Maximum Embodiment : : Yoga, the Western Painting of Japan, 1912–1955 / / Bert Winther-Tamaki.
Maximum Embodiment presents a compelling thesis articulating the historical character of Yoga, literally the “Western painting” of Japan. The term designates what was arguably the most important movement in modern Japanese art from the late nineteenth to the mid-twentieth centuries. Perhaps the most...
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Superior document: | Title is part of eBook package: De Gruyter University of Hawaii Press eBook-Package Backlist 2000-2015 |
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Place / Publishing House: | Honolulu : : University of Hawaii Press, , [2012] ©2012 |
Year of Publication: | 2012 |
Language: | English |
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Physical Description: | 1 online resource (250 p.) :; 43 illus., 15 in color |
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Table of Contents:
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgments
- Note on Translations and Names
- Introduction: Yōga, the Intercultural Art of Embodiment and Disembodiment
- Chapter 1 Strong Flesh at the Ready: Body and Self in Self-Portraiture
- Chapter 2 Accelerating the Heartbeat: Erotic Nationalism and the Japanese Nude
- Chapter 3 Creating Oriental Beauty: Chinese Passages to Imperial Yōga
- Chapter 4 The Feast of Fierce Massacre: Maximum Disembodiment
- Epilogue: The Collapse of Yōga Embodiment
- Notes
- Bibliography
- Index
- About the Author