From Fu Manchu to Kung Fu Panda : : Images of China in American Film / / Naomi Greene; ed. by Sheldon Hsiao-peng Lu.
Throughout the twentieth century, American filmmakers have embraced cinematic representations of China. Beginning with D.W. Griffith's silent classic Broken Blossoms (1919) and ending with the computer-animated Kung Fu Panda (2008), this book explores China's changing role in the American...
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Superior document: | Title is part of eBook package: De Gruyter Asian Studies Backlist (2000-2014) eBook Package |
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Place / Publishing House: | Honolulu : : University of Hawaii Press, , [2014] ©2014 |
Year of Publication: | 2014 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (288 p.) :; 31 illustrations |
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Table of Contents:
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgments
- 1. The Pendulum Swings . . . And Swings Again
- 2. East Meets West: Cultural Collisions and Marks of Difference
- 3. Questions of Otherness: From Opium Pipes to Apple Pie
- 4. The Cold War in Three Acts
- 5. The World Splits in Two
- 6. Challenges and Continuities
- Afterword: The Darkening Mirror
- Notes
- Bibliography
- Index
- About the Author