Animated Encounters : : Transnational Movements of Chinese Animation, 1940s-1970s / / Daisy Yan Du; ed. by Allison Alexy.
China's role in the history of world animation has been trivialized or largely forgotten. In Animated Encounters Daisy Yan Du addresses this omission in her study of Chinese animation and its engagement with international forces during its formative period, the 1940s-1970s. She introduces reade...
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Place / Publishing House: | Honolulu : : University of Hawaii Press, , [2019] ©2019 |
Year of Publication: | 2019 |
Language: | English |
Series: | Asia Pop!
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Physical Description: | 1 online resource (276 p.) :; 33 b&w illustrations |
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Du, Daisy Yan, author. aut http://id.loc.gov/vocabulary/relators/aut Animated Encounters : Transnational Movements of Chinese Animation, 1940s-1970s / Daisy Yan Du; ed. by Allison Alexy. Honolulu : University of Hawaii Press, [2019] ©2019 1 online resource (276 p.) : 33 b&w illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Asia Pop! Frontmatter -- Contents -- Series Editor's Preface -- Acknowledgments -- Introduction: Animated Encounters: Chinese Animation in Motion -- 1. An Animated Wartime Encounter: Princess Iron Fan and the Chinese Connection in Early Japanese Animation -- 2. Mochinaga Tadahito and Animated Filmmaking in Early Socialist China -- 3. Inter/National Style and National Identity: Ink-Painting Animation in the Early 1960s -- 4. Animals, Ethnic Minorities, and Villains in Animated Film during the Cultural Revolution -- Epilogue: Television and Animated Encounters in Postsocialist China -- Appendix 1: Animated Films by Mochinaga Tadahito -- Appendix 2: Leaders of the Shanghai Animation Film Studio -- Appendix 3: Major Publications on Chinese Animation -- Notes -- Bibliography -- Index -- About the Author restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star China's role in the history of world animation has been trivialized or largely forgotten. In Animated Encounters Daisy Yan Du addresses this omission in her study of Chinese animation and its engagement with international forces during its formative period, the 1940s-1970s. She introduces readers to transnational movements in early Chinese animation, tracing the involvement of Japanese, Soviet, American, Taiwanese, and China's ethnic minorities, at socio-historical or representational levels, in animated filmmaking in China. Du argues that Chinese animation was international almost from its inception and that such border-crossing exchanges helped make it "Chinese" and subsequently transform the history of world animation. She highlights animated encounters and entanglements to provide an alternative to current studies of the subject characterized by a preoccupation with essentialist ideas of "Chineseness" and further questions the long-held belief that the forty-year-period in question was a time of cultural isolationism for China due to constant wars and revolutions.China's socialist era, known for the pervasiveness of its political propaganda and suppression of the arts, unexpectedly witnessed a golden age of animation. Socialist collectivism, reinforced by totalitarian politics and centralized state control, allowed Chinese animation to prosper and flourish artistically. In addition, the double marginality of animation-a minor art form for children-coupled with its disarming qualities and intrinsic malleability and mobility, granted animators and producers the double power to play with politics and transgress ideological and geographical borders while surviving censorship, both at home and abroad.A captivating and enlightening history, Animated Encounters will attract scholars and students of world film and animation studies, children's culture, and modern Chinese history. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) Animated films China History and criticism. Animated television programs China History and criticism. Motion pictures and transnationalism. PERFORMING ARTS / Animation (see also Film / Genres / Animated). bisacsh Alexy, Allison, editor. edt http://id.loc.gov/vocabulary/relators/edt Title is part of eBook package: De Gruyter Asian Studies Contemporary Collection eBook Package 9783110649826 Title is part of eBook package: De Gruyter DG Plus eBook-Package 2019 9783110719567 Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2019 9783110605785 ZDB-23-DPK Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts, Architecture and Design 2019 English 9783110610017 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2019 English 9783110610765 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2019 9783110664232 ZDB-23-DGG Title is part of eBook package: De Gruyter University of Hawaii Press Complete eBook-Package 2019 9783110658149 print 9780824877644 https://doi.org/10.1515/9780824877514 https://www.degruyter.com/isbn/9780824877514 Cover https://www.degruyter.com/document/cover/isbn/9780824877514/original |
language |
English |
format |
eBook |
author |
Du, Daisy Yan, Du, Daisy Yan, |
spellingShingle |
Du, Daisy Yan, Du, Daisy Yan, Animated Encounters : Transnational Movements of Chinese Animation, 1940s-1970s / Asia Pop! Frontmatter -- Contents -- Series Editor's Preface -- Acknowledgments -- Introduction: Animated Encounters: Chinese Animation in Motion -- 1. An Animated Wartime Encounter: Princess Iron Fan and the Chinese Connection in Early Japanese Animation -- 2. Mochinaga Tadahito and Animated Filmmaking in Early Socialist China -- 3. Inter/National Style and National Identity: Ink-Painting Animation in the Early 1960s -- 4. Animals, Ethnic Minorities, and Villains in Animated Film during the Cultural Revolution -- Epilogue: Television and Animated Encounters in Postsocialist China -- Appendix 1: Animated Films by Mochinaga Tadahito -- Appendix 2: Leaders of the Shanghai Animation Film Studio -- Appendix 3: Major Publications on Chinese Animation -- Notes -- Bibliography -- Index -- About the Author |
author_facet |
Du, Daisy Yan, Du, Daisy Yan, Alexy, Allison, Alexy, Allison, |
author_variant |
d y d dy dyd d y d dy dyd |
author_role |
VerfasserIn VerfasserIn |
author2 |
Alexy, Allison, Alexy, Allison, |
author2_variant |
a a aa a a aa |
author2_role |
HerausgeberIn HerausgeberIn |
author_sort |
Du, Daisy Yan, |
title |
Animated Encounters : Transnational Movements of Chinese Animation, 1940s-1970s / |
title_sub |
Transnational Movements of Chinese Animation, 1940s-1970s / |
title_full |
Animated Encounters : Transnational Movements of Chinese Animation, 1940s-1970s / Daisy Yan Du; ed. by Allison Alexy. |
title_fullStr |
Animated Encounters : Transnational Movements of Chinese Animation, 1940s-1970s / Daisy Yan Du; ed. by Allison Alexy. |
title_full_unstemmed |
Animated Encounters : Transnational Movements of Chinese Animation, 1940s-1970s / Daisy Yan Du; ed. by Allison Alexy. |
title_auth |
Animated Encounters : Transnational Movements of Chinese Animation, 1940s-1970s / |
title_alt |
Frontmatter -- Contents -- Series Editor's Preface -- Acknowledgments -- Introduction: Animated Encounters: Chinese Animation in Motion -- 1. An Animated Wartime Encounter: Princess Iron Fan and the Chinese Connection in Early Japanese Animation -- 2. Mochinaga Tadahito and Animated Filmmaking in Early Socialist China -- 3. Inter/National Style and National Identity: Ink-Painting Animation in the Early 1960s -- 4. Animals, Ethnic Minorities, and Villains in Animated Film during the Cultural Revolution -- Epilogue: Television and Animated Encounters in Postsocialist China -- Appendix 1: Animated Films by Mochinaga Tadahito -- Appendix 2: Leaders of the Shanghai Animation Film Studio -- Appendix 3: Major Publications on Chinese Animation -- Notes -- Bibliography -- Index -- About the Author |
title_new |
Animated Encounters : |
title_sort |
animated encounters : transnational movements of chinese animation, 1940s-1970s / |
series |
Asia Pop! |
series2 |
Asia Pop! |
publisher |
University of Hawaii Press, |
publishDate |
2019 |
physical |
1 online resource (276 p.) : 33 b&w illustrations Issued also in print. |
contents |
Frontmatter -- Contents -- Series Editor's Preface -- Acknowledgments -- Introduction: Animated Encounters: Chinese Animation in Motion -- 1. An Animated Wartime Encounter: Princess Iron Fan and the Chinese Connection in Early Japanese Animation -- 2. Mochinaga Tadahito and Animated Filmmaking in Early Socialist China -- 3. Inter/National Style and National Identity: Ink-Painting Animation in the Early 1960s -- 4. Animals, Ethnic Minorities, and Villains in Animated Film during the Cultural Revolution -- Epilogue: Television and Animated Encounters in Postsocialist China -- Appendix 1: Animated Films by Mochinaga Tadahito -- Appendix 2: Leaders of the Shanghai Animation Film Studio -- Appendix 3: Major Publications on Chinese Animation -- Notes -- Bibliography -- Index -- About the Author |
isbn |
9780824877514 9783110649826 9783110719567 9783110605785 9783110610017 9783110610765 9783110664232 9783110658149 9780824877644 |
callnumber-first |
N - Fine Arts |
callnumber-subject |
NC - Drawing, Design, Illustration |
callnumber-label |
NC1766 |
callnumber-sort |
NC 41766 C6 D8 42019 |
geographic_facet |
China |
url |
https://doi.org/10.1515/9780824877514 https://www.degruyter.com/isbn/9780824877514 https://www.degruyter.com/document/cover/isbn/9780824877514/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.43340951 |
dewey-sort |
3791.43340951 |
dewey-raw |
791.43340951 |
dewey-search |
791.43340951 |
doi_str_mv |
10.1515/9780824877514 |
oclc_num |
1099350357 |
work_keys_str_mv |
AT dudaisyyan animatedencounterstransnationalmovementsofchineseanimation1940s1970s AT alexyallison animatedencounterstransnationalmovementsofchineseanimation1940s1970s |
status_str |
n |
ids_txt_mv |
(DE-B1597)513362 (OCoLC)1099350357 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Asian Studies Contemporary Collection eBook Package Title is part of eBook package: De Gruyter DG Plus eBook-Package 2019 Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2019 Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts, Architecture and Design 2019 English Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2019 English Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2019 Title is part of eBook package: De Gruyter University of Hawaii Press Complete eBook-Package 2019 |
is_hierarchy_title |
Animated Encounters : Transnational Movements of Chinese Animation, 1940s-1970s / |
container_title |
Title is part of eBook package: De Gruyter Asian Studies Contemporary Collection eBook Package |
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