Bangkok Utopia : : Modern Architecture and Buddhist Felicities, 1910–1973 / / Lawrence Chua; ed. by Xing Ruan, Ronald G. Knapp.

• Superior document: Title is part of eBook package: De Gruyter DG Plus PP Package 2021 Part 2
• VerfasserIn: Chua, Lawrence,
• HerausgeberIn: Knapp, Ronald G.,; Ruan, Xing,
• Place / Publishing House: Honolulu : : University of Hawaii Press, , [2021]; ©2021
• Year of Publication: 2021
• Language: English
• Series: Spatial Habitus: Making and Meaning in Asia's Architecture
• Physical Description: 1 online resource (296 p.) :; 70 illustrations, 36 in color
• Other title: Frontmatter --; Contents --; List of Illustrations --; Acknowledgments --; Note on Transcription --; CHAPTER ONE. Introduction --; CHAPTER TWO. A Historical and Cosmological Framework --; PART I. TOOLS --; CHAPTER THREE. Diagramming Utopian Nationalism: Nibbāna and the City of Willows --; CHAPTER FOUR. Modeling Queertopia --; CHAPTER FIVE. Planning Kammatopia: The Politics of Representation and the Funeral Pyre --; PART II. MATERIALS --; CHAPTER SIX. Order and Odor: Sensuous Citizenship Formation and the Architecture of the Cinema --; CHAPTER SEVEN. Concretopia: Material and Hierarchy in the Age of Sri Ariya --; PART III. SYSTEMS --; CHAPTER EIGHT. The Floating Paradise: Infrastructure Space and Vimānas of the Cold War Era --; CHAPTER NINE. Epilogue --; Notes --; Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780824887735; 9783110743357; 9783110753783; 9783110754032; 9783110754001; 9783110753776; 9783110739688
• DOI: 10.1515/9780824887735?locatt=mode:legacy
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Lawrence Chua; ed. by Xing Ruan, Ronald G. Knapp.

“Utopia” is a word not often associated with the city of Bangkok, which is better known for its disorderly sprawl, overburdened roads, and stifling levels of pollution. Yet as early as 1782, when the city was officially founded on the banks of the Chao Phraya river as the home of the Chakri dynasty, its orientation was based on material and rhetorical considerations that alluded to ideal times and spaces. The construction of palaces, monastic complexes, walls, forts, and canals created a defensive network while symbolically locating the terrestrial realm of the king within the Theravada Buddhist cosmos. Into the twentieth century, pictorial, narrative, and built representations of utopia were critical to Bangkok’s transformation into a national capital and commercial entrepôt. But as older representations of the universe encountered modern architecture, building technologies, and urban planning, new images of an ideal society attempted to reconcile urban-based understandings of Buddhist liberation and felicitous states like nirvana with worldly models of political community like the nation-state.Bangkok Utopia outlines an alternative genealogy of both utopia and modernism in a part of the world that has often been overlooked by researchers of both. It examines representations of utopia that developed in the city—as expressed in built forms as well as architectural drawings, building manuals, novels, poetry, and ecclesiastical murals—from its first general strike of migrant laborers in 1910 to the overthrow of the military dictatorship in 1973. Using Thai- and Chinese-language archival sources, the book demonstrates how the new spaces of the city became arenas for modern subject formation, utopian desires, political hegemony, and social unrest, arguing that the modern city was a space of antinomy—one able not only to sustain heterogeneous temporalities, but also to support conflicting world views within the urban landscape. By underscoring the paradoxical character of utopias and their formal narrative expressions of both hope and hegemony, Bangkok Utopia provides an innovative way to conceptualize the uneven economic development and fractured political conditions of contemporary global cities.