Palimpsestic Memory : : The Holocaust and Colonialism in French and Francophone Fiction and Film / / Max Silverman.

The interconnections between histories and memories of the Holocaust, colonialism and extreme violence in post-war French and Francophone fiction and film provide the central focus of this book. It proposes a new model of ‘palimpsestic memory’, which the author defines as the condensation of differe...

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Superior document:Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2000-2013
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Place / Publishing House:New York ;, Oxford : : Berghahn Books, , [2013]
©2013
Year of Publication:2013
Language:English
Online Access:
Physical Description:1 online resource (216 p.)
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245 1 0 |a Palimpsestic Memory :  |b The Holocaust and Colonialism in French and Francophone Fiction and Film /  |c Max Silverman. 
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505 0 0 |t Frontmatter --   |t Contents --   |t List of Illustrations --   |t Acknowledgements --   |t Introduction: Staging Memory as Palimpsest --   |t Chapter 2. Concentrationary Memory --   |t Chapter 3. Anti-colonialism Revisited --   |t Chapter 4. Colonial Hauntings of the Holocaust Imaginary --   |t Chapter 5. The Memory of the Image --   |t Chapter 6. Memory Traces --   |t Chapter 7. Cosmopolitical Memory --   |t Bibliography --   |t Index 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a The interconnections between histories and memories of the Holocaust, colonialism and extreme violence in post-war French and Francophone fiction and film provide the central focus of this book. It proposes a new model of ‘palimpsestic memory’, which the author defines as the condensation of different spatio-temporal traces, to describe these interconnections and defines the poetics and the politics of this composite form. In doing so it is argued that a poetics dependent on tropes and techniques, such as metaphor, allegory and montage, establishes connections across space and time which oblige us to perceive cultural memory not in terms of its singular attachment to a particular event or bound to specific ethno-cultural or national communities but as a dynamic process of transfer between different moments of racialized violence and between different cultural communities. The structure of the book allows for both the theoretical elaboration of this paradigm for cultural memory and individual case-studies of novels and films. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024) 
650 0 |a Colonies in literature. 
650 0 |a Colonies in motion pictures. 
650 0 |a French fiction  |x History and criticism  |x 20th century. 
650 0 |a French fiction  |x History and criticism  |x French-speaking countries. 
650 0 |a French fiction  |y 20th century  |x History and criticism. 
650 0 |a French fiction  |z French-speaking countries  |x History and criticism. 
650 0 |a Holocaust, Jewish (1939-1945), in literature. 
650 0 |a Holocaust, Jewish (1939-1945), in motion pictures. 
650 7 |a FOREIGN LANGUAGE STUDY / French.  |2 bisacsh 
653 |a Film and Television Studies, Genocide History, Colonial History. 
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776 0 |c print  |z 9780857458834 
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