The Voyage of Contemporary Japanese Theatre.

Senda Akihiko is one of Japan's finest and best-known modern drama critics. This collection of his essays, articles, and reviews from 1971 to 1987 presents international audiences with the first opportunity to experience the excitement and accomplishments of the theatrical revolution that has c...

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Superior document:Title is part of eBook package: De Gruyter Asian Studies Archive (pre 2000) eBook Package
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Place / Publishing House:Honolulu : : University of Hawaii Press, , [1997]
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Year of Publication:1997
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spelling The Voyage of Contemporary Japanese Theatre.
Honolulu : University of Hawaii Press, [1997]
©1997
1 online resource (328 p.)
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Frontmatter -- Contents -- Translator’s Introduction: From the Ground Up -- Prologue -- Scene I: 1971–1973 The First Period -- 1. A Drifting Commune. Diary Of A Voyage To The West -- 2. The Red Tent in Good Health. A Tale of Two Cities -- 3. A Logic Surpassing Any Declaration of Determination. When We Go Down That Heartless River -- 4. Those Slight Stirrings of the Man in the Wind. A Tale of the Smallpox -- 5. A Ghastly Masterpiece with Cruel Intentions. The Great Doctor Yabuhara -- Scene II: 1974–1979 Tsuka Kòhei and After -- 6. The Intoxication of a “Myth” That Soars. The Kara Version: Matasaburò of the Wind -- 7. The Appearance of a New Talent. The Legend of a Flying Dragon: And Then a Crow -- 8. Minus Dynamics, All Scooped Out. Chairs and a Legend -- 9. The Crouch as a Critique of the Modern. The Trojan Women -- 10. An Obstinacy Well Worth Mentioning. Tosa Genji -- 11. A Drama of a New and Fanciful Geography. Knock -- 12. Harvest: After a Year and a Half. The Comic World of Shòwa -- 13. A First Trip to a Distant Village. A Night’s Feast -- 14. A Question to the Man Who Blew the Flute. The Rats of Hamelin -- 15. The Nò Stage, Newly Activated. The Legend Of Komachi -- 16. Making The Connection: Killing the Beggar. Thirty Days Hath September -- 17. A Humble Self-Examination. The Dressing Room -- 18. A Scene of Ripening. The Bacchae -- 19. A Critique of Miyazawa Kenji as a Tableau Vivant. Directions to Servants -- 20. The Conflagration of an Exploding Lemon. Lemon -- 21. The Whirlings of a World at Birth. A Tale of the Original Japanese -- 22. Laughing Okinawa. Anthropology Museum -- 23. A Ripening of Melody. Shanghai ’Vance King -- 24. Yohei Who Lives On. Double Suicide, after Chikamatsu -- 25. A Play Goes on “Outside The Walls”. Lemmings -- 26. Obstacles to Abandonment. Two Women -- 27. In the Midst of a Weakened Art. The Lady of the Camellias -- Scene III: 1980–1987 The Period of Metatheatre -- 28. Macbeth in a Forest of Cherry Trees. Ninagawa Macbeth -- 29. A Duck with Two Different Wings. The Seagull -- 30. A Diffused Reflection. Travel of Twenty-seven Thousand Light Years -- 31. Deciphering Miyazawa Kenji with Criticism and Sympathy. The Theatre Train of Iihatòbo -- 32. The Bachelors Who Continue on. That Raven, Even -- 33. Dreams That Are Ruffians. A Tale of Mannen-Town in Shitaya -- 34. Two Blanches. A Streetcar Named Desire -- 35. The Magic of Assorted Mirrors. Run, Merusu—A Girl’S Lips Are Dynamite! -- 36. Signposts along the Way. A Legend of Fish: A Teacher Kills His Student at Rikkyò University -- 37. A Snack Bar in the Woods of Athens. A Midsummer Night’s Dream -- 38. Laughter in a Gothic Musical. Sweeney Todd: The Demon Barber Of Fleet Street -- 39. The Power of the Older Sister, The Power of the Mirror. Night Shadows—A Gentle Ghost Story -- 40. Dining and a Sense of Freedom. Bubbling and Boiling -- 41. A World in Which the Composition is Now Complete. Song of Praise and Thanksgiving -- 42. A Shock from Below the Belt. The Song of a Strange Family—the Case of the On-Line Fraud of Itò Motoko -- 43. Tsuka Kòhei’s “Staircase”. The Kamata Marching Song -- 44. The Power of Imagination Lavished on a House. Melancholy When the Flowers Bloom -- 45. Malcontent Passions. Radical Party -- 46. A Painful Sense of Distance. Afternoon of a Man and Woman -- 47. Mankind, and Those Theatrical Slippages. Man of La Mancha -- 48. A World in Which That’s All We Can Do. Memories of the Little Finger -- 49. The Basic Principles of a Vision Already Experienced. Rules For Sleeping in the Universe -- 50. A Fight Against Fixed Forms. Japan Wars -- 51. The Sympathies and Disjunctures of Nostalgia. Tango at the End of Winter -- 52. A Tale After the Myths Have Crumbled. Genocide -- 53. Twenty-Five Hundred Years: Gazing at a Scrap Pile. Earth Station -- 54. A Time Before Everything Dissolves. Taking along a Sunset Like the Morning -- 55. The Jigsaw Puzzle of Sex. Cloud 9 -- 56. Surprising Things Happen. Comet Messenger Siegfried -- 57. The Dilemma of a Drama With a Chorus. Chorus Line -- 58. The Adventures of Nostalgia. Children of Night -- 59. Medieval Preaching in an Outdoor Space. Oguri Hangan and Princess Terute -- 60. The Results of Practical Romance. I Bit The Green Seed -- 61. A Crime Explained, a Crime Unexplainable Memo from the Aliens -- 62. A Quick Glimpse of the Meaning of the World. Wind Station -- 63. A Nest of Boxes at the Edge of Waking. The Tempest: A Rehearsal on a Nò Stage on Sado Island -- 64. Closing in on the Self: Zeami As “Performer”. Zeami -- 65. The Dynamism of “The City Multitudes”. Les Misérables -- 66. That First Kiss with the Taste of Radioactivity. Godzilla -- 67. A Refreshing Wind Surpasses Its Domain. Alejo—to Praise the Wind -- Epilogue -- Appendixes -- Index -- About the Author -- About the Translator
restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star
Senda Akihiko is one of Japan's finest and best-known modern drama critics. This collection of his essays, articles, and reviews from 1971 to 1987 presents international audiences with the first opportunity to experience the excitement and accomplishments of the theatrical revolution that has continued to sweep over the Japanese stage since the 1960s. Consistently judicious and honest, the essays reveal the excitement (or disappointment) of each phase in the unfolding "voyage" of contemporary Japanese theatre.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)
Japanese drama 20th century History and criticism.
Theater Japan History 20th century.
DRAMA / General. bisacsh
Bennett, Michael, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Boublil, Alain, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Chekhov, Anton, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Churchill, Caryl, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Claude-Michel,, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Darion, Joe, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Eriko, Watanabe, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Euripides,, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Fils, Alexandre Dumas, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Hideki, Noda, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Hiroshi, Koike, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Hisashi, Inoue, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Jûrò, Kara, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Jû’ichirò, Takeuchi, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Kunio, Shimizu, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Kòdai, Okabe, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Kòhei, Tsuka, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Makoto, Satoh, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Masakazu, Yamazaki, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Matsuyo, Akimoto, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Minoru, Betsuyaku, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Nagatoshi, Sakamoto, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Rei, Ichidò, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Ren, Saitò, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Rimer, J. Thomas.
Seishin, Chinen, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Shakespeare, William, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Shògo, Òta, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Shòji, Kòkami, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Shûji, Terayama, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Sò, Kitamura, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Tadashi, Suzuki, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Takeshi, Kawamura, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Takurò, Endò, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Tatsumi, Hijikata, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Tetsu, Yamazaki, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Wheeler, Hugh, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Williams, Tennessee, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Yasuhiko, Òhashi, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Yorozu, Ikuta, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Yutaka, Higashi, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Title is part of eBook package: De Gruyter Asian Studies Archive (pre 2000) eBook Package 9783110649680
Title is part of eBook package: De Gruyter University of Hawaii Press Archive eBook-Package Pre-2000 9783110564150
https://doi.org/10.1515/9780824865160
https://www.degruyter.com/isbn/9780824865160
Cover https://www.degruyter.com/document/cover/isbn/9780824865160/original
language English
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author2 Bennett, Michael,
Bennett, Michael,
Boublil, Alain,
Boublil, Alain,
Chekhov, Anton,
Chekhov, Anton,
Churchill, Caryl,
Churchill, Caryl,
Claude-Michel,,
Claude-Michel,,
Darion, Joe,
Darion, Joe,
Eriko, Watanabe,
Eriko, Watanabe,
Euripides,,
Euripides,,
Fils, Alexandre Dumas,
Fils, Alexandre Dumas,
Hideki, Noda,
Hideki, Noda,
Hiroshi, Koike,
Hiroshi, Koike,
Hisashi, Inoue,
Hisashi, Inoue,
Jûrò, Kara,
Jûrò, Kara,
Jû’ichirò, Takeuchi,
Jû’ichirò, Takeuchi,
Kunio, Shimizu,
Kunio, Shimizu,
Kòdai, Okabe,
Kòdai, Okabe,
Kòhei, Tsuka,
Kòhei, Tsuka,
Makoto, Satoh,
Makoto, Satoh,
Masakazu, Yamazaki,
Masakazu, Yamazaki,
Matsuyo, Akimoto,
Matsuyo, Akimoto,
Minoru, Betsuyaku,
Minoru, Betsuyaku,
Nagatoshi, Sakamoto,
Nagatoshi, Sakamoto,
Rei, Ichidò,
Rei, Ichidò,
Ren, Saitò,
Ren, Saitò,
Rimer, J. Thomas.
Seishin, Chinen,
Seishin, Chinen,
Shakespeare, William,
Shakespeare, William,
Shògo, Òta,
Shògo, Òta,
Shòji, Kòkami,
Shòji, Kòkami,
Shûji, Terayama,
Shûji, Terayama,
Sò, Kitamura,
Sò, Kitamura,
Tadashi, Suzuki,
Tadashi, Suzuki,
Takeshi, Kawamura,
Takeshi, Kawamura,
Takurò, Endò,
Takurò, Endò,
Tatsumi, Hijikata,
Tatsumi, Hijikata,
Tetsu, Yamazaki,
Tetsu, Yamazaki,
Wheeler, Hugh,
Wheeler, Hugh,
Williams, Tennessee,
Williams, Tennessee,
Yasuhiko, Òhashi,
Yasuhiko, Òhashi,
Yorozu, Ikuta,
Yorozu, Ikuta,
Yutaka, Higashi,
Yutaka, Higashi,
author_facet Bennett, Michael,
Bennett, Michael,
Boublil, Alain,
Boublil, Alain,
Chekhov, Anton,
Chekhov, Anton,
Churchill, Caryl,
Churchill, Caryl,
Claude-Michel,,
Claude-Michel,,
Darion, Joe,
Darion, Joe,
Eriko, Watanabe,
Eriko, Watanabe,
Euripides,,
Euripides,,
Fils, Alexandre Dumas,
Fils, Alexandre Dumas,
Hideki, Noda,
Hideki, Noda,
Hiroshi, Koike,
Hiroshi, Koike,
Hisashi, Inoue,
Hisashi, Inoue,
Jûrò, Kara,
Jûrò, Kara,
Jû’ichirò, Takeuchi,
Jû’ichirò, Takeuchi,
Kunio, Shimizu,
Kunio, Shimizu,
Kòdai, Okabe,
Kòdai, Okabe,
Kòhei, Tsuka,
Kòhei, Tsuka,
Makoto, Satoh,
Makoto, Satoh,
Masakazu, Yamazaki,
Masakazu, Yamazaki,
Matsuyo, Akimoto,
Matsuyo, Akimoto,
Minoru, Betsuyaku,
Minoru, Betsuyaku,
Nagatoshi, Sakamoto,
Nagatoshi, Sakamoto,
Rei, Ichidò,
Rei, Ichidò,
Ren, Saitò,
Ren, Saitò,
Rimer, J. Thomas.
Seishin, Chinen,
Seishin, Chinen,
Shakespeare, William,
Shakespeare, William,
Shògo, Òta,
Shògo, Òta,
Shòji, Kòkami,
Shòji, Kòkami,
Shûji, Terayama,
Shûji, Terayama,
Sò, Kitamura,
Sò, Kitamura,
Tadashi, Suzuki,
Tadashi, Suzuki,
Takeshi, Kawamura,
Takeshi, Kawamura,
Takurò, Endò,
Takurò, Endò,
Tatsumi, Hijikata,
Tatsumi, Hijikata,
Tetsu, Yamazaki,
Tetsu, Yamazaki,
Wheeler, Hugh,
Wheeler, Hugh,
Williams, Tennessee,
Williams, Tennessee,
Yasuhiko, Òhashi,
Yasuhiko, Òhashi,
Yorozu, Ikuta,
Yorozu, Ikuta,
Yutaka, Higashi,
Yutaka, Higashi,
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author_sort Bennett, Michael,
title The Voyage of Contemporary Japanese Theatre.
spellingShingle The Voyage of Contemporary Japanese Theatre.
Frontmatter --
Contents --
Translator’s Introduction: From the Ground Up --
Prologue --
Scene I: 1971–1973 The First Period --
1. A Drifting Commune. Diary Of A Voyage To The West --
2. The Red Tent in Good Health. A Tale of Two Cities --
3. A Logic Surpassing Any Declaration of Determination. When We Go Down That Heartless River --
4. Those Slight Stirrings of the Man in the Wind. A Tale of the Smallpox --
5. A Ghastly Masterpiece with Cruel Intentions. The Great Doctor Yabuhara --
Scene II: 1974–1979 Tsuka Kòhei and After --
6. The Intoxication of a “Myth” That Soars. The Kara Version: Matasaburò of the Wind --
7. The Appearance of a New Talent. The Legend of a Flying Dragon: And Then a Crow --
8. Minus Dynamics, All Scooped Out. Chairs and a Legend --
9. The Crouch as a Critique of the Modern. The Trojan Women --
10. An Obstinacy Well Worth Mentioning. Tosa Genji --
11. A Drama of a New and Fanciful Geography. Knock --
12. Harvest: After a Year and a Half. The Comic World of Shòwa --
13. A First Trip to a Distant Village. A Night’s Feast --
14. A Question to the Man Who Blew the Flute. The Rats of Hamelin --
15. The Nò Stage, Newly Activated. The Legend Of Komachi --
16. Making The Connection: Killing the Beggar. Thirty Days Hath September --
17. A Humble Self-Examination. The Dressing Room --
18. A Scene of Ripening. The Bacchae --
19. A Critique of Miyazawa Kenji as a Tableau Vivant. Directions to Servants --
20. The Conflagration of an Exploding Lemon. Lemon --
21. The Whirlings of a World at Birth. A Tale of the Original Japanese --
22. Laughing Okinawa. Anthropology Museum --
23. A Ripening of Melody. Shanghai ’Vance King --
24. Yohei Who Lives On. Double Suicide, after Chikamatsu --
25. A Play Goes on “Outside The Walls”. Lemmings --
26. Obstacles to Abandonment. Two Women --
27. In the Midst of a Weakened Art. The Lady of the Camellias --
Scene III: 1980–1987 The Period of Metatheatre --
28. Macbeth in a Forest of Cherry Trees. Ninagawa Macbeth --
29. A Duck with Two Different Wings. The Seagull --
30. A Diffused Reflection. Travel of Twenty-seven Thousand Light Years --
31. Deciphering Miyazawa Kenji with Criticism and Sympathy. The Theatre Train of Iihatòbo --
32. The Bachelors Who Continue on. That Raven, Even --
33. Dreams That Are Ruffians. A Tale of Mannen-Town in Shitaya --
34. Two Blanches. A Streetcar Named Desire --
35. The Magic of Assorted Mirrors. Run, Merusu—A Girl’S Lips Are Dynamite! --
36. Signposts along the Way. A Legend of Fish: A Teacher Kills His Student at Rikkyò University --
37. A Snack Bar in the Woods of Athens. A Midsummer Night’s Dream --
38. Laughter in a Gothic Musical. Sweeney Todd: The Demon Barber Of Fleet Street --
39. The Power of the Older Sister, The Power of the Mirror. Night Shadows—A Gentle Ghost Story --
40. Dining and a Sense of Freedom. Bubbling and Boiling --
41. A World in Which the Composition is Now Complete. Song of Praise and Thanksgiving --
42. A Shock from Below the Belt. The Song of a Strange Family—the Case of the On-Line Fraud of Itò Motoko --
43. Tsuka Kòhei’s “Staircase”. The Kamata Marching Song --
44. The Power of Imagination Lavished on a House. Melancholy When the Flowers Bloom --
45. Malcontent Passions. Radical Party --
46. A Painful Sense of Distance. Afternoon of a Man and Woman --
47. Mankind, and Those Theatrical Slippages. Man of La Mancha --
48. A World in Which That’s All We Can Do. Memories of the Little Finger --
49. The Basic Principles of a Vision Already Experienced. Rules For Sleeping in the Universe --
50. A Fight Against Fixed Forms. Japan Wars --
51. The Sympathies and Disjunctures of Nostalgia. Tango at the End of Winter --
52. A Tale After the Myths Have Crumbled. Genocide --
53. Twenty-Five Hundred Years: Gazing at a Scrap Pile. Earth Station --
54. A Time Before Everything Dissolves. Taking along a Sunset Like the Morning --
55. The Jigsaw Puzzle of Sex. Cloud 9 --
56. Surprising Things Happen. Comet Messenger Siegfried --
57. The Dilemma of a Drama With a Chorus. Chorus Line --
58. The Adventures of Nostalgia. Children of Night --
59. Medieval Preaching in an Outdoor Space. Oguri Hangan and Princess Terute --
60. The Results of Practical Romance. I Bit The Green Seed --
61. A Crime Explained, a Crime Unexplainable Memo from the Aliens --
62. A Quick Glimpse of the Meaning of the World. Wind Station --
63. A Nest of Boxes at the Edge of Waking. The Tempest: A Rehearsal on a Nò Stage on Sado Island --
64. Closing in on the Self: Zeami As “Performer”. Zeami --
65. The Dynamism of “The City Multitudes”. Les Misérables --
66. That First Kiss with the Taste of Radioactivity. Godzilla --
67. A Refreshing Wind Surpasses Its Domain. Alejo—to Praise the Wind --
Epilogue --
Appendixes --
Index --
About the Author --
About the Translator
title_full The Voyage of Contemporary Japanese Theatre.
title_fullStr The Voyage of Contemporary Japanese Theatre.
title_full_unstemmed The Voyage of Contemporary Japanese Theatre.
title_auth The Voyage of Contemporary Japanese Theatre.
title_alt Frontmatter --
Contents --
Translator’s Introduction: From the Ground Up --
Prologue --
Scene I: 1971–1973 The First Period --
1. A Drifting Commune. Diary Of A Voyage To The West --
2. The Red Tent in Good Health. A Tale of Two Cities --
3. A Logic Surpassing Any Declaration of Determination. When We Go Down That Heartless River --
4. Those Slight Stirrings of the Man in the Wind. A Tale of the Smallpox --
5. A Ghastly Masterpiece with Cruel Intentions. The Great Doctor Yabuhara --
Scene II: 1974–1979 Tsuka Kòhei and After --
6. The Intoxication of a “Myth” That Soars. The Kara Version: Matasaburò of the Wind --
7. The Appearance of a New Talent. The Legend of a Flying Dragon: And Then a Crow --
8. Minus Dynamics, All Scooped Out. Chairs and a Legend --
9. The Crouch as a Critique of the Modern. The Trojan Women --
10. An Obstinacy Well Worth Mentioning. Tosa Genji --
11. A Drama of a New and Fanciful Geography. Knock --
12. Harvest: After a Year and a Half. The Comic World of Shòwa --
13. A First Trip to a Distant Village. A Night’s Feast --
14. A Question to the Man Who Blew the Flute. The Rats of Hamelin --
15. The Nò Stage, Newly Activated. The Legend Of Komachi --
16. Making The Connection: Killing the Beggar. Thirty Days Hath September --
17. A Humble Self-Examination. The Dressing Room --
18. A Scene of Ripening. The Bacchae --
19. A Critique of Miyazawa Kenji as a Tableau Vivant. Directions to Servants --
20. The Conflagration of an Exploding Lemon. Lemon --
21. The Whirlings of a World at Birth. A Tale of the Original Japanese --
22. Laughing Okinawa. Anthropology Museum --
23. A Ripening of Melody. Shanghai ’Vance King --
24. Yohei Who Lives On. Double Suicide, after Chikamatsu --
25. A Play Goes on “Outside The Walls”. Lemmings --
26. Obstacles to Abandonment. Two Women --
27. In the Midst of a Weakened Art. The Lady of the Camellias --
Scene III: 1980–1987 The Period of Metatheatre --
28. Macbeth in a Forest of Cherry Trees. Ninagawa Macbeth --
29. A Duck with Two Different Wings. The Seagull --
30. A Diffused Reflection. Travel of Twenty-seven Thousand Light Years --
31. Deciphering Miyazawa Kenji with Criticism and Sympathy. The Theatre Train of Iihatòbo --
32. The Bachelors Who Continue on. That Raven, Even --
33. Dreams That Are Ruffians. A Tale of Mannen-Town in Shitaya --
34. Two Blanches. A Streetcar Named Desire --
35. The Magic of Assorted Mirrors. Run, Merusu—A Girl’S Lips Are Dynamite! --
36. Signposts along the Way. A Legend of Fish: A Teacher Kills His Student at Rikkyò University --
37. A Snack Bar in the Woods of Athens. A Midsummer Night’s Dream --
38. Laughter in a Gothic Musical. Sweeney Todd: The Demon Barber Of Fleet Street --
39. The Power of the Older Sister, The Power of the Mirror. Night Shadows—A Gentle Ghost Story --
40. Dining and a Sense of Freedom. Bubbling and Boiling --
41. A World in Which the Composition is Now Complete. Song of Praise and Thanksgiving --
42. A Shock from Below the Belt. The Song of a Strange Family—the Case of the On-Line Fraud of Itò Motoko --
43. Tsuka Kòhei’s “Staircase”. The Kamata Marching Song --
44. The Power of Imagination Lavished on a House. Melancholy When the Flowers Bloom --
45. Malcontent Passions. Radical Party --
46. A Painful Sense of Distance. Afternoon of a Man and Woman --
47. Mankind, and Those Theatrical Slippages. Man of La Mancha --
48. A World in Which That’s All We Can Do. Memories of the Little Finger --
49. The Basic Principles of a Vision Already Experienced. Rules For Sleeping in the Universe --
50. A Fight Against Fixed Forms. Japan Wars --
51. The Sympathies and Disjunctures of Nostalgia. Tango at the End of Winter --
52. A Tale After the Myths Have Crumbled. Genocide --
53. Twenty-Five Hundred Years: Gazing at a Scrap Pile. Earth Station --
54. A Time Before Everything Dissolves. Taking along a Sunset Like the Morning --
55. The Jigsaw Puzzle of Sex. Cloud 9 --
56. Surprising Things Happen. Comet Messenger Siegfried --
57. The Dilemma of a Drama With a Chorus. Chorus Line --
58. The Adventures of Nostalgia. Children of Night --
59. Medieval Preaching in an Outdoor Space. Oguri Hangan and Princess Terute --
60. The Results of Practical Romance. I Bit The Green Seed --
61. A Crime Explained, a Crime Unexplainable Memo from the Aliens --
62. A Quick Glimpse of the Meaning of the World. Wind Station --
63. A Nest of Boxes at the Edge of Waking. The Tempest: A Rehearsal on a Nò Stage on Sado Island --
64. Closing in on the Self: Zeami As “Performer”. Zeami --
65. The Dynamism of “The City Multitudes”. Les Misérables --
66. That First Kiss with the Taste of Radioactivity. Godzilla --
67. A Refreshing Wind Surpasses Its Domain. Alejo—to Praise the Wind --
Epilogue --
Appendixes --
Index --
About the Author --
About the Translator
title_new The Voyage of Contemporary Japanese Theatre.
title_sort the voyage of contemporary japanese theatre.
publisher University of Hawaii Press,
publishDate 1997
physical 1 online resource (328 p.)
contents Frontmatter --
Contents --
Translator’s Introduction: From the Ground Up --
Prologue --
Scene I: 1971–1973 The First Period --
1. A Drifting Commune. Diary Of A Voyage To The West --
2. The Red Tent in Good Health. A Tale of Two Cities --
3. A Logic Surpassing Any Declaration of Determination. When We Go Down That Heartless River --
4. Those Slight Stirrings of the Man in the Wind. A Tale of the Smallpox --
5. A Ghastly Masterpiece with Cruel Intentions. The Great Doctor Yabuhara --
Scene II: 1974–1979 Tsuka Kòhei and After --
6. The Intoxication of a “Myth” That Soars. The Kara Version: Matasaburò of the Wind --
7. The Appearance of a New Talent. The Legend of a Flying Dragon: And Then a Crow --
8. Minus Dynamics, All Scooped Out. Chairs and a Legend --
9. The Crouch as a Critique of the Modern. The Trojan Women --
10. An Obstinacy Well Worth Mentioning. Tosa Genji --
11. A Drama of a New and Fanciful Geography. Knock --
12. Harvest: After a Year and a Half. The Comic World of Shòwa --
13. A First Trip to a Distant Village. A Night’s Feast --
14. A Question to the Man Who Blew the Flute. The Rats of Hamelin --
15. The Nò Stage, Newly Activated. The Legend Of Komachi --
16. Making The Connection: Killing the Beggar. Thirty Days Hath September --
17. A Humble Self-Examination. The Dressing Room --
18. A Scene of Ripening. The Bacchae --
19. A Critique of Miyazawa Kenji as a Tableau Vivant. Directions to Servants --
20. The Conflagration of an Exploding Lemon. Lemon --
21. The Whirlings of a World at Birth. A Tale of the Original Japanese --
22. Laughing Okinawa. Anthropology Museum --
23. A Ripening of Melody. Shanghai ’Vance King --
24. Yohei Who Lives On. Double Suicide, after Chikamatsu --
25. A Play Goes on “Outside The Walls”. Lemmings --
26. Obstacles to Abandonment. Two Women --
27. In the Midst of a Weakened Art. The Lady of the Camellias --
Scene III: 1980–1987 The Period of Metatheatre --
28. Macbeth in a Forest of Cherry Trees. Ninagawa Macbeth --
29. A Duck with Two Different Wings. The Seagull --
30. A Diffused Reflection. Travel of Twenty-seven Thousand Light Years --
31. Deciphering Miyazawa Kenji with Criticism and Sympathy. The Theatre Train of Iihatòbo --
32. The Bachelors Who Continue on. That Raven, Even --
33. Dreams That Are Ruffians. A Tale of Mannen-Town in Shitaya --
34. Two Blanches. A Streetcar Named Desire --
35. The Magic of Assorted Mirrors. Run, Merusu—A Girl’S Lips Are Dynamite! --
36. Signposts along the Way. A Legend of Fish: A Teacher Kills His Student at Rikkyò University --
37. A Snack Bar in the Woods of Athens. A Midsummer Night’s Dream --
38. Laughter in a Gothic Musical. Sweeney Todd: The Demon Barber Of Fleet Street --
39. The Power of the Older Sister, The Power of the Mirror. Night Shadows—A Gentle Ghost Story --
40. Dining and a Sense of Freedom. Bubbling and Boiling --
41. A World in Which the Composition is Now Complete. Song of Praise and Thanksgiving --
42. A Shock from Below the Belt. The Song of a Strange Family—the Case of the On-Line Fraud of Itò Motoko --
43. Tsuka Kòhei’s “Staircase”. The Kamata Marching Song --
44. The Power of Imagination Lavished on a House. Melancholy When the Flowers Bloom --
45. Malcontent Passions. Radical Party --
46. A Painful Sense of Distance. Afternoon of a Man and Woman --
47. Mankind, and Those Theatrical Slippages. Man of La Mancha --
48. A World in Which That’s All We Can Do. Memories of the Little Finger --
49. The Basic Principles of a Vision Already Experienced. Rules For Sleeping in the Universe --
50. A Fight Against Fixed Forms. Japan Wars --
51. The Sympathies and Disjunctures of Nostalgia. Tango at the End of Winter --
52. A Tale After the Myths Have Crumbled. Genocide --
53. Twenty-Five Hundred Years: Gazing at a Scrap Pile. Earth Station --
54. A Time Before Everything Dissolves. Taking along a Sunset Like the Morning --
55. The Jigsaw Puzzle of Sex. Cloud 9 --
56. Surprising Things Happen. Comet Messenger Siegfried --
57. The Dilemma of a Drama With a Chorus. Chorus Line --
58. The Adventures of Nostalgia. Children of Night --
59. Medieval Preaching in an Outdoor Space. Oguri Hangan and Princess Terute --
60. The Results of Practical Romance. I Bit The Green Seed --
61. A Crime Explained, a Crime Unexplainable Memo from the Aliens --
62. A Quick Glimpse of the Meaning of the World. Wind Station --
63. A Nest of Boxes at the Edge of Waking. The Tempest: A Rehearsal on a Nò Stage on Sado Island --
64. Closing in on the Self: Zeami As “Performer”. Zeami --
65. The Dynamism of “The City Multitudes”. Les Misérables --
66. That First Kiss with the Taste of Radioactivity. Godzilla --
67. A Refreshing Wind Surpasses Its Domain. Alejo—to Praise the Wind --
Epilogue --
Appendixes --
Index --
About the Author --
About the Translator
isbn 9780824865160
9783110649680
9783110564150
callnumber-first P - Language and Literature
callnumber-subject PN - General Literature
callnumber-label PN2921
callnumber-sort PN 42921 S4413 41997EB
geographic_facet Japan
era_facet 20th century
20th century.
url https://doi.org/10.1515/9780824865160
https://www.degruyter.com/isbn/9780824865160
https://www.degruyter.com/document/cover/isbn/9780824865160/original
illustrated Not Illustrated
dewey-hundreds 700 - Arts & recreation
dewey-tens 790 - Sports, games & entertainment
dewey-ones 792 - Stage presentations
dewey-full 792.0952
dewey-sort 3792.0952
dewey-raw 792.0952
dewey-search 792.0952
doi_str_mv 10.1515/9780824865160
oclc_num 48139631
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A Drifting Commune. Diary Of A Voyage To The West -- </subfield><subfield code="t">2. The Red Tent in Good Health. A Tale of Two Cities -- </subfield><subfield code="t">3. A Logic Surpassing Any Declaration of Determination. When We Go Down That Heartless River -- </subfield><subfield code="t">4. Those Slight Stirrings of the Man in the Wind. A Tale of the Smallpox -- </subfield><subfield code="t">5. A Ghastly Masterpiece with Cruel Intentions. The Great Doctor Yabuhara -- </subfield><subfield code="t">Scene II: 1974–1979 Tsuka Kòhei and After -- </subfield><subfield code="t">6. The Intoxication of a “Myth” That Soars. The Kara Version: Matasaburò of the Wind -- </subfield><subfield code="t">7. The Appearance of a New Talent. The Legend of a Flying Dragon: And Then a Crow -- </subfield><subfield code="t">8. Minus Dynamics, All Scooped Out. Chairs and a Legend -- </subfield><subfield code="t">9. The Crouch as a Critique of the Modern. The Trojan Women -- </subfield><subfield code="t">10. An Obstinacy Well Worth Mentioning. Tosa Genji -- </subfield><subfield code="t">11. A Drama of a New and Fanciful Geography. Knock -- </subfield><subfield code="t">12. Harvest: After a Year and a Half. The Comic World of Shòwa -- </subfield><subfield code="t">13. A First Trip to a Distant Village. A Night’s Feast -- </subfield><subfield code="t">14. A Question to the Man Who Blew the Flute. The Rats of Hamelin -- </subfield><subfield code="t">15. The Nò Stage, Newly Activated. The Legend Of Komachi -- </subfield><subfield code="t">16. Making The Connection: Killing the Beggar. Thirty Days Hath September -- </subfield><subfield code="t">17. A Humble Self-Examination. The Dressing Room -- </subfield><subfield code="t">18. A Scene of Ripening. The Bacchae -- </subfield><subfield code="t">19. A Critique of Miyazawa Kenji as a Tableau Vivant. Directions to Servants -- </subfield><subfield code="t">20. The Conflagration of an Exploding Lemon. Lemon -- </subfield><subfield code="t">21. The Whirlings of a World at Birth. A Tale of the Original Japanese -- </subfield><subfield code="t">22. Laughing Okinawa. Anthropology Museum -- </subfield><subfield code="t">23. A Ripening of Melody. Shanghai ’Vance King -- </subfield><subfield code="t">24. Yohei Who Lives On. Double Suicide, after Chikamatsu -- </subfield><subfield code="t">25. A Play Goes on “Outside The Walls”. Lemmings -- </subfield><subfield code="t">26. Obstacles to Abandonment. Two Women -- </subfield><subfield code="t">27. In the Midst of a Weakened Art. The Lady of the Camellias -- </subfield><subfield code="t">Scene III: 1980–1987 The Period of Metatheatre -- </subfield><subfield code="t">28. Macbeth in a Forest of Cherry Trees. Ninagawa Macbeth -- </subfield><subfield code="t">29. A Duck with Two Different Wings. The Seagull -- </subfield><subfield code="t">30. A Diffused Reflection. Travel of Twenty-seven Thousand Light Years -- </subfield><subfield code="t">31. Deciphering Miyazawa Kenji with Criticism and Sympathy. The Theatre Train of Iihatòbo -- </subfield><subfield code="t">32. The Bachelors Who Continue on. That Raven, Even -- </subfield><subfield code="t">33. Dreams That Are Ruffians. A Tale of Mannen-Town in Shitaya -- </subfield><subfield code="t">34. Two Blanches. A Streetcar Named Desire -- </subfield><subfield code="t">35. The Magic of Assorted Mirrors. Run, Merusu—A Girl’S Lips Are Dynamite! -- </subfield><subfield code="t">36. Signposts along the Way. A Legend of Fish: A Teacher Kills His Student at Rikkyò University -- </subfield><subfield code="t">37. A Snack Bar in the Woods of Athens. A Midsummer Night’s Dream -- </subfield><subfield code="t">38. Laughter in a Gothic Musical. Sweeney Todd: The Demon Barber Of Fleet Street -- </subfield><subfield code="t">39. The Power of the Older Sister, The Power of the Mirror. Night Shadows—A Gentle Ghost Story -- </subfield><subfield code="t">40. Dining and a Sense of Freedom. Bubbling and Boiling -- </subfield><subfield code="t">41. A World in Which the Composition is Now Complete. Song of Praise and Thanksgiving -- </subfield><subfield code="t">42. A Shock from Below the Belt. The Song of a Strange Family—the Case of the On-Line Fraud of Itò Motoko -- </subfield><subfield code="t">43. Tsuka Kòhei’s “Staircase”. The Kamata Marching Song -- </subfield><subfield code="t">44. The Power of Imagination Lavished on a House. Melancholy When the Flowers Bloom -- </subfield><subfield code="t">45. Malcontent Passions. Radical Party -- </subfield><subfield code="t">46. A Painful Sense of Distance. Afternoon of a Man and Woman -- </subfield><subfield code="t">47. Mankind, and Those Theatrical Slippages. Man of La Mancha -- </subfield><subfield code="t">48. A World in Which That’s All We Can Do. Memories of the Little Finger -- </subfield><subfield code="t">49. The Basic Principles of a Vision Already Experienced. Rules For Sleeping in the Universe -- </subfield><subfield code="t">50. A Fight Against Fixed Forms. Japan Wars -- </subfield><subfield code="t">51. The Sympathies and Disjunctures of Nostalgia. Tango at the End of Winter -- </subfield><subfield code="t">52. A Tale After the Myths Have Crumbled. Genocide -- </subfield><subfield code="t">53. Twenty-Five Hundred Years: Gazing at a Scrap Pile. Earth Station -- </subfield><subfield code="t">54. A Time Before Everything Dissolves. Taking along a Sunset Like the Morning -- </subfield><subfield code="t">55. The Jigsaw Puzzle of Sex. Cloud 9 -- </subfield><subfield code="t">56. Surprising Things Happen. Comet Messenger Siegfried -- </subfield><subfield code="t">57. The Dilemma of a Drama With a Chorus. Chorus Line -- </subfield><subfield code="t">58. The Adventures of Nostalgia. Children of Night -- </subfield><subfield code="t">59. Medieval Preaching in an Outdoor Space. Oguri Hangan and Princess Terute -- </subfield><subfield code="t">60. The Results of Practical Romance. I Bit The Green Seed -- </subfield><subfield code="t">61. A Crime Explained, a Crime Unexplainable Memo from the Aliens -- </subfield><subfield code="t">62. A Quick Glimpse of the Meaning of the World. Wind Station -- </subfield><subfield code="t">63. A Nest of Boxes at the Edge of Waking. The Tempest: A Rehearsal on a Nò Stage on Sado Island -- </subfield><subfield code="t">64. Closing in on the Self: Zeami As “Performer”. Zeami -- </subfield><subfield code="t">65. The Dynamism of “The City Multitudes”. Les Misérables -- </subfield><subfield code="t">66. That First Kiss with the Taste of Radioactivity. Godzilla -- </subfield><subfield code="t">67. A Refreshing Wind Surpasses Its Domain. Alejo—to Praise the Wind -- </subfield><subfield code="t">Epilogue -- </subfield><subfield code="t">Appendixes -- </subfield><subfield code="t">Index -- </subfield><subfield code="t">About the Author -- </subfield><subfield code="t">About the Translator</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Senda Akihiko is one of Japan's finest and best-known modern drama critics. This collection of his essays, articles, and reviews from 1971 to 1987 presents international audiences with the first opportunity to experience the excitement and accomplishments of the theatrical revolution that has continued to sweep over the Japanese stage since the 1960s. Consistently judicious and honest, the essays reveal the excitement (or disappointment) of each phase in the unfolding "voyage" of contemporary Japanese theatre.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Japanese drama</subfield><subfield code="y">20th century</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Theater</subfield><subfield code="z">Japan</subfield><subfield code="x">History</subfield><subfield code="y">20th century.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">DRAMA / General.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Bennett, Michael, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Boublil, Alain, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield 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