Dark Writing : : Geography, Performance, Design / / Paul Carter.
We do not see empty figures and outlines; we do not move in straight lines. Everywhere we are surrounded by dapple; the geometry of our embodied lives is curviform, meandering, bi-pedal. Our personal worlds are timed, inter-positional, and contingent. But nowhere in the language of cartography and d...
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| Superior document: | Title is part of eBook package: De Gruyter UHP eBook Package 2000-2013 |
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| VerfasserIn: | |
| Place / Publishing House: | Honolulu : : University of Hawaii Press, , [2008] ©2008 |
| Year of Publication: | 2008 |
| Language: | English |
| Series: | Writing Past Colonialism
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| Online Access: | |
| Physical Description: | 1 online resource (328 p.) :; 71 illus., 21 in color, 4 maps |
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Table of Contents:
- Frontmatter
- Contents
- Figures
- Plates
- Preface: The Great Divide
- Acknowledgments
- Introduction: Outlines
- Chapter 1: Step-by-Step: Geography’s Myth
- Chapter 2: Dark with Excess of Bright: Mapping the Coastlines of Knowledge
- Chapter 3: Drawing the Line: Putting Spatial History into Practice
- Chapter 4: The Interpretation of Dreams: Mobilizing the Papunya Tula Painting Movement, 1971–1972
- Chapter 5: Making Tracks: Interpreting a Ground Plan
- Chapter 6: Solutions: Storyboarding a Humid Zone
- Chapter 7: Trace: A Running Commentary on Relay
- Chapter 8: Dark Writing: The Body’s Inscription in History’s Light
- Conclusion: Linings
- Bibliography
- Index