Acting the Right Part : : Political Theater and Popular Drama in Contemporary China / / Xiaomei Chen.

Acting the Right Part is a cultural history of huaju (modern Chinese drama) from 1966 to 1996. Xiaomei Chen situates her study both in the context of Chinese literary and cultural history and in the context of comparative drama and theater, cultural studies, and critical issues relevant to national...

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Superior document:Title is part of eBook package: De Gruyter Asian Studies Backlist (2000-2014) eBook Package
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Place / Publishing House:Honolulu : : University of Hawaii Press, , [2002]
©2002
Year of Publication:2002
Language:English
Online Access:
Physical Description:1 online resource (484 p.)
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245 1 0 |a Acting the Right Part :  |b Political Theater and Popular Drama in Contemporary China /  |c Xiaomei Chen. 
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505 0 0 |t Frontmatter --   |t Contents --   |t Acknowledgments --   |t Prologue --   |t Chapter one: Introduction --   |t Chapter two: Operatic Revolutions --   |t Chapter three: Family, Village, Nation/State, and the Third World --   |t Chapter four: Audience, Applause, and Actor --   |t Chapter five: Performing Tiananmen --   |t Chapter six: A Stage of Their Own --   |t Chapter seven: From Discontented Mother to Woman Warrior --   |t Chapter eight: A Stage in Search of a Tradition --   |t Appendix --   |t Notes --   |t Glossary --   |t Bibliography --   |t Index 
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520 |a Acting the Right Part is a cultural history of huaju (modern Chinese drama) from 1966 to 1996. Xiaomei Chen situates her study both in the context of Chinese literary and cultural history and in the context of comparative drama and theater, cultural studies, and critical issues relevant to national theater worldwide. Following a discussion of the marginality of modern Chinese drama in relation to other genres, periods, and cultures, early chapters focus on the dynamic relationship between theater and revolution. Chosen during the Cultural Revolution as the exclusive artistic vehicle to promote proletariat art, "model theater" raises important questions about the complex relationships between women, memory, nation/state, revolution, and visual culture. Throughout this study, Chen argues that dramatic norms inform both theatrical performance and everyday political behavior in contemporary China. 
530 |a Issued also in print. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) 
650 0 |a Chinese drama  |y 20th century  |x History and criticism. 
650 7 |a PERFORMING ARTS / Theater / General.  |2 bisacsh 
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