The Lives of Chinese Objects : : Buddhism, Imperialism and Display / / Louise Tythacott.

• Superior document: Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2000-2013
• VerfasserIn: Tythacott, Louise,
• Place / Publishing House: New York ;, Oxford : : Berghahn Books, , [2011]; ©2011
• Year of Publication: 2011
• Language: English
• Series: Museums and Collections ; 3
• Physical Description: 1 online resource (288 p.)
• Other title: Frontmatter --; Contents --; List of Illustrations --; Acknowledgements --; Introduction --; 1 Sacred Beings in the Ming (1368–1644) and Qing (1644–1911) Dynasties --; 2 Trophies of War, 1844–1852 --; 3 Articles of Industry: The Great Exhibition of 1851 --; 4 Curiosities, Antiquities, Art Treasure, Commodities: 1854–1867 --; 5 Specimens of Ethnology and Race: Liverpool Museum, 1867–1929 --; 6 Objects of Art, Archaeology and Oriental Antiquity: Liverpool Museum, 1929–1996 --; 7 Objects of Curation and Conservation: Liverpool Museum, 1996–2005 --; Future Lives: Liverpool or China --; Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780857452399; 9783110998283
• DOI: 10.1515/9780857452399
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Louise Tythacott.

This is the biography of a set of rare Buddhist statues from China. Their extraordinary adventures take them from the Buddhist temples of fifteenth-century Putuo – China’s most important pilgrimage island – to their seizure by a British soldier in the First Opium War in the early 1840s, and on to a starring role in the Great Exhibition of 1851. In the 1850s, they moved in and out of dealers’ and antiquarian collections, arriving in 1867 at Liverpool Museum. Here they were re-conceptualized as specimens of the ‘Mongolian race’ and, later, as examples of Oriental art. The statues escaped the bombing of the Museum during the Second World War and lived out their existence for the next sixty years, dismembered, corroding and neglected in the stores, their histories lost and origins unknown. As the curator of Asian collections at Liverpool Museum, the author became fascinated by these bronzes, and selected them for display in the Buddhism section of the World Cultures gallery. In 2005, quite by chance, the discovery of a lithograph of the figures on prominent display in the Great Exhibition enabled the remarkable lives of these statues to be reconstructed.