Transcultural Montage / / ed. by Rane Willerslev, Christian Suhr.

• Superior document: Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2000-2013
• MitwirkendeR: Antick, Paul,; Binter, Julia T. S.,; Bjerregaard, Peter,; Dalsgaard, Anne Line,; Empson, Rebecca,; Grimshaw, Anna,; Grossman, Alyssa,; Høgel, Jakob Kirstein,; Irving, Andrew,; Kapferer, Bruce,; Marcus, George E,; McLean, Stuart,; Mes, Willem,; Nielsen, Morten,; Russell, Catherine,; Salamon, Karen Lisa,; Schüssler, Alexandra,; Suhr, Christian,; Vohnsen, Nina Holm,; Willerslev, Rane,
• HerausgeberIn: Suhr, Christian,; Willerslev, Rane,
• Place / Publishing House: New York; , Oxford : : Berghahn Books, , [2013]; ©2013
• Year of Publication: 2013
• Language: English
• Physical Description: 1 online resource (300 p.)

The disruptive power of montage has often been regarded as a threat to scholarly representations of the social world. This volume asserts the opposite: that the destabilization of commonsense perception is the very precondition for transcending social and cultural categories. The contributors—anthro...

Table of Contents

• Frontmatter
• Contents
• Illustrations
• Acknowledgments
• INTRODUCTION Montage as an Amplifier of Invisibility
• PART I Montage as an Analytic
• CHAPTER 1 Montage and Time Deleuze, Cinema, and a Buddhist Sorcery Rite
• CHAPTER 2 Temporal Aesthetics On Deleuzian Montage in Anthropology
• CHAPTER 3 All the Difference in the World Liminality, Montage, and the Reinvention of Comparative Anthropology
• CHAPTER 4 Into the Gloaming A Montage of the Senses
• PART II Montage in Writing
• CHAPTER 5 Being a Montage
• CHAPTER 6 Smith’s Tour Favela
• CHAPTER 7 Labor Days A Non-Linear Narrative of Development
• CHAPTER 8 Mind the Gap
• PART III Montage in Film
• CHAPTER 9 Women in Cities Comparative Modernities and Cinematic Space in the 1930s
• CHAPTER 10 Radioglaz and the Global City Possibilities and Constraints of Experimental Montage
• CHAPTER 11 Filming in the Light of Memory
• CHAPTER 12 Montage as Analysis in Ethnographic and Documentary Filmmaking From Hunting for Plots Toward Weaving Baskets of Data
• CHAPTER 13 In Defense of Observational Cinema The Significance of the Bazinian Turn for Ethnographic Filmmaking
• PART IV Montage in Museum Exhibitions
• CHAPTER 14 Assembling Potentials, Mounting Effects Ethnographic Exhibitions Beyond Correspondence
• CHAPTER 15 Assembling Bodies Cuts, Clusters, and Juxtapositions
• CHAPTER 16 Project Villa Sovietica Clashing Images, Expectations, and Receptions
• AFTERWORD The Traffic In Montage, Then and Now
• Contributors
• Index