Gender and Power in the Japanese Visual Field / / ed. by Joshua S. Mostow, Maribeth Graybill, Norman Bryson.
In this, the first collection in English of feminist-oriented research on Japanese art and visual culture, an international group of scholars examines representations of women in a wide range of visual work. The volume begins with Chino Kaori's now-classic essay "Gender in Japanese Art,&qu...
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Superior document: | Title is part of eBook package: De Gruyter Asian Studies Backlist (2000-2014) eBook Package |
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Place / Publishing House: | Honolulu : : University of Hawaii Press, , [2003] ©2003 |
Year of Publication: | 2003 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (320 p.) :; 108 illus., 8 in color |
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Table of Contents:
- Frontmatter
- Contents
- Illustrations
- Acknowledgments
- 1. Introduction
- 2. Gender in Japanese Art
- 3. The Image of Women in Battle Scenes: “Sexually” Imprinted Bodies
- 4. The Gender of Wakashu and the Grammar of Desire
- 5. Marketing Desire: Advertising and Sexuality in Edo Literature, Drama, and Art
- 6.Westernizing Bodies: Women, Art, and Power in Meiji Yāga
- 7. Icons of Femininity: Japanese National Painting and the Paradox of Modernity
- 8. Images of Women in National Art Exhibitions during the Korean Colonial Period
- 9. The Otherness of Women in the Avant-Garde Film Woman in the Dunes
- 10. Gender in Contemporary Japanese Art
- 11. Busty Battlin’ Babes: The Evolution of the Shōjo in 1990s Visual Culture
- Notes
- Bibliography
- Contributors
- Index