Selves in Question : : Interviews on Southern African Auto/biography / / ed. by Judith Lutge Coullie, Thomas Olver, Thengani H. Ngwenya, Stephan Meyer.

• Superior document: Title is part of eBook package: De Gruyter UHP eBook Package 2000-2013
• MitwirkendeR: Attwell, David,; Brown, Duncan,; Cartwright, Duncan,; Coullie, Judith Lütge,; Daymond, M. J.,; Farr, Vanessa,; Jolly, Margaretta,; Kiguli, Susan,; Lewis, Simon,; Lütge, Debbie,; McMurty, Mervyn,; Meyer, Stephan,; Michael, Cheryl-Ann,; Ngwenya, Thengani,; Nuttall, Sarah,; Opland, Jeff,; Raditlhalo, Sam,; Sienaert, Marilet,; Starck, Astrid,; Zeeman, Terence,
• HerausgeberIn: Coullie, Judith Lutge,; Meyer, Stephan,; Ngwenya, Thengani H.,; Olver, Thomas,
• Place / Publishing House: Honolulu : : University of Hawaii Press, , [2006]; ©2006
• Year of Publication: 2006
• Language: English
• Physical Description: 1 online resource (488 p.)
• Other title: Frontmatter --; Contents --; I. Introduction --; Auto/biographical Identities: Placing Selves in Question --; Auto/biographical Accounts in South Africa in Three Parts --; Thematic and Theoretical Issues in Southern African Auto/biography: An Overview --; Scope of the Collection --; Bibliography --; II. Singing the Praises, Performing the Persona --; Versions of a Life in Poetry --; People Feel No Event Is Complete without a Poet --; Folk Music as Popular Culture: A Life-history Approach --; III. Representing Silence --; I. Speak Their Wordless Woe --; Making History's Silences Speak --; IV. Relating the Self --; Creating a Climate for Change --; This Miracle of a Book . . . It's Just Like the Bible to Me --; Collaborators --; The Making of Katie Makanya --; V. Fact or Fiction --; All Autobiography Is Autre-biography --; We Would Write Very Dull Books If We Just Wrote about Ourselves --; Writing Autobiography and Writing Fiction --; VI. Subject to Metaphor --; Aquifers and Auto/biography in Namibia --; Reflections on Identity --; Rhythmic Redoublings --; VII. From Daughters to Mothers --; "Mummy, the Coolie Doctor Is at the Door" --; Why Do You Abandon Me? I Am Your Daughter. Re-presenting Dona Ermelinda --; Every Secret Thing as Family Memoir --; VIII. Disarming White Men --; White Men with Weapons: Performing Autobiography --; Reflections in a Cracked Mirror --; IX. Commemoration, Confession, Conversion --; These Two Autobiographical Books Are My Identity Document --; Philosophical Reflections on Chronicles of Conversion --; X. Confessing Sexualities --; Speaking about Writing about Living a Life --; Man-bitch: Poetry, Prose, and Prostitution --; XI. Re-collecting the New Nation --; Group Portrait: Self, Family, and Nation on Exhibit --; Resituating Ourselves: Homelessness and Collective Testimony as Narrative Therapy --; Glossary --; Contributors --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780824843502; 9783110564143; 9783110663259
• DOI: 10.1515/9780824843502
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: ed. by Judith Lutge Coullie, Thomas Olver, Thengani H. Ngwenya, Stephan Meyer.

Wide-ranging and engaging, Selves in Question considers the various ways in which auto/biographical accounts situate and question the self in contemporary southern Africa.The twenty-seven interviews presented here consider both the ontological status and the representation of the self. They remind us that the self is constantly under construction in webs of interlocution and that its status and representation are always in question. The contributors, therefore, look at ways in which auto/biographical practices contribute to placing, understanding, and troubling the self and selves in postcolonies in the current global constellation. They examine topics such as the contexts conducive to production processes; the contents and forms of auto/biographical accounts; and finally, their impact on the producers and the audience. In doing so they map out a multitude of variables--including the specific historical juncture, geo-political locations, social positions, cultures, languages, generations, and genders--in their relations to auto/biographical practices. Those interviewed include the famous and the hardly known, women and men, writers and performers who communicate in a variety of languages: Afrikaans, English, Xhosa, isiZulu, Sesotho, and Yiddish. An extensive introduction offers a general framework on the contestation of self through auto/biography, a historical overview of auto/biographical representation in South Africa up to the present time, an outline of theoretical and thematic issues at stake in southern Africa auto/biography, and extensive primary and secondary biographies.Interviewees: Breyten Breytenbach, Dennis Brutus, Valentine Cascarino, Vanitha Chetty, Wilfred Cibane, Greig Coetzee, J. M. Coetzee, Paul Faber, David Goldblatt, Stephen Gray, Dorian Haarhoff, Rayda Jacobs, Elsa Joubert, K. Limakatso Kendall, Ester Lee, Doris Lessing, Sindiwe Magona, Margaret McCord, N. Chabani Manganyi, Zolani Mkiva, Jonathan Morgan, Es'kia Mphahlele, Rob Nixon, Mpho Nthunya, Robert Scott, Gillian Slovo, Alex J. Thembela, Pieter-Dirk Uys, Johan van Wyk, Wilhelm Verwoerd, David Wolpe, D. L. P.Yali Manisi.