Performing Place, Practising Memories : : Aboriginal Australians, Hippies and the State / / Rosita Henry.

• Superior document: Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2000-2013
• VerfasserIn: Henry, Rosita,
• Place / Publishing House: New York ;, Oxford : : Berghahn Books, , [2012]; ©2012
• Year of Publication: 2012
• Language: English
• Series: Space and Place ; 8
• Physical Description: 1 online resource (288 p.)
• Other title: Frontmatter --; CONTENTS --; FIGURES AND MAPS --; PREFACE --; ACKNOWLEDGMENTS --; Introducing Place. Fieldwork and Framework --; Chapter 1. Colonising Place: The Mutilation of Memory --; Chapter 2. Countering Place: Hippies, Hairies and ‘Enacted Utopia’ --; Chapter 3 Performing Place: Amphitheater Dramas --; Chapter 4. Commodifying Place: The Metamorphosis of the Markets --; Chapter 5. Planning Place: Main Street Blues --; Chapter 6. Dancing Place: Cultural Renaissance and Tjapukai Theatre --; Chapter 7. Protesting Place: Environmentalists, Aboriginal People and the Skyrail --; Chapter 8. Creating Place: The Production of a Space for Difference --; REFERENCES --; INDEX
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780857455093; 9783110998283
• DOI: 10.1515/9780857455093
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Rosita Henry.

During the 1970s a wave of ‘counter-culture’ people moved into rural communities in many parts of Australia. This study focuses in particular on the town of Kuranda in North Queensland and the relationship between the settlers and the local Aboriginal population, concentrating on a number of linked social dramas that portrayed the use of both public and private space. Through their public performances and in their everyday spatial encounters, these people resisted the bureaucratic state but, in the process, they also contributed to the cultivation and propagation of state effects.