Androgyny in Late Ming and Early Qing Literature / / Zuyan Zhou.

• Superior document: Title is part of eBook package: De Gruyter Asian Studies Backlist (2000-2014) eBook Package
• VerfasserIn: Zhou, Zuyan,
• Place / Publishing House: Honolulu : : University of Hawaii Press, , [2003]; ©2003
• Year of Publication: 2003
• Language: English
• Physical Description: 1 online resource (336 p.)
• Other title: Frontmatter --; contents --; Acknowledgments --; introduction Androgyny Defined --; one. Androgyny in Chinese Philosophy --; two .Gender Ambiguity in Late Ming and Early Qing Culture --; three .The Plum in the Golden Vase A Prelude to the Androgyny Craze --; four. The Peony Pavilion A Paean to the Androgynous Ideal --; five. Scholar-Beauty Romance Idealistic Expression of the Androgynous Vision --; six .The Peach Blossom Fan An Ambivalent Hymn to Political Androgyny --; seven .The Dream of the Red Chamber A Shattered Dream of Androgyny --; eight. Conclusion: Androgyny as Literary Trend and Strategy in Fashioning Chinese Literati Identity --; appendix. Symbolic Values and Gender Associations of Some Flowers and Plants in Chinese Literature --; Notes --; Glossary --; Selected Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780824861452; 9783110649772; 9783110564143; 9783110663259
• DOI: 10.1515/9780824861452
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Zuyan Zhou.

The frequent appearance of androgyny in Ming and Qing literature has long interested scholars of late imperial Chinese culture. A flourishing economy, widespread education, rising individualism, a prevailing hedonism--all of these had contributed to the gradual disintegration of traditional gender roles in late Ming and early Qing China (1550-1750) and given rise to the phenomenon of androgyny. Now, Zuyan Zhou sheds new light on this important period, offering a highly original and astute look at the concept of androgyny in key works of Chinese fiction and drama from the sixteenth to the eighteenth centuries. The work begins with an exploration of androgyny in Chinese philosophy and Ming-Qing culture. Zhou proceeds to examine chronologically the appearance of androgyny in major literary writing of the time, yielding novel interpretations of canonical works from The Plum in the Golden Vase, through the scholar-beauty romances, to The Dream of the Red Chamber. He traces the ascendance of the androgyny craze in the late Ming, its culmination in the Ming-Qing transition, and its gradual phasing out after the mid-Qing. The study probes deviations from engendered codes of behavior both in culture and literature, then focuses on two parallel areas: androgyny in literary characterization and androgyny in literati identity. The author concludes that androgyny in late Ming and early Qing literature is essentially the dissident literati's stance against tyrannical politics, a psychological strategy to relieve anxiety over growing political inferiority.