DV-Made China : : Digital Subjects and Social Transformations after Independent Film / / ed. by Sheldon Hsiao-peng Lu, Zhen Zhang, Angela Zito.

In 1990s post-Reform China, a growing number of people armed with video cameras poured out upon the Chinese landscape to both observe and contribute to the social changes then underway. Happening upon the crucial platform of an older independent film movement, this digital turn has given us a "...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Asian Studies Contemporary Collection eBook Package
MitwirkendeR:
HerausgeberIn:
Place / Publishing House:Honolulu : : University of Hawaii Press, , [2015]
©2015
Year of Publication:2015
Language:English
Series:Critical Interventions
Online Access:
Physical Description:1 online resource (400 p.) :; 60 illustrations
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Table of Contents:
  • Frontmatter
  • Contents
  • Acknowledgments
  • Introduction
  • PART ONE Ethical and Political Stakes
  • CHAPTER 1. Marking The Body
  • CHAPTER 2. The Cruelty of the Social
  • CHAPTER 3. Filming Power and the Powerless
  • CHAPTER 4. The Spectacular Crowd
  • CHAPTER 5. DV-Made Tibet
  • CHAPTER 6. Chinese Independent Cinema in the Age of "Digital Distribution"
  • PART TWO Aesthetic and Activist Experiments
  • CHAPTER 7. Chinese Digital Shadows
  • CHAPTER 8. The Recalcitrance of Reality
  • CHAPTER 9. Crossing Cameras in China
  • CHAPTER 10. DV and the Animateur Cinema in China
  • CHAPTER 11. "To Whom Do Our Bodies Belong?"
  • CHAPTER 12. Toward a Digital Political Mimesis
  • APPENDIX I: Chinese and Non-Chinese Filmography/Videography
  • APPENDIX II: Tibetan Filmography/ Videography
  • Contributors
  • Index