Capitalscapes : : Folding Screens and Political Imagination in Late Medieval Kyoto / / Matthew Philip McKelway.
Following the destruction of Kyoto during the civil wars of the late fifteenth century, large-scale panoramic paintings of the city began to emerge. These enormous and intricately detailed depictions of the ancient imperial capital were unprecedented in the history of Japanese painting and remain un...
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| Superior document: | Title is part of eBook package: De Gruyter Asian Studies Backlist (2000-2014) eBook Package |
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| Place / Publishing House: | Honolulu : : University of Hawaii Press, , [2006] ©2006 |
| Year of Publication: | 2006 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (432 p.) :; color & b/w illus. |
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Table of Contents:
- Frontmatter
- contents
- illustrations
- acknowledgments
- note to the reader
- chapter one. A Most Marvelous Thing
- chapter two. A Formal and Conceptual Guide to rakuchú rakugai zu
- chapter three .The Sanjõ Screens
- chapter four .The Uesugi Screens
- chapter five .Populating the Screens
- chapter six .The Azuchi Screens and Images of Castles
- chapter seven. Return to Kyoto Rakuchú akugai zu after the Tokugawa Unification
- epilogue
- appendix
- notes
- sources cited
- index
- about the author