminist frameworkEngages with Campion’s oeuvre to-dateConsiders Campion’s engagement with femi...
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| Superior document: | Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2023 |
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| MitwirkendeR: | |
| HerausgeberIn: | |
| Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2023] ©2023 |
| Year of Publication: | 2023 |
| Language: | English |
| Series: | ReFocus: The International Directors Series : RFIDS
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| Online Access: | |
| Physical Description: | 1 online resource (216 p.) :; 14 B/W illustrations |
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Table of Contents:
- Frontmatter
- Contents
- Figures
- Acknowledgements
- Notes on Contributors
- Introduction: Unruly Filmmaker, Fellow Traveller
- Part one
- Chapter 1 Claiming Campion: The Question of Jane Campion’s Politics Revisited
- Chapter 2 Two Friends: Circumstances of a Historic Feminist Collaboration
- Part two
- Chapter 3 Unsettling Presences: Agentic Embodiment in Jane Campion’s Films
- Chapter 4 ‘The mood that passes through you’: Reverberations of Music and Meaning in The Piano
- Chapter 5 ‘Only another man’: Homosociality in Jane Campion’s Bright Star and The Power of the Dog
- Chapter 6 ‘I don’t think so, Jan, that’s just another fantasy’: Practice, Paratext and the Power of Women’s Talk in Jane Campion’s Filmmaking
- Part three
- Chapter 7 Articulating Feminism(s): Voicelessness, (In)Visibility and Agency in Top of the Lake
- Chapter 8 Jane Campion’s Palimpsestuous Gothic: Kinship in Top of the Lake: China Girl
- Chapter 9 Photosensitive Primetime: Race and Recovery in Top of the Lake: China Girl
- Afterword: Unsettling Feminism
- Bibliography
- Filmography
- Index