Kabuki Plays on Stage. Volume 4 : : Restoration and Reform, 1872-1905 / / / ed. by James R. Brandon, Samuel L. Leiter.

• MitwirkendeR: Benkei, Funa,; Brandon, James R.,; Chöbei, Kiwametsuki Banzui,; Jishi, Ren,; Jishi, Shunkyö Kagami,; Leiter, Samuel L.,; Otoshi, Suö,; Rakugetsu, Hototogisu Kojö,; Shigeru, Onna Shosei,; Shinza, Kamiyui,; Sögorö, Sakanaya,
• HerausgeberIn: Brandon, James R.,; Leiter, Samuel L.,
• Author: Taiko, Sakai no,
• Place / Publishing House: Honolulu : : : University of Hawaii Press, , [2023]; ©2003
• Year of Publication: 2023
• Language: English
• Physical Description: 1 online resource (448 p.) :; 37 illus., 21 in color
• Other title: Frontmatter --; CONTENTS --; PREFACE --; INTRODUCTION --; Two Lions --; Sakai's Drum --; Shinza the Barber --; The Woman Student --; The Renowned Banzui Chöbei --; The Demon Ibaraki --; The Fishmonger Sogorö --; Benkei Aboard Ship --; Viewing the Autumn Foliage --; The Dropped Robe --; The Mirror Lion, a Spring Diversion --; A Sinking Moon over the Lonely Castle Where the Cuckoo Cries --; GLOSSARY --; SELECTED BIBLIOGRAPHY --; CONTRIBUTORS --; INDEX --; KABUKI PLAYS ON STAGE
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780824845919
• DOI: 10.1515/9780824845919
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: ed. by James R. Brandon, Samuel L. Leiter.

Restoration and Reform, 1872-1905, is the fourth and final volume in a monumental new series that traces kabuki's changing relations to Japanese society during the premodern era. The twelve plays translated in Volume 4 cover the remarkable Meiji period, which followed the restoration of the emperor as the leader of Japan. They reflect the years in which reform-minded leaders struggled to help Japan catch up with the West. Dramatists no less than others sought ways in which to bring their traditional art into the modern world and to bring international respectability to the national stage. Included are kabuki dance plays that strive to resemble nô and kyôgen; historical dramas that abandon theatrical fantasy and opt for accurate reproduction of ancient manners; domestic dramas featuring colorful heroes and heroines; pieces that introduce faddish Western properties and behavior; and a play that bridges the gap between the conventions of classical kabuki, Shakespeare, and modern psychological drama. Dominating the era are the works of Kawatake Mokuami, the last great kabuki playwright, while the dramaturgy of literary scholar Tsubouchi Shôyô brings kabuki into the twentieth century.