Mediasphere Shanghai : : The Aesthetics of Cultural Production / / Alexander Des Forges.
For many in the west, "Shanghai" is the quintessence of East Asian modernity, whether imagined as glamorous and exciting, corrupt and impoverishing, or a complex synthesis of the good, the bad, and the ugly. How did "Shanghai" acquire this power? How did people across China and a...
Saved in:
| Superior document: | Title is part of eBook package: De Gruyter Asian Studies Backlist (2000-2014) eBook Package |
|---|---|
| VerfasserIn: | |
| Place / Publishing House: | Honolulu : : University of Hawaii Press, , [2007] ©2007 |
| Year of Publication: | 2007 |
| Language: | English |
| Series: | Studies of the Weatherhead East Asian Institute, Columbia University
|
| Online Access: | |
| Physical Description: | 1 online resource (320 p.) :; 9 illus. |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Table of Contents:
- Frontmatter
- Contents
- Acknowledgments
- Conventions and Abbreviations
- Introduction
- CHAPTER 1. Rhetorics of Territory, Mixture, and Displacement
- CHAPTER 2 .From Street Names to Brand Names
- CHAPTER 3. Synchronized Reading
- CHAPTER 4 Desire Industries
- CHAPTER 5. Brokers, Authors, "Shanghai People
- CHAPTER 6. Marxists and Modern Girls
- CHAPTER 7 .Lineages of the Contemporary and the Nostalgic
- Epilogue Shanghai 2000
- Notes
- Character Glossary
- Bibliography
- Index