Adapted for the Screen : : The Cultural Politics of Modern Chinese Fiction and Film / / Hsiu-Chuang Deppman.
Contemporary Chinese films are popular with audiences worldwide, but a key reason for their success has gone unnoticed: many of the films are adapted from brilliant literary works. This book is the first to put these landmark films in the context of their literary origins and explore how the best Ch...
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| Superior document: | Title is part of eBook package: De Gruyter Asian Studies Backlist (2000-2014) eBook Package |
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| VerfasserIn: | |
| Place / Publishing House: | Honolulu : : University of Hawaii Press, , [2010] ©2010 |
| Year of Publication: | 2010 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (288 p.) :; 112 illus. |
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Table of Contents:
- Frontmatter
- Contents
- Acknowledgments
- Introduction
- 1. Wang Dulu and Ang Lee: Artistic Creativity and Sexual Freedom in Crouching Tiger, Hidden Dragon
- 2. Su Tong and Zhang Yimou: Women's Places in Raise the Red Lantern
- 3. Eileen Chang and Stanley Kwan: Politics and Love in Red Rose (and) White Rose
- 4. Liu Yichang and Wong Kar-wai: The Class Trap in In the Mood for Love
- 5. Dai Sijie: Locating the Third Culture in Balzac and the Little Chinese Seamstress
- 6. Hou Xiaoxian and Zhu Tianwen: Politics and Poetics in A Time to Live, A Time to Die
- 7. Chen Yuhui and Chen Guofu: Envisioning Democracy in The Personals
- Conclusion
- Notes
- Bibliography
- Selected Filmography
- Index