Since Meiji : : Perspectives on the Japanese Visual Arts, 1868-2000 / / ed. by J. Thomas Rimer.
Research outside Japan on the history and significance of the Japanese visual arts since the beginning of the Meiji period (1868) has been, with the exception of writings on modern and contemporary woodblock prints, a relatively unexplored area of inquiry. In recent years, however, the subject has b...
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Place / Publishing House: | Honolulu : : University of Hawaii Press, , [2011] ©2011 |
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Since Meiji : Perspectives on the Japanese Visual Arts, 1868-2000 / ed. by J. Thomas Rimer. Honolulu : University of Hawaii Press, [2011] ©2011 1 online resource (584 p.) : 164 illus., 30 in color text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- Preface -- Introduction -- I. Painting and the Allied Arts: From Meiji to the Present -- 1. Western-Style Painting: Four Stages of Acceptance -- 2. Japanese Painting from Edo to Meiji: Rhetoric and Reality -- 3. The Expanding Arts of the Interwar Period -- 4. Sensō Sakusen Kirokuga: Seeing Japan's War Documentary Painting as a Public Monument -- 5. From Resplendent Signs to Heavy Hands: Japanese Painting in War and Defeat, 1937-1952 -- 6. How Gendai Bijutsu Stole the "Museum": An Institutional Observation of the Vanguard 1960s -- 7. Fashion Altars, Performance Factors, and Pop Cells: Transforming Contemporary Japanese Art, One Body at a Time -- II. Japanese Art of the Period in Its Cultural Context -- 8. The Creation of the Vocabulary of Aesthetics in Meiji Japan -- 9. Okakura Tenshin and Aesthetic Nationalism -- 10. Japanese Art Criticism: The First Fifty Years -- III. Individual Forms of Expression -- 11. Sculpture -- 12. Can Architecture Be Both Modern and "Japanese"? The Expression of Japanese Cultural Identity through Architectural Practice from 1850 to the Present -- 13. The Modern Japanese Garden -- 14. Japanese Prints 1868-2008 -- 15. Aspects of Twentieth-Century Crafts: The New Craft and Mingei Movements -- 16. Japanese Calligraphy since 1868 -- 17. Adoption, Adaptation, and Innovation: The Cultural and Aesthetic Transformations of Fashion in Modern Japan -- Contributors -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Research outside Japan on the history and significance of the Japanese visual arts since the beginning of the Meiji period (1868) has been, with the exception of writings on modern and contemporary woodblock prints, a relatively unexplored area of inquiry. In recent years, however, the subject has begun to attract wide interest. As is evident from this volume, this period of roughly a century and a half produced an outpouring of art created in a bewildering number of genres and spanning a wide range of aims and accomplishments. Since Meiji is the first sustained effort in English to discuss in any depth a time when Japan, eager to join in the larger cultural developments in Europe and the U.S., went through a visual revolution. Indeed, this study of the visual arts of the nineteenth and twentieth centuries suggests a fresh history of modern Japanese culture-one that until now has not been widely visible or thoroughly analyzed outside that country.In this extensive collection, which includes some 190 black-and-white and color reproductions, scholars from Japan, Europe, Australia, and America explore an impressive array of subjects: painting, sculpture, prints, fashion design, crafts, and gardens. The works discussed range from early Meiji attempts to create art that referenced Western styles to postwar and contemporary avant-garde experiments. There are, in addition, substantive investigations of the cultural and intellectual background that helped stimulate the creation of new and shifting art forms, including essays on the invention of a modern artistic vocabulary in the Japanese language and the history of art criticism in Japan, as well as an extensive account of the career and significance of perhaps the best-known Japanese figure concerned with the visual arts of his period, Okakura Tenshin (1862-1913), whose Book of Tea is still widely read today.Taken together, the essays in this volume allow readers to connect ideas and images, thus bringing to light larger trends in the Japanese visual arts that have made possible the vitality, range, and striking achievements created during this turbulent and lively period.Contributors: Stephen Addiss, Chiaki Ajioka, John Clark, Ellen Conant, Mikiko Hirayama, Michael Marra, Jonathan Reynolds, J. Thomas Rimer, Audrey Yoshiko Seo, Eric C. Shiner, Lawrence Smith, Shuji Tanaka, Reiko Tomii, Mayu Tsuruya, Toshio Watanabe, Gennifer Weisenfeld, Bert Winther-Tamaki, Emiko Yamanashi. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) Art, Japanese 1868-. ART / Asian / General. bisacsh Addiss, Stephen, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Ajioka, Chiaki, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Clark, John, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Conant, Ellen P., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Hirayama, Mikiko, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Marra, Michael F., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Reynolds, Jonathan M., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Rimer, J. Thomas, editor. edt http://id.loc.gov/vocabulary/relators/edt Rimer, Thomas J., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Seo, Audrey Yoshiko, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Shiner, Eric C., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Smith, Lawrence, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Tanaka, Shūji, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Tomii, Reiko, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Tsuruya, Mayu, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Watanabe, Toshio, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Weisenfeld, Gennifer, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Winther-Tamaki, Bert, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Yamanashi, Emiko, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter Asian Studies Backlist (2000-2014) eBook Package 9783110649772 Title is part of eBook package: De Gruyter UHP eBook Package 2000-2013 9783110564143 Title is part of eBook package: De Gruyter University of Hawaii Press eBook-Package Backlist 2000-2015 9783110663259 print 9780824834418 https://doi.org/10.1515/9780824861025 https://www.degruyter.com/isbn/9780824861025 Cover https://www.degruyter.com/document/cover/isbn/9780824861025/original |
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English |
format |
eBook |
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Addiss, Stephen, Addiss, Stephen, Ajioka, Chiaki, Ajioka, Chiaki, Clark, John, Clark, John, Conant, Ellen P., Conant, Ellen P., Hirayama, Mikiko, Hirayama, Mikiko, Marra, Michael F., Marra, Michael F., Reynolds, Jonathan M., Reynolds, Jonathan M., Rimer, J. Thomas, Rimer, J. Thomas, Rimer, Thomas J., Rimer, Thomas J., Seo, Audrey Yoshiko, Seo, Audrey Yoshiko, Shiner, Eric C., Shiner, Eric C., Smith, Lawrence, Smith, Lawrence, Tanaka, Shūji, Tanaka, Shūji, Tomii, Reiko, Tomii, Reiko, Tsuruya, Mayu, Tsuruya, Mayu, Watanabe, Toshio, Watanabe, Toshio, Weisenfeld, Gennifer, Weisenfeld, Gennifer, Winther-Tamaki, Bert, Winther-Tamaki, Bert, Yamanashi, Emiko, Yamanashi, Emiko, |
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Addiss, Stephen, Addiss, Stephen, Ajioka, Chiaki, Ajioka, Chiaki, Clark, John, Clark, John, Conant, Ellen P., Conant, Ellen P., Hirayama, Mikiko, Hirayama, Mikiko, Marra, Michael F., Marra, Michael F., Reynolds, Jonathan M., Reynolds, Jonathan M., Rimer, J. Thomas, Rimer, J. Thomas, Rimer, Thomas J., Rimer, Thomas J., Seo, Audrey Yoshiko, Seo, Audrey Yoshiko, Shiner, Eric C., Shiner, Eric C., Smith, Lawrence, Smith, Lawrence, Tanaka, Shūji, Tanaka, Shūji, Tomii, Reiko, Tomii, Reiko, Tsuruya, Mayu, Tsuruya, Mayu, Watanabe, Toshio, Watanabe, Toshio, Weisenfeld, Gennifer, Weisenfeld, Gennifer, Winther-Tamaki, Bert, Winther-Tamaki, Bert, Yamanashi, Emiko, Yamanashi, Emiko, |
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author_sort |
Addiss, Stephen, |
title |
Since Meiji : Perspectives on the Japanese Visual Arts, 1868-2000 / |
spellingShingle |
Since Meiji : Perspectives on the Japanese Visual Arts, 1868-2000 / Frontmatter -- Contents -- Preface -- Introduction -- I. Painting and the Allied Arts: From Meiji to the Present -- 1. Western-Style Painting: Four Stages of Acceptance -- 2. Japanese Painting from Edo to Meiji: Rhetoric and Reality -- 3. The Expanding Arts of the Interwar Period -- 4. Sensō Sakusen Kirokuga: Seeing Japan's War Documentary Painting as a Public Monument -- 5. From Resplendent Signs to Heavy Hands: Japanese Painting in War and Defeat, 1937-1952 -- 6. How Gendai Bijutsu Stole the "Museum": An Institutional Observation of the Vanguard 1960s -- 7. Fashion Altars, Performance Factors, and Pop Cells: Transforming Contemporary Japanese Art, One Body at a Time -- II. Japanese Art of the Period in Its Cultural Context -- 8. The Creation of the Vocabulary of Aesthetics in Meiji Japan -- 9. Okakura Tenshin and Aesthetic Nationalism -- 10. Japanese Art Criticism: The First Fifty Years -- III. Individual Forms of Expression -- 11. Sculpture -- 12. Can Architecture Be Both Modern and "Japanese"? The Expression of Japanese Cultural Identity through Architectural Practice from 1850 to the Present -- 13. The Modern Japanese Garden -- 14. Japanese Prints 1868-2008 -- 15. Aspects of Twentieth-Century Crafts: The New Craft and Mingei Movements -- 16. Japanese Calligraphy since 1868 -- 17. Adoption, Adaptation, and Innovation: The Cultural and Aesthetic Transformations of Fashion in Modern Japan -- Contributors -- Index |
title_sub |
Perspectives on the Japanese Visual Arts, 1868-2000 / |
title_full |
Since Meiji : Perspectives on the Japanese Visual Arts, 1868-2000 / ed. by J. Thomas Rimer. |
title_fullStr |
Since Meiji : Perspectives on the Japanese Visual Arts, 1868-2000 / ed. by J. Thomas Rimer. |
title_full_unstemmed |
Since Meiji : Perspectives on the Japanese Visual Arts, 1868-2000 / ed. by J. Thomas Rimer. |
title_auth |
Since Meiji : Perspectives on the Japanese Visual Arts, 1868-2000 / |
title_alt |
Frontmatter -- Contents -- Preface -- Introduction -- I. Painting and the Allied Arts: From Meiji to the Present -- 1. Western-Style Painting: Four Stages of Acceptance -- 2. Japanese Painting from Edo to Meiji: Rhetoric and Reality -- 3. The Expanding Arts of the Interwar Period -- 4. Sensō Sakusen Kirokuga: Seeing Japan's War Documentary Painting as a Public Monument -- 5. From Resplendent Signs to Heavy Hands: Japanese Painting in War and Defeat, 1937-1952 -- 6. How Gendai Bijutsu Stole the "Museum": An Institutional Observation of the Vanguard 1960s -- 7. Fashion Altars, Performance Factors, and Pop Cells: Transforming Contemporary Japanese Art, One Body at a Time -- II. Japanese Art of the Period in Its Cultural Context -- 8. The Creation of the Vocabulary of Aesthetics in Meiji Japan -- 9. Okakura Tenshin and Aesthetic Nationalism -- 10. Japanese Art Criticism: The First Fifty Years -- III. Individual Forms of Expression -- 11. Sculpture -- 12. Can Architecture Be Both Modern and "Japanese"? The Expression of Japanese Cultural Identity through Architectural Practice from 1850 to the Present -- 13. The Modern Japanese Garden -- 14. Japanese Prints 1868-2008 -- 15. Aspects of Twentieth-Century Crafts: The New Craft and Mingei Movements -- 16. Japanese Calligraphy since 1868 -- 17. Adoption, Adaptation, and Innovation: The Cultural and Aesthetic Transformations of Fashion in Modern Japan -- Contributors -- Index |
title_new |
Since Meiji : |
title_sort |
since meiji : perspectives on the japanese visual arts, 1868-2000 / |
publisher |
University of Hawaii Press, |
publishDate |
2011 |
physical |
1 online resource (584 p.) : 164 illus., 30 in color Issued also in print. |
contents |
Frontmatter -- Contents -- Preface -- Introduction -- I. Painting and the Allied Arts: From Meiji to the Present -- 1. Western-Style Painting: Four Stages of Acceptance -- 2. Japanese Painting from Edo to Meiji: Rhetoric and Reality -- 3. The Expanding Arts of the Interwar Period -- 4. Sensō Sakusen Kirokuga: Seeing Japan's War Documentary Painting as a Public Monument -- 5. From Resplendent Signs to Heavy Hands: Japanese Painting in War and Defeat, 1937-1952 -- 6. How Gendai Bijutsu Stole the "Museum": An Institutional Observation of the Vanguard 1960s -- 7. Fashion Altars, Performance Factors, and Pop Cells: Transforming Contemporary Japanese Art, One Body at a Time -- II. Japanese Art of the Period in Its Cultural Context -- 8. The Creation of the Vocabulary of Aesthetics in Meiji Japan -- 9. Okakura Tenshin and Aesthetic Nationalism -- 10. Japanese Art Criticism: The First Fifty Years -- III. Individual Forms of Expression -- 11. Sculpture -- 12. Can Architecture Be Both Modern and "Japanese"? The Expression of Japanese Cultural Identity through Architectural Practice from 1850 to the Present -- 13. The Modern Japanese Garden -- 14. Japanese Prints 1868-2008 -- 15. Aspects of Twentieth-Century Crafts: The New Craft and Mingei Movements -- 16. Japanese Calligraphy since 1868 -- 17. Adoption, Adaptation, and Innovation: The Cultural and Aesthetic Transformations of Fashion in Modern Japan -- Contributors -- Index |
isbn |
9780824861025 9783110649772 9783110564143 9783110663259 9780824834418 |
callnumber-first |
N - Fine Arts |
callnumber-subject |
N - Visual Arts |
callnumber-label |
N7354 |
callnumber-sort |
N 47354.5 S56 42012EB |
era_facet |
1868-. |
url |
https://doi.org/10.1515/9780824861025 https://www.degruyter.com/isbn/9780824861025 https://www.degruyter.com/document/cover/isbn/9780824861025/original |
illustrated |
Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
700 - Arts |
dewey-ones |
709 - Historical, geographic & persons treatment |
dewey-full |
709.520903 |
dewey-sort |
3709.52 3903 |
dewey-raw |
709.52 0903 |
dewey-search |
709.52 0903 |
doi_str_mv |
10.1515/9780824861025 |
oclc_num |
1024049453 |
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Adoption, Adaptation, and Innovation: The Cultural and Aesthetic Transformations of Fashion in Modern Japan -- </subfield><subfield code="t">Contributors -- </subfield><subfield code="t">Index</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Research outside Japan on the history and significance of the Japanese visual arts since the beginning of the Meiji period (1868) has been, with the exception of writings on modern and contemporary woodblock prints, a relatively unexplored area of inquiry. In recent years, however, the subject has begun to attract wide interest. As is evident from this volume, this period of roughly a century and a half produced an outpouring of art created in a bewildering number of genres and spanning a wide range of aims and accomplishments. Since Meiji is the first sustained effort in English to discuss in any depth a time when Japan, eager to join in the larger cultural developments in Europe and the U.S., went through a visual revolution. Indeed, this study of the visual arts of the nineteenth and twentieth centuries suggests a fresh history of modern Japanese culture-one that until now has not been widely visible or thoroughly analyzed outside that country.In this extensive collection, which includes some 190 black-and-white and color reproductions, scholars from Japan, Europe, Australia, and America explore an impressive array of subjects: painting, sculpture, prints, fashion design, crafts, and gardens. The works discussed range from early Meiji attempts to create art that referenced Western styles to postwar and contemporary avant-garde experiments. There are, in addition, substantive investigations of the cultural and intellectual background that helped stimulate the creation of new and shifting art forms, including essays on the invention of a modern artistic vocabulary in the Japanese language and the history of art criticism in Japan, as well as an extensive account of the career and significance of perhaps the best-known Japanese figure concerned with the visual arts of his period, Okakura Tenshin (1862-1913), whose Book of Tea is still widely read today.Taken together, the essays in this volume allow readers to connect ideas and images, thus bringing to light larger trends in the Japanese visual arts that have made possible the vitality, range, and striking achievements created during this turbulent and lively period.Contributors: Stephen Addiss, Chiaki Ajioka, John Clark, Ellen Conant, Mikiko Hirayama, Michael Marra, Jonathan Reynolds, J. Thomas Rimer, Audrey Yoshiko Seo, Eric C. Shiner, Lawrence Smith, Shuji Tanaka, Reiko Tomii, Mayu Tsuruya, Toshio Watanabe, Gennifer Weisenfeld, Bert Winther-Tamaki, Emiko Yamanashi.</subfield></datafield><datafield tag="530" ind1=" " ind2=" "><subfield code="a">Issued also in print.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Art, Japanese</subfield><subfield code="y">1868-.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">ART / Asian / General.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Addiss, Stephen, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Ajioka, Chiaki, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Clark, John, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Conant, Ellen P., </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Hirayama, Mikiko, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Marra, Michael F., </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Reynolds, Jonathan M., </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Rimer, J. 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