The Demons of Modernity : : Ingmar Bergman and European Cinema / / John Orr.
Ingmar Bergman’s films had a very broad and rich relationship with the rest of European cinema, contrary to the myth that Bergman was a peripheral figure, culturally and aesthetically isolated from the rest of Europe. This book contends that he should be put at the very center of European film histo...
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Superior document: | Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2014-2015 |
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Place / Publishing House: | New York; , Oxford : : Berghahn Books, , [2014] ©2014 |
Year of Publication: | 2014 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (140 p.) |
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100 | 1 | |a Orr, John, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 4 | |a The Demons of Modernity : |b Ingmar Bergman and European Cinema / |c John Orr. |
264 | 1 | |a New York; |a Oxford : |b Berghahn Books, |c [2014] | |
264 | 4 | |c ©2014 | |
300 | |a 1 online resource (140 p.) | ||
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505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t List of Illustrations -- |t Foreword -- |t CHAPTER ONE Ingmar Bergman: The Demons of Modernity -- |t CHAPTER TWO The Shadow of Transcendence: Dreyer–Bergman–Tarkovsky -- |t CHAPTER THREE Lure of the Archipelago: Bergman–Godard–New Wave -- |t CHAPTER FOUR Existential Stoicism: Bergman–Antonioni -- |t Afterword and Acknowledgements -- |t Filmography -- |t Selected Bibliography -- |t Index |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a Ingmar Bergman’s films had a very broad and rich relationship with the rest of European cinema, contrary to the myth that Bergman was a peripheral figure, culturally and aesthetically isolated from the rest of Europe. This book contends that he should be put at the very center of European film history by chronologically comparing Bergman’s relationship to key European directors such as Carl Theodor Dreyer, Jean-Luc Godard, Michelangelo Antonioni, and Andrei Tarkovsky, and also looks at Bergman’s critical relationship to key movements in film history such as the French New Wave. In so doing, it demonstrates how Ingmar Bergman’s films illustrate the demonic struggle in modernity between faith and secularity through “his intense preoccupation with the malaise of intimacy.” | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022) | |
650 | 0 | |a Motion pictures |z Europe |x History |y 20th century. | |
650 | 7 | |a PERFORMING ARTS / Individual Director (see also BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts). |2 bisacsh | |
700 | 1 | |a Koskinen, Maaret, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Berghahn Books Complete eBook-Package 2014-2015 |z 9783110998238 |
856 | 4 | 0 | |u https://doi.org/10.1515/9780857459794 |
856 | 4 | 0 | |u https://www.degruyter.com/isbn/9780857459794 |
856 | 4 | 2 | |3 Cover |u https://www.degruyter.com/document/cover/isbn/9780857459794/original |
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