Situated Testimonies : : Dread and Enchantment in an Indonesian Literary Archive / / Laurie J. Sears.

• Superior document: Title is part of eBook package: De Gruyter Asian Studies Backlist (2000-2014) eBook Package
• VerfasserIn: Sears, Laurie J.,
• Place / Publishing House: Honolulu : : University of Hawaii Press, , [2013]; ©2013
• Year of Publication: 2013
• Language: English
• Physical Description: 1 online resource (328 p.) :; 10 illus., 1 map
• Other title: Frontmatter --; Table of Contents --; Preface --; Acknowledgments --; Note on Conventions --; Selected Timeline of Indies and Indonesian Histories --; Introduction: The Afterwardsness of History --; Chapter 1. Desire, Phantoms, and Commodities: Maria Dermoût's Colonial Critique --; Chapter 2. At Home and Not at Home in Empire: Transnational Phantasies of Colonial Modernity --; Chapter 3. A Neurotic Family Romance of Modernity and the National Form --; Chapter 4. The End of the Nationalist Romance --; Chapter 5. Trauma and Its Doubles in Postcolonial Masculinity --; Chapter 6. Masculinist Trauma and Feminist Melancholia --; Afterword: Trauma, Translation, and a Critical Path --; Notes --; Glossary --; Selected Bibliography --; Index --; About the Author
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780824839116; 9783110649772; 9783110564143; 9783110663259
• DOI: 10.1515/9780824839116
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Laurie J. Sears.

The Indonesian writer Pramoedya Ananta Toer made a distinction between a "downstream" literary reality and an "upstream" historical reality. Pramoedya suggested that literature has an effect on the upstream flow of history and that it can in fact change history. In Situated Testimonies Laurie Sears illuminates this process by considering a selection of Dutch Indies and Indonesian literary works that span the twentieth century and beyond and by showing how authors like Louis Couperus and Maria Dermoût help retell and remodel history.Sears sees certain literary works as "situated testimonies," bringing ineffable experiences of trauma into narrative form and preserving something of the dread and enchantment that animated the past. These literary works offer a method of reading the emotional traces that historians may fail to witness or record-traces that elude archival constructions where political factors or colonial conditions have influenced processes of what is preserved and how it is shaped. Sears' use of Donna Haraway's notion of "situatedness" reiterates the idea that all of us speak from somewhere. Testimony, especially eyewitness testimony, is a gold standard in historical methodology, and the authors of literary works are eyewitnesses of their time. But the works of authors like Tirto Adhi Soerjo and Soewarsih Djojopoespito are first of all written as literature, and literary or stylistic devices cannot be ignored.Sears finds substantial evidence of the movement of psychoanalytic theories between Europe and the Indies/Indonesia throughout the twentieth century. She concludes that far from being only a Jewish or European discourse, psychoanalysis is a transnational discourse of desire that has influenced Indies and Indonesian writers for more than a century. Psychoanalytic ideas, and the suggestion by French psychoanalyst Jean Laplanche and Indonesian author Ayu Utami that memories, like literature, can move us back and forth in time, have inspired Sears' thinking about historical archives, literature, and trauma.Soekarno's words haunt this book as he haunts Indonesia's past. Situated Testimonies rewrites portions of the literary and social history of Indonesia over a sweep of many decades. Historians, scholars of literary theory, and Indonesianists will all be interested in the book's insights on how colonial and postcolonial novels of the Indies and Indonesia illuminate nationalist narratives and imperial histories.