Reading Food in Modern Japanese Literature / / Tomoko Aoyama.

Literature, like food, is, in Terry Eagleton's words, "endlessly interpretable," and food, like literature, "looks like an object but is actually a relationship." So how much do we, and should we, read into the way food is represented in literature? Reading Food explores thi...

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Superior document:Title is part of eBook package: De Gruyter Asian Studies Backlist (2000-2014) eBook Package
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Place / Publishing House:Honolulu : : University of Hawaii Press, , [2008]
©2008
Year of Publication:2008
Language:English
Online Access:
Physical Description:1 online resource (272 p.) :; 4 illus.
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100 1 |a Aoyama, Tomoko,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a Reading Food in Modern Japanese Literature /  |c Tomoko Aoyama. 
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505 0 0 |t Frontmatter --   |t Contents --   |t Acknowledgments --   |t Introduction: Why Read Food in Modern Japanese Literature? --   |t Chapter One. Food in the Diary --   |t Chapter Two. Down-to-Earth Eating and Writing (1) --   |t Chapter Three. Down-to-Earth Eating and Writing (2) --   |t Chapter Four. Cannibalism in Modern Japanese Literature --   |t Chapter Five. The Gastronomic Novel --   |t Chapter Six. Food and Gender in Contemporary Women's Literature --   |t Conclusion: Confessions of an Obsessive Textual Food Eater --   |t Notes --   |t Bibliography --   |t Index --   |t About the Author 
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520 |a Literature, like food, is, in Terry Eagleton's words, "endlessly interpretable," and food, like literature, "looks like an object but is actually a relationship." So how much do we, and should we, read into the way food is represented in literature? Reading Food explores this and other questions in an unusual and fascinating tour of twentieth-century Japanese literature. Tomoko Aoyama analyzes a wide range of diverse writings that focus on food, eating, and cooking and considers how factors such as industrialization, urbanization, nationalism, and gender construction have affected people's relationships to food, nature, and culture, and to each other. The examples she offers are taken from novels (shosetsu) and other literary texts and include well known writers (such as Tanizaki Jun'ichiro, Hayashi Fumiko, Okamoto Kanoko, Kaiko Takeshi, and Yoshimoto Banana) as well as those who are less widely known (Murai Gensai, Nagatsuka Takashi, Sumii Sue, and Numa Shozo).Food is everywhere in Japanese literature, and early chapters illustrate historical changes and variations in the treatment of food and eating. Examples are drawn from Meiji literary diaries, children's stories, peasant and proletarian literature, and women's writing before and after World War II. The author then turns to the theme of cannibalism in serious and popular novels. Key issues include ethical questions about survival, colonization, and cultural identity. The quest for gastronomic gratification is a dominant theme in "gourmet novels." Like cannibalism, the gastronomic journey as a literary theme is deeply implicated with cultural identity. The final chapter deals specifically with contemporary novels by women, some of which celebrate the inclusiveness of eating (and writing), while others grapple with the fear of eating. Such dread or disgust can be seen as a warning against what the complacent "gourmet boom" of the 1980s and 1990s concealed: the dangers of a market economy, environmental destruction, and continuing gender biases.Reading Food in Modern Japanese Literature will tempt any reader with an interest in food, literature, and culture. Moreover, it provides appetizing hints for further savoring, digesting, and incorporating textual food. 
530 |a Issued also in print. 
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546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) 
650 0 |a Food in literature. 
650 0 |a Japanese literature  |y 20th century  |x History and criticism. 
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