Critical Perspectives on Classicism in Japanese Painting, 1600-1700 / / ed. by Elizabeth Lillehoj.
In the West, classical art—inextricably linked to concerns of a ruling or dominant class—commonly refers to art with traditional themes and styles that resurrect a past golden era. Although art of the early Edo period (1600–1868) encompasses a spectrum of themes and styles, references to the past ar...
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Place / Publishing House: | Honolulu : : University of Hawaii Press, , [2003] ©2004 |
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Critical Perspectives on Classicism in Japanese Painting, 1600-1700 / ed. by Elizabeth Lillehoj. Honolulu : University of Hawaii Press, [2003] ©2004 1 online resource (288 p.) : color & b/w illus. text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- Illustrations -- Foreword -- Introduction -- Chapter One. Terminology and Ideology: Coming to Terms with “Classicism” in Japanese Art-Historical Writing -- Chapter Two. Tawaraya Sōtatsu and the “Yamato-e Revival” -- Chapter Three. The Patrons of Tawaraya Sōtatsu and Ogata Kōrin -- Chapter Four. Japanese Exemplars for a New Age: Genji Paintings from the Seventeenth-Century Tosa School -- Chapter Five. A New “Classical” Theme: The One Hundred Poets from Elite to Popular Art in the Early Edo Period -- Chapter Six. Classical Imagery and Tokugawa Patronage: A Redefinition in the Seventeenth Century -- Chapter Seven. Uses of the Past: Gion Float Paintings as Instruments of Classicism -- Afterword -- Appendix: Artists and Schools -- Glossary -- Kanji List -- Selected Bibliography -- Contributors -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star In the West, classical art—inextricably linked to concerns of a ruling or dominant class—commonly refers to art with traditional themes and styles that resurrect a past golden era. Although art of the early Edo period (1600–1868) encompasses a spectrum of themes and styles, references to the past are so common that many Japanese art historians have variously described this period as a "classical revival," "era of classicism," or a "renaissance." How did seventeenth-century artists and patrons imagine the past? How did classical manners relate to other styles and themes found in Edo art? In considering such questions, the contributors to this volume hold that classicism has been an amorphous, changing concept in Japan—just as in the West. The authors of the essays collected here are by no means unanimous in their assessment of the use of the label "classicism." Although they may not agree on a definition of the term and its applicability to seventeenth-century Japanese art, all recognize the relevance of recent scholarly currents that call into question methods that privilege Western culture. Their various approaches—from stylistic analysis and theoretical conceptualization to assessment of related political and literary trends—greatly increase our understanding of the art of the period and its function in society.Contributors: Laura Allen, Karen Gerhart, Elizabeth Lillehoj, Sam Morse, Joshua Mostow, Keiko Nakamachi, Quittman Eugene Phillips, Satoko Tamamushi, Melanie Trede. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023) Classicism in art Japan. Painting, Japanese Edo period, 1600-1868. ART / Asian / General. bisacsh Allen, Laura W., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Gerhart, Karen M., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Lillehoj, Elizabeth, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Lillehoj, Elizabeth, editor. edt http://id.loc.gov/vocabulary/relators/edt Morse, Samuel C., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Mostow, Joshua S., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Nakamachi, Keiko, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Quitman, Eugene Phillips, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Tamamushi, Satoko, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Trede, Melanie, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter Asian Studies Backlist (2000-2014) eBook Package 9783110649772 Title is part of eBook package: De Gruyter UHP eBook Package 2000-2013 9783110564143 Title is part of eBook package: De Gruyter University of Hawaii Press eBook-Package Backlist 2000-2015 9783110663259 print 9780824826994 https://doi.org/10.1515/9780824862046 https://www.degruyter.com/isbn/9780824862046 Cover https://www.degruyter.com/document/cover/isbn/9780824862046/original |
language |
English |
format |
eBook |
author2 |
Allen, Laura W., Allen, Laura W., Gerhart, Karen M., Gerhart, Karen M., Lillehoj, Elizabeth, Lillehoj, Elizabeth, Lillehoj, Elizabeth, Lillehoj, Elizabeth, Morse, Samuel C., Morse, Samuel C., Mostow, Joshua S., Mostow, Joshua S., Nakamachi, Keiko, Nakamachi, Keiko, Quitman, Eugene Phillips, Quitman, Eugene Phillips, Tamamushi, Satoko, Tamamushi, Satoko, Trede, Melanie, Trede, Melanie, |
author_facet |
Allen, Laura W., Allen, Laura W., Gerhart, Karen M., Gerhart, Karen M., Lillehoj, Elizabeth, Lillehoj, Elizabeth, Lillehoj, Elizabeth, Lillehoj, Elizabeth, Morse, Samuel C., Morse, Samuel C., Mostow, Joshua S., Mostow, Joshua S., Nakamachi, Keiko, Nakamachi, Keiko, Quitman, Eugene Phillips, Quitman, Eugene Phillips, Tamamushi, Satoko, Tamamushi, Satoko, Trede, Melanie, Trede, Melanie, |
author2_variant |
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author2_role |
MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR HerausgeberIn HerausgeberIn MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR |
author_sort |
Allen, Laura W., |
title |
Critical Perspectives on Classicism in Japanese Painting, 1600-1700 / |
spellingShingle |
Critical Perspectives on Classicism in Japanese Painting, 1600-1700 / Frontmatter -- Contents -- Illustrations -- Foreword -- Introduction -- Chapter One. Terminology and Ideology: Coming to Terms with “Classicism” in Japanese Art-Historical Writing -- Chapter Two. Tawaraya Sōtatsu and the “Yamato-e Revival” -- Chapter Three. The Patrons of Tawaraya Sōtatsu and Ogata Kōrin -- Chapter Four. Japanese Exemplars for a New Age: Genji Paintings from the Seventeenth-Century Tosa School -- Chapter Five. A New “Classical” Theme: The One Hundred Poets from Elite to Popular Art in the Early Edo Period -- Chapter Six. Classical Imagery and Tokugawa Patronage: A Redefinition in the Seventeenth Century -- Chapter Seven. Uses of the Past: Gion Float Paintings as Instruments of Classicism -- Afterword -- Appendix: Artists and Schools -- Glossary -- Kanji List -- Selected Bibliography -- Contributors -- Index |
title_full |
Critical Perspectives on Classicism in Japanese Painting, 1600-1700 / ed. by Elizabeth Lillehoj. |
title_fullStr |
Critical Perspectives on Classicism in Japanese Painting, 1600-1700 / ed. by Elizabeth Lillehoj. |
title_full_unstemmed |
Critical Perspectives on Classicism in Japanese Painting, 1600-1700 / ed. by Elizabeth Lillehoj. |
title_auth |
Critical Perspectives on Classicism in Japanese Painting, 1600-1700 / |
title_alt |
Frontmatter -- Contents -- Illustrations -- Foreword -- Introduction -- Chapter One. Terminology and Ideology: Coming to Terms with “Classicism” in Japanese Art-Historical Writing -- Chapter Two. Tawaraya Sōtatsu and the “Yamato-e Revival” -- Chapter Three. The Patrons of Tawaraya Sōtatsu and Ogata Kōrin -- Chapter Four. Japanese Exemplars for a New Age: Genji Paintings from the Seventeenth-Century Tosa School -- Chapter Five. A New “Classical” Theme: The One Hundred Poets from Elite to Popular Art in the Early Edo Period -- Chapter Six. Classical Imagery and Tokugawa Patronage: A Redefinition in the Seventeenth Century -- Chapter Seven. Uses of the Past: Gion Float Paintings as Instruments of Classicism -- Afterword -- Appendix: Artists and Schools -- Glossary -- Kanji List -- Selected Bibliography -- Contributors -- Index |
title_new |
Critical Perspectives on Classicism in Japanese Painting, 1600-1700 / |
title_sort |
critical perspectives on classicism in japanese painting, 1600-1700 / |
publisher |
University of Hawaii Press, |
publishDate |
2003 |
physical |
1 online resource (288 p.) : color & b/w illus. |
contents |
Frontmatter -- Contents -- Illustrations -- Foreword -- Introduction -- Chapter One. Terminology and Ideology: Coming to Terms with “Classicism” in Japanese Art-Historical Writing -- Chapter Two. Tawaraya Sōtatsu and the “Yamato-e Revival” -- Chapter Three. The Patrons of Tawaraya Sōtatsu and Ogata Kōrin -- Chapter Four. Japanese Exemplars for a New Age: Genji Paintings from the Seventeenth-Century Tosa School -- Chapter Five. A New “Classical” Theme: The One Hundred Poets from Elite to Popular Art in the Early Edo Period -- Chapter Six. Classical Imagery and Tokugawa Patronage: A Redefinition in the Seventeenth Century -- Chapter Seven. Uses of the Past: Gion Float Paintings as Instruments of Classicism -- Afterword -- Appendix: Artists and Schools -- Glossary -- Kanji List -- Selected Bibliography -- Contributors -- Index |
isbn |
9780824862046 9783110649772 9783110564143 9783110663259 9780824826994 |
callnumber-first |
N - Fine Arts |
callnumber-subject |
ND - Painting |
callnumber-label |
ND1053 |
callnumber-sort |
ND 41053.5 C75 42004 |
geographic_facet |
Japan. |
era_facet |
Edo period, 1600-1868. |
url |
https://doi.org/10.1515/9780824862046 https://www.degruyter.com/isbn/9780824862046 https://www.degruyter.com/document/cover/isbn/9780824862046/original |
illustrated |
Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
750 - Painting |
dewey-ones |
759 - Historical, geographic & persons treatment |
dewey-full |
759.952/09/032 |
dewey-sort |
3759.952 19 232 |
dewey-raw |
759.952/09/032 |
dewey-search |
759.952/09/032 |
doi_str_mv |
10.1515/9780824862046 |
oclc_num |
1024047436 |
work_keys_str_mv |
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is_hierarchy_title |
Critical Perspectives on Classicism in Japanese Painting, 1600-1700 / |
container_title |
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