Rhetoric in Modern Japan : : Western Influences on the Development of Narrative and Oratorical Style / / Massimiliano Tomasi.

• Superior document: Title is part of eBook package: De Gruyter Asian Studies Backlist (2000-2014) eBook Package
• VerfasserIn: Tomasi, Massimiliano,
• Place / Publishing House: Honolulu : : University of Hawaii Press, , [2004]; ©2004
• Year of Publication: 2004
• Language: English
• Physical Description: 1 online resource (224 p.)
• Other title: Frontmatter --; Contents --; Acknowledgments --; Introduction --; Part 1. The Tradition of Rhetoric --; 1. Western Rhetorical Tradition A Synopsis --; 2. Japanese Rhetorical Tradition Prior to the Meiji Era --; Part 2. History of Rhetoric --; 3. The Golden Age of Oratory --; 4. The Supremacy of the Written Medium --; 5. A New Course in Rhetorical Inquiry --; 6. The Taishō Years --; Part 3. Quest for a New Written Language --; 7. Rhetoric and the Genbun Itchi Movement --; 8. From Old to New Artistry Rhetorical Refinement as an Interpretive Paradigm --; 9. The Revival of Oratory in Late Meiji Japan --; Epilogue: Rhetoric and Modern Japanese Literature --; Notes --; Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780824840570; 9783110649772; 9783110564143; 9783110663259
• DOI: 10.1515/9780824840570
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Massimiliano Tomasi.

Rhetoric in Modern Japan is the first volume to discuss the role of Western rhetoric in the creation of a modern Japanese oral and narrative style. It considers the introduction of Western rhetoric, clarifying its interactions with the forces and synergies that shaped Japanese literature and culture in the late nineteenth and early twentieth centuries. Focusing on the Meiji and Taishō years (1868-1926), it challenges the prevailing view among contemporary scholars that rhetoric did not play a significant role in the literary developments of the period. Massimiliano Tomasi chronicles the blooming of scholarship in the field in the early 1870s, providing the first descriptive analysis and cogently articulated critique of the major rhetorical treatises of the time. In discussing the rise of public speaking in early Meiji society, he unveils the existence of crucial links between the study of rhetoric and the social and literary events of the time, underscoring the key role played by oratory both as a tool for social modernization and as an effective platform for the reappraisal of the spoken language. The collusion and conflicts characterizing rhetoric and its relationship with the genbun itchi movement, which sought to unify spoken and written language, are explored, demonstrating that their perceived antagonism was the uh_product of a misguided notion of rhetoric and the process of rhetorical signification rather than a true theoretical conflict. Tomasi makes a convincing argument that, in fact, Western rhetoric mediated between these equally compelling pursuits and paved the way toward an acceptable compromise between classical and colloquial written styles.