Lost Leaves : : Women Writers of Meiji Japan / / Rebecca L. Copeland.

• Superior document: Title is part of eBook package: De Gruyter Asian Studies Backlist (2000-2014) eBook Package
• VerfasserIn: Copeland, Rebecca L.,
• Place / Publishing House: Honolulu : : University of Hawaii Press, , [2000]; ©2000
• Year of Publication: 2000
• Language: English
• Physical Description: 1 online resource (304 p.)
• Other title: Frontmatter --; Contents --; Illustrations --; Preface --; Acknowledgments --; Introduction --; Chapter One .Educating the Modern Murasaki Jogaku Zasshi and the Woman Writer --; Chapter Two .Through Thickets of Imitation Miyake Kaho and the First Song of Spring --; Chapter Three. Behind the Veil Wakamatsu Shizuko and the Freedom of Translation --; Chapter Four. Shimizu Shikin From Broken Rings to Brokered Silence --; Conclusion In the Shade of the Single Leaf --; Notes --; Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780824863395; 9783110649772; 9783110564143; 9783110663259
• DOI: 10.1515/9780824863395
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Rebecca L. Copeland.

Most Japanese literary historians have suggested that the Meiji Period (1868-1912) was devoid of women writers but for the brilliant exception of Higuchi Ichiyo (1872-1896). Rebecca Copeland challenges this claim by examining in detail the lives and literary careers of three of Ichiyo's peers, each representative of the diversity and ingenuity of the period: Miyake Kaho (1868-1944), Wakamatsu Shizuko (1864-1896), and Shimizu Shikin (1868-1933).In a carefully researched introduction, Copeland establishes the context for the development of female literary expression. She follows this with chapters on each of the women under consideration. Miyake Kaho, often regarded as the first woman writer of modern Japan, offers readers a vision of the female vitality that is often overlooked when discussing the Meiji era. Wakamatsu Shizuko, the most prominent female translator of her time, had a direct impact on the development of a modern written language for Japanese prose fiction. Shimizu Shikin reminds readers of the struggle women endured in their efforts to balance their creative interests with their social roles. Interspersed throughout are excerpts from works under discussion, most never before translated, offering an invaluable window into this forgotten world of women's writing.